Kame-Sennin
Engaged Member
Can you also use the scenes in the game folder with Mr. Paul which was not shown in the main game but exist in the game folder?
- Thread starter X0R
- Start date
mrMarko
Well-Known Member
- Jan 10, 2021
- 1,550
- 1,445
all the scenes are present, including those with Paul.... if you don't see them, it means you're not on its path.
Kame-Sennin
Engaged Member
YOu are wrong , check the game folder ep5 with Paul and you will see what I mean, there is scene with Paul there in ep 5 including anal that is not shown in the main game
I don't know of renders you are talking about. What version? What file path? Share the files/folder containing those if those exist, and I'll happily look into it. They certainly do not exist in v2.5, of which I'm working off.
Kame-Sennin
Engaged Member
See it in video folders you can see there anal sex with Paul ch5 and some other sex animation with Paul in Ch5 which was not shown in the main game
Bondage - James Bondage
Active Member
- Aug 24, 2024
- 768
- 1,451
Very specific Kame-Sennin is not in his reply, but I suspect he meant animations e5a75 and e5a75_angle.
Are Kame-Sennin and Ero - Sennin related?
Ah, indeed. There are a few unused animations e5a70 to e5a75. I'll see if I can conjure something with those
Wonder if there's related image renders as well. It's like trying to find a needle in a haystack.Another update on my unsolicited unofficial remaster/patch:
Yeah, the spagetti was untangled, alright. Script/code wise. There are no technical issues to struggle with at least. Story elements though, that is a lot harder to stitch together than I anticipated. The problem is the game doesn't respect a set timeline, at all. Which is one of main issues contributing to an incohesive broken story. Events happen, or don't, at different times, willy nilly "whenever it fits the narrative". Quotation marks, because even that doesn't really work as intended, as ya'll know.
I chose to fix it by A: basing the story on a hard timeline, and B: streamlining.
Hard timeline, meaning the outside events (stuff that happens on the screen, as well as behind the scenes) happen on certain point in time, no matter where MC is at the time, and we don't randomly drop stuff just because (e.g. abandon and ignore the whole Jimmy situation, just because Jennifer decides to come clean about Paul and gets kicked out for it).
As an example: In base game when Jennifer calls Mark after the fight, he tells her of promotion he got. If she doesn't, the next day they talk, he apparently still hasn't got it. NOW Mark doesn't randomly get or not get the promotion retroactively depending on whether Jennifer decided to call him after the fight. Another example: Mark showing up to talk with Jennifer on certain day only when Jennifer would decide to have some fun with Paul in the lobby. If she would just go home instead, Mark magically would decide not to show up. Now he shows up regardless. And depending on where MC is at the time they may or may not miss each other, with Mark then naturally coming back the next morning if they did.
Basically trying not to ignore certain facts and events, just because it's inconvenient. There are plenty of such cases, where scenes happening or not happening was chaotic in nature. They do or they don't, because reasons. Grounding it all in a hard timeline was exhausting. I spent quite a lot of time just dragging boxes (representing scenes) around on a canvas, trying to make sense of it all, thinking how certain events can be mended, bridged, and so on, without completely changing the flow or blowing it up out of proportion (I mean, I would rather just work on my own game at that point). I'm this close now, there's just a few narrative loose ends to figure out and the tree is ready.
By streamlining I mean removing unnecessary player choice where necessary. Those choices were another, even bigger culprit to the mess, without adding much value. I think the player should be responsible to pick the right choices to progress the story the right way, but it shouldn't be on player to pick the right choices in order NOT to break the story
So some choices are streamlined. How this plays out: In some scenes, let's say a scene "X"... where previously there would always be A or B choices, now based on previous events and choices, when scene "X" happens you may or may not have A and B choices, OR it will automatically be A or B. I'm trying my best for it to make sense narratively though, not be random and forced. The choices are still there, just not as fragmented. How else would I explain this? Where there previously would be 2 paths, with each then branching out again into 2 (but really only 1 actually working narratively), now they won’t. Endings as well are mostly based on previous choices, rather than presenting a choice that would feel jarring in the context. Some scenes had to go, because they just didn't fit the narrative/timeline, no matter how hard I tried. It was a whack-a-mole, you fit one, another falls off.
All in all there are currently 13 endings and 36 paths to them (that's AFTER streamlining some choices). So you can imagine the struggle to make it all make sense. But I try to make the paths and destinations they lead to be as sensible as games content allows for. Endings are a bit different though compared to the base game. Some are changed a bit, some are cut, one new (or maybe 2, we’ll see). But all are molding up to have more additional narration based on choices made. So an ending might have a bit more it based on how we got there. I wasn’t planning on that at all, but it kind of went there, because it kind of bothered me to just drop some things.
