- Sep 3, 2022
- 24,071
- 203,097
Try searching, compressed post are no longer being added to the OP, been like this for a few months now...
Yeah, that is what I thought as well. Like, who is the one giving him orders, why come after us and more questions. Pffft, screw multiple saves. I live with my choices, there's no turning back.
Part of me wants the option to send an ice chest with the assassin's head to the CEO of Prizer. The card need say only:
'Thinking of You'
Use the Prizer lawyers room number and hotel address as the return address.
Then to have the room bugged so one could enjoy the CEO's reaction...
- Feb 25, 2018
- 574
- 2,761
from Discord
"Tomorrow belongs to those who can hear it coming." --David Bowie
"Tomorrow belongs to those who can hear it coming." --David Bowie
Who is the girl to the right of Lisa? And the girl to the left of Tara?from Discord
"Tomorrow belongs to those who can hear it coming." --David Bowie
If Tara didn't have a shaved head (and was into dudes, I can't remember if she is only into Jaye because she was offering her the chance to pretend, or vice versa with the MC) she would be perfect. I really hate this shaved head fad.
- Apr 25, 2022
- 1,965
- 6,731
I don't recall the girl to Lisa's left, but the girl to Tara's right is Taylor. She and Skye (second from the right on the line-up) had a one-frame background cameo in the Chapter 5 club scene.
From the Discord:
"Names in sequential order: Ren, Akshaya, Monica, Taylor, Tara, Lisa, Mikaela, Amie, Skye, and Imani"
"Names in sequential order: Ren, Akshaya, Monica, Taylor, Tara, Lisa, Mikaela, Amie, Skye, and Imani"
Last edited:
And these are all from within the game? That is kind of a bummer because I would love to find those characters for my library and use them in the future! But Kentrr modifies his models specific to the game, for the most part.
- Sep 30, 2019
- 608
- 796
Is there anything special required to unlock the scene Tactical retreat? Like maybe not pursue a certain girl or smth.
I was as nice to Bianca as I could (used the walkthrough mod) but I didn't get that scene.
I was as nice to Bianca as I could (used the walkthrough mod) but I didn't get that scene.
- Aug 26, 2018
- 224
- 352
- Mar 13, 2021
- 5,315
- 9,430
I've been following MrBubu's walkthrough and I have a HUGE problem with it in chapter 7.
I told Mallory that "I want to to see what this can become", therefore I have an intimate realationship with her at the end of chapter 6 scoring all of her love and trust points
BUT
I can't trigger her scene towards the end of the chapter (where I'm supposed to make a decision with her), and I have no damn clue why.
Therefore I'm ending the chapter with Mallory considering me as a friend.
Any ideas?
--------
I'm NOT playing any mod.
I told Mallory that "I want to to see what this can become", therefore I have an intimate realationship with her at the end of chapter 6 scoring all of her love and trust points
BUT
I can't trigger her scene towards the end of the chapter (where I'm supposed to make a decision with her), and I have no damn clue why.
Therefore I'm ending the chapter with Mallory considering me as a friend.
Any ideas?
--------
I'm NOT playing any mod.
Well, it's 3.
What the Dev said on a Steam post on May 8th 2023
"There were originally going to be 9 chapters, but we ran out of runway, and decided to add a 10th. So Prologue + 10 chapters, or 3 to go!"
Oh good, I had never seen that. Better than 2!
- Mar 13, 2021
- 5,315
- 9,430
This is what they wrote in their latest Patreon post (29th June):
"Chapter 8 says goodbye to Tonalu and sets up the final two chapters in Boston.
As always, updates will become more frequent the closer we get to chapter release.
Once again, Kentyrr and I are humbled by your support and grateful you've come along with us for the ride.
As the Chasing Sunsets story approaches its penultimate chapter, keep checking back for announcements about what Stone Fox has lined up next! "
THIS IS WHAT THEY WROTE. Meaning? I daresay it's NOT 100% clear.
The truth is that their first sentence is open to 2 different interpretations:
1) chapter 8 will be the last chapter in Tonalu, therefore we'll have chapter 9 and 10 set in Boston;
2) characters are leaving Tonalu (have they already left? is the final hospital scene set in a Boston hospital?) and chapter 8 is (mostly?) set in Boston, therefore chapter 9 is the last chapter.
The last sentence tells they're "approaching" the penultimate chapter. Should I interpret "approaching the penultimate chapter" as "next chapter is the penultimate chapter"?
Approach (verb): 1. come near or nearer to (someone or something) in distance or time. "the train approached the main line"
- Aug 2, 2017
- 212
- 380
Wait... this has a big tiddied red head!?
- Sep 20, 2018
- 3,420
- 14,166
I don't think it's all that ambiguous, Otto. Chapter 8 is the subject of the sentence and we're told it "sets up the final two chapters." Unless we think Chapter 8 is somehow setting up itself, there must be two separate chapters to follow. Now I suppose there could technically be a whole bunch of extra chapters between Chapter 8 and the final two chapters, but I think the meaning is clear.
- Mar 13, 2021
- 5,315
- 9,430
Well... technically, grammar and lexicon shouldn't be ambiguous. Words have a meaning: "penultimate" means "penultimate", "final" means "final" and "approach" means "approach".
They wrote that chapter 8 is the penultimate chapter, but I'm betting my ass that they're gonna say that they meant "approaching" in a kinda poetical sense: they're "approaching" it, like a sort of a distant goal at the end of the rainbow.
Here's exactly what they wrote.
What you've done is mix up the meanings of 2 separate paragraphs separated by 2 additional paragraphs in between. Words have meanings, but just as equally, paragraphs have meanings too. 2 paragraphs separated by 2 additional paragraphs in between means it's not one continuous thought.
So no, they DIDN'T write that Chapter 8 is the penultimate chapter. That's only your misinterpretation of what they wrote by mixing up the meanings of 2 different sentences.