Candy Suxx
Active Member
- Oct 11, 2019
- 837
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L&P and his quality support be likewell done rats, you keep this game going
let;s see how much speed we will have
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- Thread starter CobraSGT
- Start date
- Dec 1, 2021
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The goal reached implies that it should stay consistent for every update and shouldn't decrease. But L&P gets more subs during Sophia/Dylan update than any other updates. The scene creation (creative task - slow burn fabric touch) and rendering task can't be shared with anyone unless they are at the same level as L&P. However L&P can hire script writers, animator, Programing n Translator. Don't expect thing to speed up as L&P will still have to go through story script drafts, create special render sequences for the AI animation, Post process renders in photoshop and finally test the update.well done rats, you keep this game going
let;s see how much speed we will have
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Bookmark this post maintained by xxxorro for future use. What's next is the museum trip with Patricia and the college guys. Whether it will be a release on its own or rolled into the next big event - the ranch visit - remains to be seen.
If L&P is going to treat the museum visit as an update to this release, it would be great if he reworked the animated scenes from the Sam/Sophia cello lesson to bring them in line with the recent animations too.
palmtrees89
Engaged Member
- Jul 3, 2021
- 2,209
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Museum will be standalone, next update. It's the alternative evening event to the current update. Ranch is an entire PD(15) with multiple routes...prolly gonna take another 2+ years.
IHATESlowburnBluBallgames
Devoted Member
- Jun 11, 2020
- 10,868
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They should really add the male protagonist tag too since Dylan will be getting squeezed into more of the scenes and a fabric fucker tagwell done rats, you keep this game going
let;s see how much speed we will have
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Sophia'sRealSonFromHerEx
Newbie
- Oct 20, 2024
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Drun1337
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- Feb 23, 2018
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fernandotorres1
Member
- Jan 4, 2021
- 158
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I downloaded the new update and played a bit. Unfortunately, the game has been waiting for an update for so long that no matter how you look at it, the story isn't as engaging as it used to be. I skipped through a lot of it and kept going, thinking something might happen towards the end. I guess there are different scenes depending on your choices, but I viewed all the paths I couldn't access from gallery mode. A lot of effort may have gone into it, but without a story, the game unfortunately becomes indistinguishable from the images on Google. I'm very sorry. The reason I'm upset might be that I've attached a lot of meaning to this game and L&P. Anyway, I had high hopes for this update, but I'm disappointed.
I agree and thank you for the knowledge shared on how things work on a professional level! Indeed this update was the best on all levels no matter that the actors were only Sophia and Dylan mostly...it was superb!!!
I hear you...but I guess you either loaded your saves or didn't know how to make choices...or probably you were really tired and could not enjoy what you were seeing and or reading...because if you were tired and did skip the lines...then I am sorry but you wasted your time and chance to have a really good time...the sexual tension was to the roof and the mother son educational sex was the best work on Ai animation combo real Daz Work I ever saw...So which was it...you are over AWAM or tired or you did not have proper access? One therapy...choose choices and add all filthy choices always plus lesbian likes plus others except making Dylan a cuck...then you'll have the Good time and experience you deserve!!!
bluedrakken
Member
- Aug 6, 2016
- 337
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Here is my take on this latest release. L&P continues to labor towards his ambitious project that is both inspired and obtuse. The quality of his static artwork continues to develop although it is already at a masterful level. His main characters (Sophia in particular) are deeply considered, and he has consistently portrayed her in the allegorical style from the beginning. In fact, it is clear that his story boarding was developed with this same allegorical aspect in mind. The foreshadowing depicted in his renders and presented in the prose show a well-conceived story progression. In this latest scene, the interaction between the people-pleasing Sophia and the sociopathic Dylan show the text-book dynamic very well. He can see she is vulnerable, and keeps her off-balance with carefully timed use of flattery and abuse. All of this is that inspired portion I mentioned in my introduction.
The obtuse portion is as flagrant as his inspiration is pervasive, and prompts me to ask the question, “Why?” Why did he decide to change the text to a dark color that blends into the background? I had to strain as I slowly read the camouflaged words which disallowed emersion into the story L&P has labored for years to tell. Since I was now spending more time on the description in the text than the depiction in the art I could not go to my habit of glossing over the poorly executed writing of a well-developed scene. Every L&P misuse of preposition now made me stop and audibly correct him. Instead of flowing with his intent for the story and enjoying the better part of his art, I found myself aggravated instead of elevated. Since I was now laboring to read, I discovered that L&P has no concept of the narrative style at all. The consistent repetition of thoughts and phrases within the scene made me feel like I must have unintentionally scrolled back several frames. This recycling of the narrative must have been put there to artificially lengthen the scene, but with the torturous font it felt like a treadmill. The other tiresome aspect was the abundant use of the F-Bomb that made this scene feel like I was watching Al Pacino’s portrayal of Tony Montana in Scarface. I will say that it did drive home the abusive aspect of the sociopath when they know that they have their victim where they want them. However, it was just poor writing to use the F-Bomb in the narration. It is just plain amateurish, and does not reflect the effort for quality in so many other aspects of his work. In addition, When the animation was allowed to loop (which I did to give my strained eyes a rest) it was choppy, and again broke the emersion.
I want this comment to end on a good note, so I will return to the inspired by saying that when Sophia was cleaning off afterwards her words fulfilled my expectations. When L&P had Sophia realize that her façade was shattered, this made clear why she is the over-achiever. This was the line I have been waiting for because it revealed a part of his deep consideration when he developed her character. There is still a lot more to reveal to flesh out this consideration for his audience. However, a larger part of the audience now has an opportunity to believe the allegorical portrayal, and why she behaves the way she does. It also defined the essence of her journey from her childhood to where she is now.
