Thanks for the feedback
I knew the poses had some issues. Your feedback helped me pinpoint better what it was and how to improve them.
yw. I'm still learning how to do good "action poses," but this was one of the first lessons that "they" emphasized. (In rather graphic detail - think of two sumo wrestlers leaning on one another, as opposed to standing next to one another. LOL)
Having said that I still think that a little muscle flex would have been a nice detail to have and would have sold the struggle at least a little.
I'm not arguing that it wouldn't be an improvement. But it's also a non-trivial problem. There's a significant difference between how, say, a bicep looks when one's arm just bends normally, versus how it looks with the same degree of bend while holding a heavy weight or applying a lot of force. Despite being in exactly the same pose, the two different cases involve very different muscle action and thus different levels of tension, bulge, tendon definition, etc. So, there's really no automated way for
any program to distinguish between the two cases. At least, none that I can think of. Hence... sliders. LOL
The camera angle had focus on the bystanders for a reason so it was bad by design. Not important for now though.
I rather assumed that was the case. Of course, you could possibly convey "action" with a bit of camera work and multiple shots. A close-up, dutch-angle of the two engaged with one another to make it clear that the two are fighting, followed by a shot more like this one, but with the fighters slightly out of focus so that the attention is drawn to the individuals who are watching, emphasizing the spectators as opposed to the fighters, and meaning that you need less explicitly "we're fighting" posing in the second shot. (Translation - you cheat. LOL)
Also, if you wanted to get tricky, you could consider rendering the fighting figures in the foreground separately from the background, composite the two in Photoshop or GIMP, and add just a little bit of motion blur to hands or whatever in the foreground. Assuming, of course, that the image being shown has a hand or fist or foot or whatever in motion, as opposed to that instant where it comes in contact and stops.
Of course, this is me commenting on camera work without any real clue of the script, etc. LOL I just can't resist throwing my $0.02 in...
Good luck with it all!