- Feb 19, 2019
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The first thing I see when looking at this Monet, is that his composition resembles the crop I made of the photo. Subject in the middle, no competing elements. This is not a landscape, but a portrait.There are plently of Monet pieces where the subjects are "looking" at the "lens" and posing, but can't quite be described as the entire focus of the portrait. He just had the stylistic license to not use features on his subjects faces so that you'd be able to appreciate his focus on the interplay of light and the environments he favored. It would just be a trip into uncanny valley if the artist effaced the model to provide the same effect, and would probably just draw further attention to her as opposed to achieving said effect. Instead the deliberate clothing choice that reflects the blue hues from the pavement and her skin tone and the shadows on her face mirroring the light and shadows on the sky behind her provide the "effacing" effect. Of course, there's no way to know the artist's intent without actually hearing what they have to say, and believe me I hate a poorly setup pinup as much as anyone. It's actually a huge artistic pet peeve of mine.
EDIT: An example shot of the sort of Monet piece I'm describing:You must be registered to see the links
And I still think that the colours in the picture were the result of not using a correct white balance. They might be pleasing, but only if you accept that the models skin looks blueish. There is almost as much blue in her skin than red. (Most photographers would hide this afterwards by rendering the picture in black and white, because it would not fly telling the model/creative director it's okay the skin of the model looks blue because now the background looks correct or because of some creative licence).
Also, if you want to compare impressionist paintings with photos, in photography there are techniques which result in the same "effacing" effect you describe, without going to uncanny valley. Slow shutterspeed for instance, resulting in motion blur which looks natural in a photo.
Finally, I think you give this photographer way too much credit when you compare this photograph with the work of one the masters of Impressionism.