Journalistic Review: Pure Onyx triple H or not?

TheComedian.

Member
May 31, 2018
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Hello, this column was born from the desire to make F95 also a freepress zone in the H games sector.
The aim is to understand what makes a triple H game and how developing a triple H has even higher standards!
a journalistic tag would be helpful

Pure Onyx triple H or not?

Pure Onyx differs from other indie H developments, because it was banned from Patreon...
However, other much crappier, much slower, more offensive and depraved productions were not.
All this makes us suspect that behind the donation campaigns there is a sort of conspiracy, pyramid schemes that attack dangerous productions that could raise the standard of the H games sector by cutting out all the failed scammers.
Pure Onyx is conspiratorial so it could be a triple H

Pure Onyx had a very slutty development.
Eromancer, it was born as an RPG that many liked and then it was converted to an ACT.
Changing the production is a terrible idea and in fact it was frowned upon, what little narrative strength there was has been completely bukkaked,
the lack of narrative vision seriously damages the work.

Pure Onyx brought innovation!
was ahead of its time, and if a remaster were made now, I think it would slap everyone with its dick.
In fact, Pure Onyx could have opted for a -like graphical style, thus also considering the possibility of creating the much-desired, wet RPG.
Spending the entire budget on sleek, 3D graphics is beyond commentary because it's innovation, since it begs the question:
why couldn't Capcom make a Pure Onyx using characters from the Darkstalkers series? Or an ACT version of Street Fighter...

Finally, a noteworthy mention:
Although the idea behind Spooky Starlets was noble—that everyone deserves to be fucked—the characters appear very iconic and charismatic, even more so than Pure Onyx, lending themselves well to a mix of Medievil and Darkstalker...
Unfortunately, the team seems more interested in curing buckets and making industries than respecting their own creations.
This poor management of artistic and financial resources is common to both titles, leading them to struggle like donkeys.
 
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