Drop by the discord if you want weekly updates on progress.Thanks
- Thread starter naughtyroad
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Ugh, obviously not the person you were responding to but... Discord is a level of interpersonal communication that I'm not comfortable with, I have no desire to be that engaged in anything these days... I'm good with the random post on the pervy pirate site.
No worries, someone usually puts it up here within days. Even so, with 6K+ members, only a tiny fraction of them are active posters, and it's one of the quietest servers I know. Which suits me fine, really; I have a game to make.
Yeah, just mostly uncomfortable with people in anything close to a more social situation than this... Never was a people person and after some issues with other communities I am done with Discord.
- May 2, 2017
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What does the wrenches mean? I would naively assume they are the scenes being worked on, but aren't they also shown as complete?!
Typing "wrenches" in the search box at the top of the page resulted in 4 posts, 1 of which was this:What does the wrenches mean? I would naively assume they are the scenes being worked on, but aren't they also shown as complete?!
Well, in that regard it reflects the development process perfectly. It's messy, weird, complex, and it's all over the place.
(ship = shipping the release, wrenches are rework, progress in later scenes is reusable assets)
- Aug 26, 2020
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I'm a your sostenitor on Patron ;-) . I know You are active, I asked for better understand the rules in F95.
- Oct 1, 2017
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I think what you try to express with your Mhhmmm is something like this.
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- Aug 26, 2020
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- Sep 12, 2018
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mhhh...that is one lucky hydrant-appendage there
- Feb 19, 2019
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Nice model. Too bad the photographer didn't know (or didn't care for) what he was doing
. She deserves better.Really? I think it's a great shot. The model is in focus, but off center so there's a cool depth effect with the perspective of the sidewalk, the color scheme of the mural is almost perfectly aligned with the sunset to the point where they almost blend into each other with the lack of focus, and the warm colors of the background contrast well with the cool colors of her dress. What issues do you have with it specifically?Nice model. Too bad the photographer didn't know (or didn't care for) what he was doing
- Feb 19, 2019
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Well, for starters, in portrait photograpy IMO the attention of the viewer should be drawn to the model. Having leading lines which lead to brightest point in an out of focus background do not help in this matter, on the contrary. Now the mural, the background and the model are fighting for attention.
Cool colours of her dress ? You mean the wrong white balance for the subject. Even her skin looks cold. If the photographer had done this right, the warm colors of the background would even be warmer, so the contrast would still be there, but the model would not look like she just walked right out of the morgue. Again, what is the focus of the photograph, the model or the background ?
Also, cropping through her foot is sloppy IMO. Either have her feet in the shot (which is what I would have done) or crop tighter.
Cool colours of her dress ? You mean the wrong white balance for the subject. Even her skin looks cold. If the photographer had done this right, the warm colors of the background would even be warmer, so the contrast would still be there, but the model would not look like she just walked right out of the morgue. Again, what is the focus of the photograph, the model or the background ?
Also, cropping through her foot is sloppy IMO. Either have her feet in the shot (which is what I would have done) or crop tighter.
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- Jan 21, 2021
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I agree with the evil public broadcaster: nice model; botched photograph. The obvious post-shot (global) adjustment of hue and saturation doesn't help matters, either.
I think you're misunderstanding the shot then, it's not actually a portrait IMO, it's more of a landscape; kind of like a Monet piece with the subject serving as a point of contrast to the larger scheme, almost like a tree blossoming alonside a dirt path weaving through a meadow alongside a hillock.
The intended contrast seems similar to this painting:
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And the model's place in the image seems to serve a similar purpose to these subjects:
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Your interpretation seems to be based on some expectation of a pinup style shot with the landscape supporting the model, but I think it's a landscape shot with the model providing a focused point of contrast.
I guess we'll agree to disagree, I see a stylistic landscape, y'all see a botched portrait.
- Jan 9, 2020
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Your reply and analysis clears it up for me. I was confused, partly as it was presented as a portrait, yet the sunset distracted me from the lady. And after not seeing it for 30 minutes, my mind still holds the sky and loses the woman.
Do you have a source for this piece, btw? Would be great to know the artist.
Haha, glad I won someone over to my way of seeing it. I almost feel like if Monet had access to digital photography that's the sort of shot he'd take. The use of light in the photo is very much emblematic of his impressionist style in my opinion. I'm not a real art buff but I do like to see impressionist pieces in person whenever I can and that's the vibe I got from this pretty much instantly.
- Feb 19, 2019
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I understand what you are saying, but I don't see it in this picture. If that was the photographers intention, he failed miserably IMO. I suspect it was more of a case of applying the rule of thirds in an inappropriate way.
It might have worked as a landscape if the model was for example walking along the street and not posing in this glamor/fashion style, looking straight in the lens. The models in the Monet paintings aren't doing that either. There they are just siting there, either talking or reading, which makes them part of the landscape, not competing with it.
In the end, I'm not pretending I know all and everything about photograpy and composition, but I recognise mistakes when I see them. I (used to) make those same mistakes myself
There are plently of Monet pieces where the subjects are "looking" at the "lens" and posing, but can't quite be described as the entire focus of the portrait. He just had the stylistic license to not use features on his subjects faces so that you'd be able to appreciate his focus on the interplay of light and the environments he favored. It would just be a trip into uncanny valley if the artist effaced the model to provide the same effect, and would probably just draw further attention to her as opposed to achieving said effect. Instead the deliberate clothing choice that reflects the blue hues from the pavement and her skin tone and the shadows on her face mirroring the light and shadows on the sky behind her provide the "effacing" effect. Of course, there's no way to know the artist's intent without actually hearing what they have to say, and believe me I hate a poorly setup pinup as much as anyone. It's actually a huge artistic pet peeve of mine.I understand what you are saying, but I don't see it in this picture. If that was the photographers intention, he failed miserably IMO. I suspect it was more of a case of applying the rule of thirds in an inappropriate way.
It might have worked as a landscape if the model was for example walking along the street and not posing in this glamor/fashion style, looking straight in the lens. The models in the Monet paintings aren't doing that either. There they are just siting there, either talking or reading, which makes them part of the landscape, not competing with it.
In the end, I'm not pretending I know all and everything about photograpy and composition, but I recognise mistakes when I see them. I (used to) make those same mistakes myself
EDIT: An example shot of the sort of Monet piece I'm describing:
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