They want to play a winner - which makes me wonder which of the men in the game isn't actually a loser. They all need an intrigue to get a chance with the woman of their dreams that they otherwise wouldn't have considered....
I see this nonsense in most NTR games. It's not about identifying with a character from the game, but about Point of View. If I play as a husband whom a woman would cheat on, then I want the husband to win, to save the woman. If I were to play as one of the lovers (like in this case Chirs, Marvin...), then I would play for them to win, more precisely win/fuck the main female (Anna).
In short, I play to be a winner, not a pathetic loser. That's why I can't understand the majority of NTR lovers who play to lose (for the husband to lose his wife).
But anyway - you're right, it's just a question of the point of view I take when I play the game. But the point of view is determined by how I guide the main characters through the game. And that will determine what expectations the player has of the game and therefore what information the player uses/interprets that the game provides.
Because basically NTR games are pure romance. A woman who is unhappy and/or has a weak husband meets a new man and starts a new life with him. The whole thing is spiced up with the humiliation of the husband or former partner or, for the misogynists, the humiliation of the wife by the new man or men.
So it's not the basics of the game that are being discussed, but rather the peripheral conditions. Here - the character of David and Anna, the intrigue as the starting point of the NTR game, the characters of the other losers, the marriage, the baby and the consequences of this....
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