- Nov 27, 2021
- 341
- 782
Problem is, the narrative resource of "someone from the past returning with new problems" to complicate the romantic life of the protagonist is old as fuck, and overused in all kind of TV series, specially sitcoms and soap operas. It´s a cheap trick. It consist in introducing with shoehorn a character that nobody knows and nobody cares, only for the sake of drama.I don't want the MC boo-hoo'ing over Zoey, no matter what girl he's with (Jill, Bella, Josy, etc) we don't need him turning into a whimpering baby halfway through this game. I hate "drama for the sake of drama" shit. This game is enough of a soap opera, why through a tanker of kerosene all over it to make it worse?
So, now what? He talks to his LI about Zoey and they say to him "you can't move on with me until you figure out your feelings for her"?
It's unnecessary. There better be a choice right off the bat to tell her to fuck off. I don't need her interfering in my relationship with Jill. There's enough of that already through Tybalt, and god knows what the fuck else. If she starts blocking him, I'm going to be royally pissed. It took 8 episodes to get the girl I wanted, and now, Ms. Beach Bumblefuck comes to ruin it?
Fuck off Zoey. (I hate her already!)
About Zoey, I suppose she has parents or other relatives to stay with. It would be really absurd if she stays with the father of her ex-boyfriend, or try to live with her ex-boyfriend in the facilities of a college in which she´s not a student. I hope she´s going to tell Neil what has happened with her life the last year, ask about the MC, know that he has continued with his life, and do the same, and quickly. The only way I see this "interlude" can be interesting is not being only about Zoey, but intercalating scenes from the past of some of the main characters, to know them better.
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