Spoilers obviously. And focus is on the negatives. Well one major negative, which involves other smaller ones (pacing, characterisation, narrative structure, and on)
Ok so, maybe it's just people like me, but if you introduce CSA as a major part of a character's history (and play it straight)...then that shit tends to hang some heavy tension on the story from that point on until there's a narrative resolution to it that's coherent with the story that's being told. It doesn't need to be all happy in the end, it doesn't need to be realistic, it doesn't need to end well, it doesn't even need to follow a narrative arc. But it needs to feel like what that part of a character's history says about their relationship with the protagonist is addressed so that, if you don't want to make that the be all and end all of your narrative then the player is ok with leaving that where you the writer want them to. That...does not happen here. And boy does that lack of resolution make the sex scenes feel like irrelevant diversions away from that hanging tension that just...doesn't go away. And why would it? The basic relational archetype for bro/sis incest is the brother as protective, nurturing, and "macho" whenever some assertiveness or strength is required for either of the first two...yet the CSA in this story is explicitly about a failure to protect, and one that's so long ago there's not really anything he can do about it. I thought the end point would be what I might call a "modern" resolution: the "traditional" resoultion would be where the protector makes up for past "failure" by getting some typically violent retribution on the abuser, the modern would be making up for the "failure" by way of being nurturing, understanding, ready to do whatever it takes (even if it's just listening or waiting) to help with the healing process. But here the story focusses mostly on the latter...then just drops the thread without ever resolving, well anything really, but specifically without any pay-off -any moment that tries to ease the sense of past failure by tying it to some clear point of her turning a corner in whatever her process is*- while including a random, hard diversion into the former that...also lacks any resolution whatsoever (like really? not even a news article? not a peep nor word in this surburban town when a nominally esteemed educator suddenly drops off the radar? nothing the mum who knows what he did and lives in the area ever gets wind of and mentions off-handedly? ...ok). I went through the story after dropping off most of the other potential LIs pretty early and even the minor diversions that popped up with Lisa (the one I left kinda hanging) felt almost wildly inappropriate. Like, I know you might be going through some heavy shit there sis but let's forget about that for a bit while I play some "will he, won't he" about potentially fucking some other girl real quick. And sure, she doesn't seem to have much problem with it, but I sure as fuck felt having the MC suddenly start acting like adding any potential uncertainty on her end about the security of your relationship was a real fucking bad move given the circumstances. And that was just trimming off one last LI hanging thread, I can't imagine how much more awkward shit might be if you're mixing in a long-term relationship with another girl, and banging multiple other women in with your sister/lover's trying to work through their past trauma.
But maybe worse than any of that (though related), and this might just be much more of a "me" thing but it...it really starts to feel a bit more like some hard taking advantage when there's sex going on with someone who hasn't fully processed their past trauma when you're framed as like a nurturing, parental kinda figure. It makes the sex feel more like something she might not have chosen were she on the other side of that process, cause it could seem like an unhealthy response to an irrational fear of losing the only close, safe, secure person in their life (irrational either because you could always remain as close as you both wanted to whatever happens, or because the typical degree of separation that forms between family as they progress into adulthood is something they could come to accept as natural or ok with more time and perspective). And while that might just sound neutral in the context of a story with this kind of content (just because there's sex involved doesn't of necessity link everything in that area to past abuse), the choices of her kinks in this story seem almost tailormade for making shit seem like a coping mechanism or something. Like, she's taken advantage of by a much older guy and clear authority figure when she's underage in part by him exploiting the innocence you get in teens of that age...and the adult kinks she has with her brother involve wanting to be disciplined sexually by an authority figure for being bad (at times for being a naive yet naughty temptress...which is literally what the abuser said she was doing to him to justify his abuse...like...JFC), being childish, impulsive, and immature, and she approaches the bro/sis relationship by basically saying she can't/won't have any say in whether you two cross the line and would rather have you take responsibility for her sexuality for her so she doesn't need to have any sense of agency in whatever happens, it just happens to her (like...abuse...tends to).