In closing, L&P…If you are reading this, please make the text readable again. It is not wise to direct your audience’s attention to the weakest aspects of your storytelling.
Respectfully, Jack
The obtuse portion is as flagrant as his inspiration is pervasive, and prompts me to ask the question, “Why?” Why did he decide to change the text to a dark color that blends into the background? I had to strain as I slowly read the camouflaged words which disallowed emersion into the story L&P has labored for years to tell. Since I was now spending more time on the description in the text than the depiction in the art I could not go to my habit of glossing over the poorly executed writing of a well-developed scene. Every L&P misuse of preposition now made me stop and audibly correct him. Instead of flowing with his intent for the story and enjoying the better part of his art, I found myself aggravated instead of elevated. Since I was now laboring to read, I discovered that L&P has no concept of the narrative style at all. The consistent repetition of thoughts and phrases within the scene made me feel like I must have unintentionally scrolled back several frames. This recycling of the narrative must have been put there to artificially lengthen the scene, but with the torturous font it felt like a treadmill. The other tiresome aspect was the abundant use of the F-Bomb that made this scene feel like I was watching Al Pacino’s portrayal of Tony Montana in Scarface. I will say that it did drive home the abusive aspect of the sociopath when they know that they have their victim where they want them. However, it was just poor writing to use the F-Bomb in the narration. It is just plain amateurish, and does not reflect the effort for quality in so many other aspects of his work. In addition, When the animation was allowed to loop (which I did to give my strained eyes a rest) it was choppy, and again broke the emersion.
I want this comment to end on a good note, so I will return to the inspired by saying that when Sophia was cleaning off afterwards her words fulfilled my expectations. When L&P had Sophia realize that her façade was shattered, this made clear why she is the over-achiever. This was the line I have been waiting for because it revealed a part of his deep consideration when he developed her character. There is still a lot more to reveal to flesh out this consideration for his audience. However, a larger part of the audience now has an opportunity to believe the allegorical portrayal, and why she behaves the way she does. It also defined the essence of her journey from her childhood to where she is now.
In closing, L&P…If you are reading this, please make the text readable again. It is not wise to direct your audience’s attention to the weakest aspects of your storytelling.
Respectfully, Jack
Right, so the imagerginary team now consist of people that live in L&Ps head are as follows: Frank the coder, animator guy and the new voice in his head called?well done rats, you keep this game going
let;s see how much speed we will have
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I love your analysis. I understand your pain...I am a 3D artist myself lately in love with the art of writing. Excuse my foreign mentality in my writing style of English. There is a cure initially with a funny solution. Like my English teacher encouraged us to place a piece of paper on the 80's English speaking Tv shows... to listen only to English in order to develop our Listening Comprehension...I fear you need to do the same...Enjoy the art and when you relax laugh a little with this whole ordeal! Tell me if you think too that Sophia was made curvier and juicier on this update or is it my idea?
joelurmel
Engaged Member
- Nov 3, 2022
- 2,665
- 4,718
- 397
All you need to have the 2nd job working:
download and extract : Patches: you have now under game second_job_part2.rpa
download and extract my fix:
You should have now second_job_part2.rpy under game and some audios under game\audio.
DO NOT INSTALL THE PATCH FROM 0.215F OR YOU WILL GO BACK TO THIS VERSION
download and extract : Patches: you have now under game second_job_part2.rpa
download and extract my fix:
You must be registered to see the links
You must be registered to see the links
to ...\A_Wife_And_Mother_Part_2-0.225-pc and overwrite eventually old files.You should have now second_job_part2.rpy under game and some audios under game\audio.
DO NOT INSTALL THE PATCH FROM 0.215F OR YOU WILL GO BACK TO THIS VERSION
Last edited:
gusakis
New Member
- Sep 11, 2020
- 14
- 86
- 158
can we have it in greek language too?
Thank you for your response. However, I am confused by ...I fear you need to do the same... As you pointed out, this is probably a language barrier issue.I love your analysis. I understand your pain...I am a 3D artist myself lately in love with the art of writing. Excuse my foreign mentality in my writing style of English. There is a cure initially with a funny solution. Like my English teacher encouraged us to place a piece of paper on the 80's English speaking Tv shows... to listen only to English in order to develop our Listening Comprehension...I fear you need to do the same...Enjoy the art and when you relax laugh a little with this whole ordeal! Tell me if you think too that Sophia was made curvier and juicier on this update or is it my idea?
In any case, it is good to share ideas with other members of this forum, and I am pleased if I have mentioned anything that touched on your experience when reading this latest installment of AWAM. It is my hope that you do not use L&P as a guide for increasing your English skills.
Sincerely, Jack.
fernandotorres1
Member
- Jan 4, 2021
- 158
- 255
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Yes, probably everything you said, or at least some of it, may have happened or been experienced. But still, it didn't meet my expectations. The last part I played was the section with Sam and the cello lessons. I remember the story ending there. Honestly, when there was no update for such a long time, I don't even remember where I left off. At the beginning of the game, I marked that Aiden was on the blackmail route and that I had done everything he said. I continued with all three options below marked.
I'll send you some pictures of the choices I made, and you can tell me where I went wrong or what choices I should have made.
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Are you saying there's a place I need to play that I haven't seen?
You need to steadily pick the filthiest choices for Sophia always as well all the sexual interests too..She must join everywhere except choosing Dylan being a cuck choice...and I did not let Sophia go with the soccer students no! Dylan sends her to the moms...