Antosha
Active Member
- Feb 28, 2018
- 722
- 1,287
So much here, and I would need to think about it for a bit—but the interesting big-picture thing that really interested me was your thoughts on the terminals.Guys.
Come closer.
I caught up on the latest update and gathered all my notes.
I am on full nodaka mode.
I took a day off from work just for this.
I solved it.
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Explaining terminal 22-23-24.
Akira is Nozomu in "real" world(%100),
Sunflower baby with "T" eyes.. Himawari.
Explaining EVERYTHING
but most importantly, explaining why Ayane kills janitors! (seriously)
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Be ready for a long ride.
I put all of them under one spoiler tag because they need to be read in order to make sense.
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And Selebus if you are reading, I really enjoyed the game very much.
Please don't assassinate me for revealing the secrets
I still wanted to explain
How the world of 0.44 and 0.46 aren't same world.
0.44 world factory resetted. 0.46 is after many loops. A same world where akira never fought black orb in the end of sensei quest.
Hope doesnt save ayane and yumi. and makato just pops.
And how new narrator is sekai. Trojan Nao freed sekai from 3 gods control now she is taking over.
And why tsubasa pushing his girls to akira, tsubasa's foursome stories are real under control of pareidolia.
Malvin(pareidolia) was feeding spork(hope) via getting tsubasa gangbanged.
she is trying to save her daughters from same fate.
And many more but I have reached the photo upload limit and I doubt anybody read..
so maybe another day.
I need a nap before I start talking to plants.
Peace out, homies.
We’ve been largely assuming that the terminals are sequential, representing the generations in the game — so 22 is the parents (Yuu, Miu, etc.), 23 is the present group, and 24 is the next generation (Himawari) — you’ve suggested that the terminals are actually layers of reality. I love givemeabeer ’s take, that they’re like shells in a computer system—that the top shell (in your theory, terminal 24, right?) is so to say the objective reality of the game, while t23 is the “user interface,” the part of the computer system we interact with, while each layer above that (that is, the lower numbered terminals) is another layer of abstraction, resting inside the one above it.
So by that thinking, would, say, the safe room sequence with adult Sana, be a memory from reality (t25)? It’s pretty hallucinatory — so our hero (Akira/Sensei/Nozomu) is dealing with a psychotic break?