sandwichpuncher For me as human it doesn't matter what religion, what skin color, thinking or if the person is poor or rich it's a human nothing more and nothing less.
Yeah it may be a weird thing to just let the MC walk away, but at my thinking it shows even more strength to just leave then beating the shit out of them or kill them.
Does it really make the MC a loser or a winner.
Think about it.
That's a nice sentiment, but all that is, a sentiment. In that situation, there's barely anyone who'd just walk through them and pack and leave, especially not when he blows up in the scene before at his former boss for firing him. Then he doesn't blow up at the scene of his girlfriend and father doing that kind of betrayal? That's not strength, barely a human reaction, especially with what happens just before that. It's a way for you as the storywriter to set up the basic, and cementing as that by trying to leave it behind as soon as possible, and propel the story forward, which doesn't work out because the situation itself. I'm almost sure the majority frowns upon that, and leaves a dissatisfied taste behind, and they can't concentrate on the future, or the story that comes afterward, since it does feel that shit is unfinished. Imho, at that place, either you should've followed with the flow and the personality we saw of the character by the previous scene and how he handled the firing scenario, or make it a choice, where
a, you make him blow up at them at least with some shouting and name calling
b, make him punch the shit out of the dad at least
c, do the same as he does now for those who think similarly as you (if you'd make a poll that would be a small minority)
When you begin the whole thing with a scene that at best feels unfinished or unsatisfactory, it is hard to immerse yourself with the rest of the story, regardless of your intentions.