Keep in mind that I embraced what somebody here said: “Make it your own”. You might not like some changes. Also, this is a porn game in the end, it’s not that deep. I’m no writer, just a software dev.
P.S. Maybe I should create a separate thread for this, to not mix this patch talk with official game…
Yeah, the spagetti was untangled, alright. Script/code wise. There are no technical issues to struggle with at least. Story elements though, that is a lot harder to stitch together than I anticipated. The problem is the game doesn't respect a set timeline, at all. Which is one of main issues contributing to an incohesive broken story. Events happen, or don't, at different times, willy nilly "whenever it fits the narrative". Quotation marks, because even that doesn't really work as intended, as ya'll know.
I chose to fix it by A: basing the story on a hard timeline, and B: streamlining.
Hard timeline, meaning the outside events (stuff that happens on the screen, as well as behind the scenes) happen on certain point in time, no matter where MC is at the time, and we don't randomly drop stuff just because (e.g. abandon and ignore the whole Jimmy situation, just because Jennifer decides to come clean about Paul and gets kicked out for it).
As an example: In base game when Jennifer calls Mark after the fight, he tells her of promotion he got. If she doesn't, the next day they talk, he apparently still hasn't got it. NOW Mark doesn't randomly get or not get the promotion retroactively depending on whether Jennifer decided to call him after the fight. Another example: Mark showing up to talk with Jennifer on certain day only when Jennifer would decide to have some fun with Paul in the lobby. If she would just go home instead, Mark magically would decide not to show up. Now he shows up regardless. And depending on where MC is at the time they may or may not miss each other, with Mark then naturally coming back the next morning if they did.
Basically trying not to ignore certain facts and events, just because it's inconvenient. There are plenty of such cases, where scenes happening or not happening was chaotic in nature. They do or they don't, because reasons. Grounding it all in a hard timeline was exhausting. I spent quite a lot of time just dragging boxes (representing scenes) around on a canvas, trying to make sense of it all, thinking how certain events can be mended, bridged, and so on, without completely changing the flow or blowing it up out of proportion (I mean, I would rather just work on my own game at that point). I'm this close now, there's just a few narrative loose ends to figure out and the tree is ready.
By streamlining I mean removing unnecessary player choice where necessary. Those choices were another, even bigger culprit to the mess, without adding much value. I think the player should be responsible to pick the right choices to progress the story the right way, but it shouldn't be on player to pick the right choices in order NOT to break the story
So some choices are streamlined. How this plays out: In some scenes, let's say a scene "X"... where previously there would always be A or B choices, now based on previous events and choices, when scene "X" happens you may or may not have A and B choices, OR it will automatically be A or B. I'm trying my best for it to make sense narratively though, not be random and forced. The choices are still there, just not as fragmented. How else would I explain this? Where there previously would be 2 paths, with each then branching out again into 2 (but really only 1 actually working narratively), now they won’t. Endings as well are mostly based on previous choices, rather than presenting a choice that would feel jarring in the context. Some scenes had to go, because they just didn't fit the narrative/timeline, no matter how hard I tried. It was a whack-a-mole, you fit one, another falls off.
All in all there are currently 13 endings and 36 paths to them (that's AFTER streamlining some choices). So you can imagine the struggle to make it all make sense. But I try to make the paths and destinations they lead to be as sensible as games content allows for. Endings are a bit different though compared to the base game. Some are changed a bit, some are cut, one new (or maybe 2, we’ll see). But all are molding up to have more additional narration based on choices made. So an ending might have a bit more it based on how we got there. I wasn’t planning on that at all, but it kind of went there, because it kind of bothered me to just drop some things.
Keep in mind that I embraced what somebody here said: “Make it your own”. You might not like some changes. Also, this is a porn game in the end, it’s not that deep. I’m no writer, just a software dev.
P.S. Maybe I should create a separate thread for this, to not mix this patch talk with official game…
Ero - Sennin
Well-Known Member
- May 18, 2017
- 1,365
- 1,625
Yeah, we're both old perverts
i found some sort of episode 2 in the net, but it's under patreon "patronage"... is there a way the second season (if it exists! lol) will hit f95 too?
Bondage - James Bondage
Active Member
- Aug 24, 2024
- 768
- 1,451
A season 2 doesn't exist. Season 1 consists of several episodes, episode 2 sit so already in the game.