Ren'Py Lessons in Love [v0.53.0] [Selebus]

[Detective Dc345]

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[Fire Lord Zuko]

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…This Reset’s gonna be a trip, isn’t it?

That’s literally the same visual for Ami’s laptop in Times New Roman.

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[Riolol]

Pretty much all of this game was written on the run lmao. He has key points, but he improvises how he gets to those. It's a normal way of writing and I think most writers do it this way, is just a fun way to do it.

Making it up as you go is a terrible way to write, you should have the major plot points planned from the start. Mysteries should only be mysteries to the audience, the writer should already know the answer. I hate that JJ Abrams style of writing, creating "mystery boxes" without bothering to put anything in them.

 

[Detective Dc345]

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[DeSkel15]

…This Reset’s gonna be a trip, isn’t it?

That’s literally the same visual for Ami’s laptop in Times New Roman.

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It's also probably Ami's computer as well.

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This is likely Dorm 5, Ami's and Maya's room that Ami hasn't used for months:

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Also where Cop Kaori and Nao-chan found a bunch of blood back in 'Paper City':

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And it's the room that seems connected to The Room With Clocks.

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Ooh...Icarus flew too close to the Moon? I wonder.

 

[Bingoogus]

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Yeeeeeeeeees! That's the most tantalizing preview so far!

 

[Detective Dc345]

Ooh...Icarus flew too close to the Moon? I wonder.

She "doked" up.

 

[fdsasdf_p]

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That's me getting off work late then missing my commute train on a Tuesday night, wondering if I should go back and murder everyone then myself.

 

[Antosha]

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Huh. Sana gets three moons, but Nodoka gets just one moon, but two suns? Or really bright... whatevers?

Making it up as you go is a terrible way to write, you should have the major plot points planned from the start. Mysteries should only be mysteries to the audience, the writer should already know the answer. I hate that JJ Abrams style of writing, creating "mystery boxes" without bothering to put anything in them.

Heh. There's two totally different ways authors approach writing: there are "plotters" who plan everything out meticulously -- their outlines are sometimes longer than their books -- and "pantsers" who... you know. Fly by the seat of their pants.

There are amazing writers in both camps, so I think saying only one or the other is "right" misses the point. (Though one of the more famous current pantsers, GRRM, has apparently written himself into an unresolvable hole, which is why the last book -- two? -- in ASOIAF may never appear.)

Me? I'm a plantser, why do you ask? (I outline, but the characters inevitably hijack the plot at some point; I've learned to go with it.)

 

[Bingoogus]

(Though one of the more famous current pantsers, GRRM, has apparently written himself into an unresolvable hole, which is why the last book -- two? -- in ASOIAF may never appear.)

It's not that it's an unresolvable hole, it's the problem with pantsing in general, what made/makes aSoIaF so good is it's believability, shit happens naturally, shit happens cause of previous shit that happened, no one has plot armor, the story goes where it goes, it's not lead, it evolves naturally. This is great but it suffers at the end of the story, the need to tie things up is inherently unnatural, it's forced, it feels forced 99% of the time cause it is, there's no true end point for a story that's built around shit happening organically, wherever you chose to call the ending, there's still more after that point, unless you force a bunch of shit to come to a head at once. It can be done, but god is it hard to make it feel natural. GRRM can't do it, his parts have too much distance between them, he gave the outline to the show runners and we all saw what they did with it, the last few seasons were a mess of plot holes, teleporting characters and contrived bullshit all to force the finale and it felt distinctly crap because it wasn't what the first 3 or 4 seasons felt like. Plotters have their own problems but given most stories lean towards plotters over pantsers, i don't really think there's a need to elaborate on that, we all know good and bad plotted stories.

 

[Antosha]

It's not that it's an unresolvable hole, it's the problem with pantsing in general, what made/makes aSoIaF so good is it's believability, shit happens naturally, shit happens cause of previous shit that happened, no one has plot armor, the story goes where it goes, it's not lead, it evolves naturally. This is great but it suffers at the end of the story, the need to tie things up is inherently unnatural, it's forced, it feels forced 99% of the time cause it is, there's no true end point for a story that's built around shit happening organically, wherever you chose to call the ending, there's still more after that point, unless you force a bunch of shit to come to a head at once. It can be done, but god is it hard to make it feel natural. GRRM can't do it, his parts have too much distance between them, he gave the outline to the show runners and we all saw what they did with it, the last few seasons were a mess of plot holes, teleporting characters and contrived bullshit all to force the finale and it felt distinctly crap because it wasn't what the first 3 or 4 seasons felt like. Plotters have their own problems but given most stories lean towards plotters over pantsers, i don't really think there's a need to elaborate on that, we all know good and bad plotted stories.

Well, I think also that GRRM is really good at creating characters you care about and conflict -- and plot twists that bring the two together -- but he just KEPT DOING IT. Making a world that was bigger and bigger and more and more complex and... now he has to tie up the threads. And, as nearly as I can tell, he can't figure out how to do it. His where-I'm-heading in his mind was probably something like the end of the HBO series, but unfortunately that fell flat (kinda had to).

When the main attraction of a series (aside as I said from compelling characters) was the "fun" surprises, you'd better stick the landing, or you'll have a lot of very disappointed fans.

So in that respect, yeah, his plotting let him down.

BTW, not a fan. Read the first book, figured out his game, and stopped there.

