By reading, reading and reading again, this while in between writing, writing and writing again.How do I improve my story writing skills?
If you don't anguish over it for days and rewrite it at least four times, you're not doing it properly!I'm currently modding an old Renpy game and I wanted to fix/improve the story and dialogs but I seem to make it more worse. How do I improve my story writing skills? Any suggestions?
My problem > Skill issue! Skill issue? Skill issue.
That's an important point.I'm not saying every bit of dialogue has to be important for the story but there needs to be a reason it is there.
OP, this is my number one technique when reviewing and editing dialogue for other people's games.The easiest one, while still being relatively effective, is to say the dialog out loud.
OP, this is my number one technique when reviewing and editing dialogue for other people's games.
Picture the scene in your mind. Read the words out loud... (internally maybe)... and then you will *hear* the parts that are cringe/unrealistic because they stand out like a AI-CG art photoshopped into a hand drawn comic.
Yep, that. Keep writing, and then if after a couple of days you can read your own stuff and didn't think that it's shit - it means it's slowly becoming readable. Writing a story outline is fun. Writing text/dialogue that you put in-game - is very hard. That's why there are so many posts "I want to make a game" with some bad/good/great ideas, that don't come to fruition because making outlines and writing production content are drastically different processes.“The most essential gift for a good writer is a built-in, shockproof, shit detector. This is the writer’s radar and all great writers have had it.” Ernest Hemingway
Most writers will write, edit, rewrite, edit, etc. etc. until their shit detector stops going off. Then they'll return to the scene after a couple of weeks/months and repeat the process. When the proof readers/editors get hold of the first draft they will tear it apart again, more edits during the second draft and so on and so on. I'm sure there are supremely gifted individuals who can produce a great first draft on their first attempt, but for the rest (professional writers), creating a story is an iterative, OCD fueled exercise that literally drive some crazy.
Not saying that anybody here should go to these extremes, but producing dialog that does not grate, does not drag and moves the story forward will probably require numerous rewrites. At least the OP realizes that the dialog is flawed, which is a good start .The shit detector seems to be working fine!
This, right here, is great advice. I do this myself, on the rare occasion I actually have time to write, and was doing it over 30 years ago when I was actively writing short stories. And it does work better if you have another person to read against, almost like actors rehearsing a scene. Record it, then go back and listen to it.This being said, there's still way to improve your writing.
The easiest one, while still being relatively effective, is to say the dialog out loud. Bonus point if there's someone that could help you by "playing" the other characters. It help you catch the problem in a particular dialog line, as well as to catch the problems with the pace of the discussion, the tone of a dialog line when put in regard to the others, and all the generic errors that make a dialog be really bad.
This is a really good piece of advice. Basically what i'm trying to say.Generally good writers know relatively well their characters, including totally irrelevant details regarding their life, that only them will ever know, but that are representative of their personality.
Sandra couldn't wait for Robert to start working at the company.I agree with anne O'nymous. And there is more truth in what Nicke then she let on. Write your first draft. leave it for a couple of days re-read the draft. See what doesn't flow and re-write. All arts have periods of working, waiting, working.
Some tips of my own:
Why is the dialogue important. I recently read a story where the author had realistic dialogue (see spoiler) but it made it a chore to read. All that was important in that scene was how the character felt about his first day at work. (I think the original dialogue also had something about what the wife was going to do the day after before she asked about her husband) You can lead it in with a sentence or two but you need to make choices.
The staff member was superfluous in the scene and added nothing. Now if they were discussing something secret, something embarrassing or even having a footie under the table this would be different. You'd have the tension in the air as the oblivious waitress does her thing.
I'm not saying every bit of dialogue has to be important for the story but there needs to be a reason it is there.
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Make sure the characters have a background. It is hard to write good dialogue if the characters personalities are big dick and cock/finger/tongue sleeve. It doesn't need to be an amazing character background but it can be as simple as having limits to what they are willing to do or discus and/or giving them a goal. Of course having a bigger background makes things easier later on but don't go overboard. like a one page background is probably more than you need.