Greetings,
I appreciate the discussion about the game and the decisions made in the story-telling and character choices. It's interesting to see different viewpoints and arguments. I won't spoil how the story and character-progressions will go on but I'd like to give some of my viewpoints on some arguments.
Yeah, unfortunately. making Selene do this kills either her as a LI ( at least) or the games entire story. with what we know of MC he will never and should never forgive this. so either we space the bitch for essentially killing our entire family or the dev tries to write his way out of this. which, just isn't possible to do in any sort of satisfying way. literally no one on this ship should want them alive or at least around. trying to write around that will just kill the game in a bad writing sort of way.
this is a great story, shit it finally made me voice my thoughts about a game. but the dev essentially just threw out 4 years of relationship development between selene and MC, its simply not salvageable. Sleeping with your husbands brother is less of a betrayal then what she just did and i dare you to find any relationship that has survived that. again, she just killed everyone he cares about. and all the people on the ship have had their lives ruined by her. so even if MC could be idiotic enough to trust this snake any more, no one else on the ship would. She has to go, i really see no other way the story can move forward while still taking itself at all seriously if she stays around as anything other than a corpse or a prisoner.
if thats the plan, then again, great writing my dude. A serious gut punch, but if its not. i really don't know how you can pull this off.
64 years give or take. so yeah, a death sentence to everyone she just woke up.
I'm a bit on the edge about the stance of Selene "essentially killing Elios' family" and "death sentence". She woke them up and they have food for a while and with access to storage and other locations also access to more supplies and more food. If they wouldn't find a way to advance there situation in any direction they would still have a life, maybe not the most pleasant or existing, depending on what they do with it, but still are alive.
You could see the spaceship as a flying prison cell or as a space for opportunities (and stories to tell, especially kinky ones

).
And depending on what you think Johannes and Reddick would have done with the ship upon return, the crew may would have died in their sleep anyway. I purposely left that open for interpretation for now.
There is a need to put things in their context. Selen comes from a part of the society that you could define as slums, so basically where there is a lot of poverty, crime and all around misery. She's been marked by that and is basing her understanding of the world on that. She done fucked up! She is expecting consequences, so expecting that she tries to find a way to flee her problems and escape said consequences. Airlocking her or something similar would only serve to prove her point. Also in the environment they all find themselves in she could be useful in the long run. Should she have consequences for her actions? absolutely, but but going for the harshest vengeance possible is stupid. She must serve her time, but also be rehabilitated to live in the small community that will emerge and contribute. Once that is done everyone will reap the benefices even if they are not immediately obvious. And other aspect is her sister, a true victim in this case. sentencing her sister to death would do what to her perception of the MC and others and her mental state? No air locking Selene is not the answer and you can't simply lock her away for the rest of the voyage and be a burden on the others as her basic needs need to be met by the others working.
The appropriate punishment is up for debate as well as what should be done to reintegrate her with the others, but you can't have a debate about it if everyone is so emotional that they go straight to their basic instinct of vengeance and murder. Also as a victim the MC is in his right to have a similar initial reaction as the more vocal people here, but he would be the one needing to take actions in the end. would he do it? He isn't even the one that ejected Ridick. (If I remember the name and guy correctly.)
You could choose the eject Reddick. If you decided against it, Selene takes it in her hand and ejects him anyway. A choice that I'll take up on later.
My thought was the last time she knocked him out. You should see that punch coming at this point, but I agree I am putting her through the air lock myself. Especially after what I did for her sister.
I do want to give the developer credit for one thing. No other game in this genre got an emotional reaction out of me like when you realize she woke up his entire family after he risked his life again to save hers. This is a visceral reaction AAA games cannot pull off.
Well, that's awesome to hear. The reaction is pretty much what I wanted to achieve.
I do have to acknowledge the last scene in the engine room is a bit clumsy and rushed. I had planed a longer fight and longer dialogues but felt the development cycle was already to long and the story a bit stretched at times. I never really found the right pace for the story I guess, but that's me learning writing. I'm not a professional writer, merely a hobbyist, so not everything is perfect and I know that. But I also don't want to revise everything over and over again. I want to move forward.
So, I do understand the immediate, emotional reaction to want to go rogue on Selene from the point-of-view of Elios. But I still think if you look from Selene's point-of-view like others pointed out, you could follow her decisions. You don't have to agree with them, or feel you would do the same, but for me it would be enough to acknowledge that you think I person could react/act like that. If you look at it objectively. I'm trying to create different personalities (and not just different in kinks they have

)
Now there are new characters awake with even more different opinions on what happened and what should happen now. Similar to discussion here. Well, this basically is part of the plot/story for the next season how this group or single persons will act upon this situation.
My goal was to create a scenario, where it's not simple to decide what is/was right, what is/was wrong. Where it depends on which point-of-view you look from. I try my best to include different viewpoints, discussion and follow-ups in the story as best as I can. I'm pretty happy with what I've laid out for the story to come. I understand that not every decision I made story-wise is to the liking of everyone but I want to keep tension and drama in the story and not a simply all ever happy-ending. Things need to go wrong to keep the story interesting in my opinion. At least in my opinion. But I wont go completely dark or go in lecturing mode. At least that's not what I want to end up doing.