Reading through some of the characters who've been added since I last played (pre-java conversion), one of the cringiest trends I'm seeing from the more tvtrope-brained writers is trying too hard to ~subvert~ the standard approach scene rather than just...writing something more original.
Worst example I've seen is the albino ovir on Tarkus. That's clearly what the author was going for, but rather than engaging the player in any way they just write Steele like an oblivious sex pest dork and their character as unapproachable. Nothing in the first scene would make you as a player want to engage her again other than sheer stubbornness. The intention was clearly "wow, she's so different!" but what's actually on the page is "wow, no attempt was made to quickly present this character's appeal and talking to her again would make me feel like I'm working on a sexual harassment lawsuit!".
The Tarkus dinosaur guy is a successful execution of a prickly character. Unique intro, slightly grating, but doesn't completely shut down the possibility of future interactions and warming him up slowly avoids the standard 'hi, let's fuck' scenario without obnoxiously calling attention to it. Then once you start to melt him he's p. darn cute.
Praise to the cowgirl scientist, too. Clearly this was a huge effort on the author's part and, along with generally hitting the marks, goes above and beyond most of the writing in the game by endearing her step by step and in a variety of ways. As simple as that sounds it's far less common than you'd think. With most of them the writer only envisions one or -maybe- two ways that the character can be seen and will twist things to make you feel what you're 'supposed' to feel. If you're meant to feel sorry for them then the writing will insist upon it with an overwrought woe-is-me tone and scenario; if they're just fetish gimmick characters they'll smack you in the face with that and you're expected to either love it or walk away. With these talk scenes you get a variety of tones that aren't overly melodramatic or focused on a single issue to coerce you into feeling one particular way about her; they feel like actual organic getting-to-know-you conversations rather than backstory interrogations or hackneyed scenes to tug on your sympathies and/or loins. Being presented as a fairly normal person with good quality writing like this actually makes her stand out among a sea of shallow over-the-top-and-in-your-face gimmicks.
Now I wish she was the scientist crew member rather than the old giant shark lady; never really found her engaging or attractive.