Just...idk how to finish any of that. Suffice it to say that, playing through to the end I started to get an ominous sense that there was going to be some sort of narrative twist where it turns out the point the writer was going for was actually that "incest is bad, mmkay", and that you actually shouldn't have gone along with her pushing of the intimacy boundaries because that was just feeding an unhealthy coping mechanism or whatever. It didn't be that way in the end, but maybe saying I was feeling that sense pretty fucking strongly as the story went on can convey just how...discordant things felt at times.
*and yes that kind of narrative contrivance (where trauma or mental illness or whatever is magically just "solved" at some point by way of finding the correct solution) can seem very contrived, but shit even in reality people do get better relative to how they were suffering before -people who come out the other side of a depressive episode eventually stop wanting to die and start being able to feel some joy and shit, people who overcome addiction start to find a life outside of the shadow of their addictant even if overcoming it is always a process in their lives- and even a narrative aiming for realism can create resolution by focusing on any one of those small moments that naturally occur as shit gets better: take a pause and get a bit weepy when you see your depressed lover smile for the first time in months or whatever.
And also, finally, yeah her becoming extra childish towards the end was both very weird given...all of the above (the story tries to get a lot of mileage out of framing your lack of insight into her healing process like something's going wrong, like she's lying about going to therapy, etc., which makes the shift in characterisation seem like yet another warning sign of shit going wrong) and...well also given all of the above, but this time in the sense that because it's not a warning or a red herring it seems really out of nowhere. And the pacing towards the end really falls off (I thought that was just cause I dropped all the other women but reading a few other reviews that doesn't seem to necessarily be the case), while the ending(s?)...wherever they were really didn't feel like endings or conclusions or natural high or finishing or satisfying narrative points. Which would probably be fine in a true SoL game, but not so much in a game with an unresolved CSA arc and a pregnancy ending in a story that tries to take incest seriously but never even brushes up against the question of biology as it might relate to fraternal twins having a kid (and shit I don't know the biology, it might be totally fine in most cases, but it's usually a pretty big angle when it comes to incest so leaving it entirely unaddressed in a pregnancy ending makes the ending seem even more incomplete/abrupt -and yes I know this game is technically supposed to be coherent as a...idk, really close childhood friends(?) kinda story so anything really heavy on the biology would seem wildly out of place in that context, but you could at least still hint at it within a more conventional-sounding "the doctor did a genetic or whatever test as part of a routine, or because there's maybe some inheritable disease risk somewhere on someone's family line and it all came out healthy" line dropped in somewhere)
Editing to add that the pacing and structure is actually kind wonk from early on. I get why both Haley and MC would push for his relationship with Sandra despite/because of their feelings for each other, but the system of choices ends up feeling much less impactful given the force of narrative inertia if you don't want to go along reasonably exactly with the direction it's heading. You can pick most/all of the choices that aren't in the direction of getting closer with Sandra and still end up spending a decent chunk of the story in a relationship that feels too separate from the one developing between Haley and MC -important because, given both their relationship and the relationship with Sandra are the ones carried by that inertia, the less reason there is for their connection the more pointlessness the player will feel through the story the more they are checked out of one of them. Playing from the perspective of someone who went with Haley pretty exclusively from the start, there were hints here and there that Sandra's role in that context might be something like a "beard" for their covert incesting. But it never ends up committing in that direction, at least if you're indifferent to Sandra throughout. It might push more in that direction if you aren't indifferent to her, but if it does that doesn't really help with having the relationship with her feel kinda pointless to be stuck with if you are.
More generally given how heavy the relationship with Haley is and how committed the writer it is to exploring it, the fact of having other women around seems kinda superfluous. Or at least, given this is Haley's story, it would seem that any other potential LIs should've been included on the basis of their connection to her and her journey specifically as much (or probably even more tbh) as on any connection with the protag.
