- Sep 24, 2017
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If I remember well you get it at the end of her quest, but i might be wrong.Do you know how to get this one time choice? I have her as a companion but I don't see a challenge option...
If I remember well you get it at the end of her quest, but i might be wrong.Do you know how to get this one time choice? I have her as a companion but I don't see a challenge option...
I just started a new game to test it, completed Land of Milky Honey and Sweetest Climax but I didn't get a challenge option... maybe they added this in a recent update? I only have the Steam version (0.3.27) so I think I am couple versions behind...If I remember well you get it at the end of her quest, but i might be wrong.
OK, I checked Wiki (I know, that's cheating) and basically during the initial encounters, if you win against her and select dominant options post battles you will be dom, if you lose you will be a sub. You can let her challenge you if you are dom.I just started a new game to test it, completed Land of Milky Honey and Sweetest Climax but I didn't get a challenge option... maybe they added this in a recent update? I only have the Steam version (0.3.27) so I think I am couple versions behind...
Do you know how to get this one time choice? I have her as a companion but I don't see a challenge option...
If I remember well you get it at the end of her quest, but i might be wrong.
Right. The challenge option should become available after her quest (when she's become a companion), if you've been the dominant partner thus far. If she's already the domme, there wouldn't be much point.OK, I checked Wiki (I know, that's cheating) and basically during the initial encounters, if you win against her and select dominant options post battles you will be dom, if you lose you will be a sub. You can let her challenge you if you are dom.
Okay, I understand now, thanks!Right. The challenge option should become available after her quest (when she's become a companion), if you've been the dominant partner thus far. If she's already the domme, there wouldn't be much point.
I wonder what names for the baby bag did they invent this time
- Arona has some new scenes in support of her impregnating the PC, showing off just how much she adores your baby bump… (
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Womb.I wonder what names for the baby bag did they invent this time
I'll add my tibits about points 2, 4 and 5!The reason why a lot of characters do not get updated content regularly is down to few things.
1) They are not that popular. Just because you like it does not mean rest of the player base like it. Which probably leads to Savin and Co. pushing there content aside. Still, some writers enjoy writing for those characters enough that they will push through it even if most people do not care for it (See half of Bubblelord characters and his insistence on making Takahiro lovable).
2) The writer is not constant part of the writing team and they have other projects. Some authors, such as B and Gardeford just seem to write whenever they have time for so most of there characters recieve contents in short bursts. And since a lot of other writers do not have time to write for others (except if you are Observer that mad lad) they are left on the previrbial shelf on further notice. And just now, Atugias head rolled past me like tumble weed.
3) Some characters do not have that big of plans for them so they are mostly used as way to build on world and its inhabitants while also fulfiling specific sexual kink and design space that other existing characters maybe do not have reason or need to fulfill. They maybe will get something in the future but do not count on it. Look at random enemy encounters for example.
4) Artist got bored of them or left the team and no one wants to write instead of them . Now this is one I can hardly think of for examples since I do not have any of the authors to ask them directly and it rarely feels like character is just left for dead because author got bored of them. Goblin milf and most of town merchants could be argued to fall into that category. But at same time, Goblin MILF author just does not write much and merchants really do not need to have that much content around them since there primary thing is to sell loot. So yeah hard to tell.
And this last one is most important one in my opinion
5) The amount of content character gets is by the will of the writer or larger group colective (Savins choice). Characters are main content in this game. You know it, Savin and co know it, we all know it. Spreading out release of content for popular and planed NPCs not only makes us, the players , look forwoard to seeing more of there content, but it also keeps audience constantly engage. It also allows authors not to get burned out writing for same NPCs, it allows them to develop according to happenings in the story and it makes eventual release all that sweeter.
While yes, this all can lead to major case of blue balls, I think it is effective way of keeping us all engaged. How many of you are not opening this forum or there sites in hopes of seeing your favorite characters name writen in the patch notes. Until you realise it is just updated CG while Cait has gained all new content involving her new kitty prick. Writen by Observer, anal scene cowriten by Savin.
This is also off the record known among the writers as "The Observer Schtick" for several obvious reasons.Submission guideline said:I understand that any submitted characters may have bad things happen to them. Characters may grow new genitalia, lose existing genitals, be killed by pirates, or enslaved by bad guys (including player characters) in the future. Fenoxo will attempt to have my characters behave in keeping with their personality, but due to the nature of the game, personality-altering events may occur.
None of this is that surprising, though it is pretty disappointing to hear this is how it works.I'll add my tibits about points 2, 4 and 5!
Since I know one of the commissioned writers (for TiTS, afaik they didn't do anything for CoC2), I'll have some insider acknowledgment of what we already expect and what you've just said above.
Anyway, my friend really doesn't know the why and how but some writers just plain forbid any other collaborators on working on their stuff and the management is like "Okay, sure". Their creation is now off limits, even long after they have left the writing staff.
Which doesn't even fucking follow their own submission guideline*!
This is also off the record known among the writers as "The Observer Schtick" for several obvious reasons.
Aka, content update is withheld dead in the water untilSavinthe team decides someone may have some input on it or the original writer comes back. Of course, there are some exceptions and a few content creators specifically state that their content can be freely updated by others.
tl;dr: Things that got started but left to rotten in a barebones state, are nothing more than a management issue, all in all. Which shouldn't surprise no one.
*maybe that guideline is only for TiTS?
Huh? Just use Flash Player local player instead of browser, there you go: flashplayer_32_sa.rarSo I have no way of playing CoC1 due to Flash Player being dead
It’s closer to “my vision only” and will go out of his way to spite people that disagree, like making Kinu have daddy issues after a forced time skip when releasing Kiyoko or making the soldier kitsune hate you frame 1 for just existingI assume that the Observer Shtick is that he gets to write whatever he wants and fuck everyone else?
A good editor would spot that the use of wracked (destroyed), instead wrecked (sinking).Kohaku's vag scene said:"Her petite body trembles and squirms under you, wracked with pangs of desire; her already wet pussy is starting to drool in earnest, belly muscles clenching hungrily at the promise of concupiscence."
"Nigel Tufnel in This Is Spinal Tap memorably pointed out that there is a fine line between clever and stupid. The harder you try to be clever, the more momentum you will have when you arrive at that line, and the less likely you are to notice when you cross it.
Beginning writers often believe that the true genius uses only words from the furthest reaches of the English language, the darkest recesses of the dictionary, the sort of words that cannot survive on their own in any natural environment.
Sorry; this is not writing. This is showing off, and nobody likes a show-off.
There are of course things you would write that you would not say in conversation ("I said, bewildered"), but words that draw attention to themselves by their rarity draw attention away from the story you are telling and remind the reader of the writer and his thesaurus. In a worst-case scenario, a game of ping-pong develops between the writer‘s thesaurus and the reader‘s dictionary.
When the reader has stopped to wonder at your delamificatious vocabulary, or, worse, when the reader has stopped because the word you‘ve used has no more meaning to him than a random ptliijnbvc of letters, the reader is not involved in your story.
This is not to say that you should write with one hand tied behind your back, making sure that you only use language accessible to a fifth grader. There is nothing wrong with making the occasional reader occasionally reach for the dictionary. However, the only legitimate reason to do that is if the word you have chosen is the best word to express the idea. Generally, saying "edifice" instead of "building" doesn‘t tell your reader anything more about the building; it tells the reader that you know the word edifice