After playing SAO2's most recent update so far, I like the direction Fujino is going and the closure of this arc.
Although this time it felt quite short, the callbacks to various events in the original SAO felt nostalgic and the scenes,
hot. I can understand the update's length with the amount of scenes and backgrounds required to recreate this time around, and I was kind of bummed knowing we're still in the hotel after so long.
Personally I think with the more important storyline covered (the inevitable corruption of Asuna and her final submission to Inoda), the next updates is going to be Fujino's bread and butter;
the sex scenes. SAO2 allowed Fujino to play with many new mechanics and looking back at his previous games to now, I can't wait to see what he is cooking up!!
Maybe new Asuna/Kyouko/Liz costumes like Takeda's pig outfits:
Maybe even a final boss fight/treehouse-like scene against Oberon to free the Admin/kill boss (Asuna/Liz/Leafa/Sinon/Alice battlefuck w Inoda) (also I'm not a huge SAO fan, so forgive me if he wasn't the final boss, I only watched the first 2 seasons + GGO...)
My mind and body are ready ദ്ദി(。•̀ ,<)~✩‧₊
Also I think reading back all the comments, I think plot-wise, things made sense for a parody game; you're going to be disappointed if you were expecting a Shakespearean masterpiece out of a Fujino parody game, especially his first time doing a long game, and the constant changes in plot/cg direction to please the patrons made his and our suffering much longer. Either way I can understand with the sentiment, and hopefully it's not that easy with the immediate brainwash of everyone as many speculated, especially with the current plot with Sinon/Leafa.
With that being said, we're all here because we love Fujino's work, and I'm looking forward to the journey to the end, and whichever ending Fujino adds in, I'll try to not use too much of my upper head and focus on the lower one. I'll accept any ending except the ones the extreme Chinese fans theorized a long time ago, that shit's scarring.