Also, much as all the focus on negative might suggest a lower score, I'd say the extent to which I've felt compelled to comment on this game is something I take as indicating a fair amount of good and interesting it has in parts of it, even though I don't feel that many of them came off or came together well (or as well as they might have) in the end.
Ok so, maybe it's just people like me, but if you introduce CSA as a major part of a character's history (and play it straight)...then that shit tends to hang some heavy tension on the story from that point on until there's a narrative resolution to it that's coherent with the story that's being told. It doesn't need to be all happy in the end, it doesn't need to be realistic, it doesn't need to end well, it doesn't even need to follow a narrative arc. But it needs to feel like what that part of a character's history says about their relationship with the protagonist is addressed so that, if you don't want to make that the be all and end all of your narrative then the player is ok with leaving that where you the writer want them to. That...does not happen here. And boy does that lack of resolution make the sex scenes feel like irrelevant diversions away from that hanging tension that just...doesn't go away. And why would it? The basic relational archetype for bro/sis incest is the brother as protective, nurturing, and "macho" whenever some assertiveness or strength is required for either of the first two...yet the CSA in this story is explicitly about a failure to protect, and one that's so long ago there's not really anything he can do about it. I thought the end point would be what I might call a "modern" resolution: the "traditional" resoultion would be where the protector makes up for past "failure" by getting some typically violent retribution on the abuser, the modern would be making up for the "failure" by way of being nurturing, understanding, ready to do whatever it takes (even if it's just listening or waiting) to help with the healing process. But here the story focusses mostly on the latter...then just drops the thread without ever resolving, well anything really, but specifically without any pay-off -any moment that tries to ease the sense of past failure by tying it to some clear point of her turning a corner in whatever her process is*- while including a random, hard diversion into the former that...also lacks any resolution whatsoever (like really? not even a news article? not a peep nor word in this surburban town when a nominally esteemed educator suddenly drops off the radar? nothing the mum who knows what he did and lives in the area ever gets wind of and mentions off-handedly? ...ok). I went through the story after dropping off most of the other potential LIs pretty early and even the minor diversions that popped up with Lisa (the one I left kinda hanging) felt almost wildly inappropriate. Like, I know you might be going through some heavy shit there sis but let's forget about that for a bit while I play some "will he, won't he" about potentially fucking some other girl real quick. And sure, she doesn't seem to have much problem with it, but I sure as fuck felt having the MC suddenly start acting like adding any potential uncertainty on her end about the security of your relationship was a real fucking bad move given the circumstances. And that was just trimming off one last LI hanging thread, I can't imagine how much more awkward shit might be if you're mixing in a long-term relationship with another girl, and banging multiple other women in with your sister/lover's trying to work through their past trauma.
But maybe worse than any of that (though related), and this might just be much more of a "me" thing but it...it really starts to feel a bit more like some hard taking advantage when there's sex going on with someone who hasn't fully processed their past trauma when you're framed as like a nurturing, parental kinda figure. It makes the sex feel more like something she might not have chosen were she on the other side of that process, cause it could seem like an unhealthy response to an irrational fear of losing the only close, safe, secure person in their life (irrational either because you could always remain as close as you both wanted to whatever happens, or because the typical degree of separation that forms between family as they progress into adulthood is something they could come to accept as natural or ok with more time and perspective). And while that might just sound neutral in the context of a story with this kind of content (just because there's sex involved doesn't of necessity link everything in that area to past abuse), the choices of her kinks in this story seem almost tailormade for making shit seem like a coping mechanism or something. Like, she's taken advantage of by a much older guy and clear authority figure when she's underage in part by him exploiting the innocence you get in teens of that age...and the adult kinks she has with her brother involve wanting to be disciplined sexually by an authority figure for being bad (at times for being a naive yet naughty temptress...which is literally what the abuser said she was doing to him to justify his abuse...like...JFC), being childish, impulsive, and immature, and she approaches the bro/sis relationship by basically saying she can't/won't have any say in whether you two cross the line and would rather have you take responsibility for her sexuality for her so she doesn't need to have any sense of agency in whatever happens, it just happens to her (like...abuse...tends to).