Just to throw out a bone to the pantsers... Shakespeare was one. Famously just sat down and wrote, then handed what he'd written over to the actors. Mind, he stole all his plots, so maybe that doesn't count. Heh.

 

[Bingoogus]

Mind, he stole all his plots, so maybe that doesn't count. Heh.

Let's count it, if no other reason then we can.

 

[barglenarglezous]

Well, I think also that GRRM is really good at creating characters you care about and conflict -- and plot twists that bring the two together -- but he just KEPT DOING IT. Making a world that was bigger and bigger and more and more complex and... now he has to tie up the threads. And, as nearly as I can tell, he can't figure out how to do it. His where-I'm-heading in his mind was probably something like the end of the HBO series, but unfortunately that fell flat (kinda had to).

I don't think the ending as it appears in the HBO series was all that bad, plot-point wise. It was that the entire last season felt like 5 seasons run through Spark-Notes style, so there was no connective tissue justifying plot or character progression from one point to another. All if it, there was a completely understandable and workable way to get from there to here, they just didn't bothering SHOWING any of it. Presumably, in the last two novels we'd actually get that progression so it'd be more palatable.

I think it's more likely that he painted himself into a corner, and doesn't like any of the ways out of it.

That, and he's a man driven by spite, so every time someone demands Winds of Winter comes out, he adds a year to the release date.

 

[CovertCobalt]

Long time lurker, first time poster. Started a new playthrough recently to see what lore snippets might stick out to me and an innocuous detail caught my eye.

Spoiler: The attic?

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Have we ever seen said attic during any events, maybe during a reset at some point? Wondering if there could be something strange lurking up there, or if it even exists at all.

 

[Riolol]

Long time lurker, first time poster. Started a new playthrough recently to see what lore snippets might stick out to me and an innocuous detail caught my eye.

Spoiler: The attic?

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Have we ever seen said attic during any events, maybe during a reset at some point? Wondering if there could be something strange lurking up there, or if it even exists at all.

Pretty sure the attic is where Ami found Sekai's poetry and clothes. I could be wrong.

 

[Moonflare]

Long time lurker, first time poster. Started a new playthrough recently to see what lore snippets might stick out to me and an innocuous detail caught my eye.

Spoiler: The attic?

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Have we ever seen said attic during any events, maybe during a reset at some point? Wondering if there could be something strange lurking up there, or if it even exists at all.

What Riolol said, but there also seems to be different attics. The light from the attic, and the creaking of the seventh step leading to it (or in it, as where the log is hidden) is recurring. Most importantly, Nodoka states that Kyoko (her mother) had the key to the attic (presumably the attic from the upside down house - which ironically would be down, not up).

The attic at Ami's house holds Sekai stuff, if not other things. Ami uses her dress, and gets her poems from there at some point. It's possible that actual pieces of Sekai are there too, as Akira mentions having kept some fragments of glass with viscera (presumably) from the accident.

Edit: also, as LiL is about dimensions stacked on top of one another, ascending to the attic could very likely mean ascending in a supernatural manner. The replica of heaven is situated at a school that's beneath the surface, thus it's down, possibly at the underheaven or close to it. Most importantly, it's down, you have to descend/drown to get to it.

You'd have to ascend (opposite direction) to get to the attic, to the door at Tojo's house, and to the door at the forest that Wires asks Akira and Nao to get into (that leads to the office). Although the office still seems to be a school, so that's unclear.

 

[Fire Lord Zuko]

Spoiler: The attic?

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That’s the third time today I’ve noticed Ami’s computer looking all glitchy… All are in different scenes too, so this is an intentional recurring detail. Have to wonder what it means, if anything.

Either way, pretty cool. It’s something I haven’t really noticed until recently.

 

[XO6OT]

That’s the third time today I’ve noticed Ami’s computer looking all glitchy… All are in different scenes too, so this is an intentional recurring detail. Have to wonder what it means, if anything.

Either way, pretty cool. It’s something I haven’t really noticed until recently.

Maybe it's somehow connected with one now banned site.

Spoiler: f95

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[crustlord12]

Ami uses her dress, and gets her poems from there at some point

Huh, excuse me for borrowing the dunce cap for a few mins Bingoogus but have we talked about the possibility that Sekai just straight up told Ami to start wearing her dress? Sekai probably is telling Ami exactly what to write in her poetry as well.

I wish I could remember if this has been discussed before but there's almost 44,000 posts and I feel like more than half of those have come in the last year or so

 

[Moonflare]

Huh, excuse me for borrowing the dunce cap for a few mins Bingoogus but have we talked about the possibility that Sekai just straight up told Ami to start wearing her dress? Sekai probably is telling Ami exactly what to write in her poetry as well.

I wish I could remember if this has been discussed before but there's almost 44,000 posts and I feel like more than half of those have come in the last year or so

Unlikely, because Sekai couldn't talk to Ami when she first started wearing her dress, same for the poetry. That's all Ami. Unless you count Sekai not literally telling her to do it this time, but more of a repetition from previous cycles in which she might had told her already.

Spoiler: outcry of the hunted hare

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It begs the question, can Ami directly talk to Sekai even now?

Spoiler: That funny feeling

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She's obviously having an actual conversation with someone when she's alone, and the most likely culprit is Sekai. We just haven't seen it. If she's talking to Sekai though, rather than her whispering thoughts inside her head, then it makes it more clear that she couldn't by the time she chose to wear her dress and write poetry though.