Just...idk how to finish any of that. Suffice it to say that, playing through to the end I started to get an ominous sense that there was going to be some sort of narrative twist where it turns out the point the writer was going for was actually that "incest is bad, mmkay", and that you actually shouldn't have gone along with her pushing of the intimacy boundaries because that was just feeding an unhealthy coping mechanism or whatever. It didn't be that way in the end, but maybe saying I was feeling that sense pretty fucking strongly as the story went on can convey just how...discordant things felt at times.
*and yes that kind of narrative contrivance (where trauma or mental illness or whatever is magically just "solved" at some point by way of finding the correct solution) can seem very contrived, but shit even in reality people do get better relative to how they were suffering before -people who come out the other side of a depressive episode eventually stop wanting to die and start being able to feel some joy and shit, people who overcome addiction start to find a life outside of the shadow of their addictant even if overcoming it is always a process in their lives- and even a narrative aiming for realism can create resolution by focusing on any one of those small moments that naturally occur as shit gets better: take a pause and get a bit weepy when you see your depressed lover smile for the first time in months or whatever.
And also, finally, yeah her becoming extra childish towards the end was both very weird given...all of the above (the story tries to get a lot of mileage out of framing your lack of insight into her healing process like something's going wrong, like she's lying about going to therapy, etc., which makes the shift in characterisation seem like yet another warning sign of shit going wrong) and...well also given all of the above, but this time in the sense that because it's not a warning or a red herring it seems really out of nowhere. And the pacing towards the end really falls off (I thought that was just cause I dropped all the other women but reading a few other reviews that doesn't seem to necessarily be the case), while the ending(s?)...wherever they were really didn't feel like endings or conclusions or natural high or finishing or satisfying narrative points. Which would probably be fine in a true SoL game, but not so much in a game with an unresolved CSA arc and a pregnancy ending in a story that tries to take incest seriously but never even brushes up against the question of biology as it might relate to fraternal twins having a kid (and shit I don't know the biology, it might be totally fine in most cases, but it's usually a pretty big angle when it comes to incest so leaving it entirely unaddressed in a pregnancy ending makes the ending seem even more incomplete/abrupt -and yes I know this game is technically supposed to be coherent as a...idk, really close childhood friends(?) kinda story so anything really heavy on the biology would seem wildly out of place in that context, but you could at least still hint at it within a more conventional-sounding "the doctor did a genetic or whatever test as part of a routine, or because there's maybe some inheritable disease risk somewhere on someone's family line and it all came out healthy" line dropped in somewhere)
Editing to add that the pacing and structure is actually kind wonk from early on. I get why both Haley and MC would push for his relationship with Sandra despite/because of their feelings for each other, but the system of choices ends up feeling much less impactful given the force of narrative inertia if you don't want to go along reasonably exactly with the direction it's heading. You can pick most/all of the choices that aren't in the direction of getting closer with Sandra and still end up spending a decent chunk of the story in a relationship that feels too separate from the one developing between Haley and MC -important because, given both their relationship and the relationship with Sandra are the ones carried by that inertia, the less reason there is for their connection the more pointlessness the player will feel through the story the more they are checked out of one of them. Playing from the perspective of someone who went with Haley pretty exclusively from the start, there were hints here and there that Sandra's role in that context might be something like a "beard" for their covert incesting. But it never ends up committing in that direction, at least if you're indifferent to Sandra throughout. It might push more in that direction if you aren't indifferent to her, but if it does that doesn't really help with having the relationship with her feel kinda pointless to be stuck with if you are.
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Also, much as all the focus on negative might suggest a lower score, I'd say the extent to which I've felt compelled to comment on this game is something I take as indicating a fair amount of good and interesting it has in parts of it, even though I don't feel that many of them came off or came together well (or as well as they might have) in the end.