Collection Video Nyl Collection [2025-01-01] [Nyl2]

[Lifesatrip99]

g4e stands for Girlfriends4ever. Truly a hallmark of 3D porn movies, made by Miro. The classic. The Cinema.

I remember that one that video was so legendary

 

[StrawmanFP]

That Illari turnaround is pretty hot, I like the hips especially.

I'm really dumb and I cry like a little bitch.

Fill your pockets with rocks and walk into the ocean.

 

[RTG$02]

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And here's the queen herself. She's an older model I decided to fix up for this release, just to get her out there and make her more usable in the future for myself. She's a good character for this line of work, but she's so... extreme... that I find it harder to come up with a natural scene that fits her. Like a lot of the other characters in Overwatch are for the most part functioning members of society who rise to the occasion - like the Avengers. But she basically just walked out of a Mad Max movie. The hair alone is insanity.
It's not really a problem though, just something I noticed

 

[Mr. Weeaboo]

Y’all need to recognize that is simply how it works when you’re a singular animator. You start small, get bigger with time but that doesn’t equal longer work, it equals more time to make more detailed work.

I feel like people got spoiled with Studio FOW’s quality and production time years back, because you can’t realistically expect that level from a single artist.

The money doesn’t go into the PC to make it render faster, it keeps the bills paid and a roof over the artists’ head so they can continue what they’re already doing.

Nyl takes his time and the quality speaks for itself. They’re also decent enough to pause charges when necessary, so they’re far from a milking it artist like (unironically mentioned before) Miro.

 

[TokioRiot]

Y’all need to recognize that is simply how it works when you’re a singular animator. You start small, get bigger with time but that doesn’t equal longer work, it equals more time to make more detailed work.

I feel like people got spoiled with Studio FOW’s quality and production time years back, because you can’t realistically expect that level from a single artist.

The money doesn’t go into the PC to make it render faster, it keeps the bills paid and a roof over the artists’ head so they can continue what they’re already doing.

Nyl takes his time and the quality speaks for itself. They’re also decent enough to pause charges when necessary, so they’re far from a milking it artist like (unironically mentioned before) Miro.

Lets be real, the creators people bitch about are making FAR more money than simply keeping the lights on as you are saying. Because we're in the Nyl thread I'll use him as an example, his patreon says 34k a month. Even if I assume he only takes home half of that, he is hardly living on white bread and mayo in a dingy basement apartment with a single lightbulb.

While some artists, like Miro as you pointed out, are for sure just milking this I think its far more likely that these people just aren't good at being self employed as far as productivity goes. I would guess that they go through a "manic" work phase and then get burned out. Setting a more regular schedule would likely improve their work life balance as well as their productivity. I know people hate management...but these people need a supervisor. They need to be doing an analysis about hiring people to offload some of the work and if that would benefit their bottom line. AgentRedGirl is a good example of this, hired a staff and puts out a long form vid monthly or so.

I guess to be fair, most of them probably don't really care because they know that once you get to a certain level of popularity you can pretty much coast from there and people will continue to pay them.

Also, to head it off before people say it: blah blah, I know its patreon/subscribstar, your just giving them money or whatever. My take is that its a shame that people don't take the business part of this as seriously as they take their art.

And now I've become a paragraph andy on a porn pirating website, sigh.

 

[Viger]

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MEGA
And here's the queen herself.

Usurper queen. Zarya is the real futa queen.

 

[Mr. Weeaboo]

Lets be real, the creators people bitch about are making FAR more money than simply keeping the lights on as you are saying. Because we're in the Nyl thread I'll use him as an example, his patreon says 34k a month. Even if I assume he only takes home half of that, he is hardly living on white bread and mayo in a dingy basement apartment with a single lightbulb.

While some artists, like Miro as you pointed out, are for sure just milking this I think its far more likely that these people just aren't good at being self employed as far as productivity goes. I would guess that they go through a "manic" work phase and then get burned out. Setting a more regular schedule would likely improve their work life balance as well as their productivity. I know people hate management...but these people need a supervisor. They need to be doing an analysis about hiring people to offload some of the work and if that would benefit their bottom line. AgentRedGirl is a good example of this, hired a staff and puts out a long form vid monthly or so.

I guess to be fair, most of them probably don't really care because they know that once you get to a certain level of popularity you can pretty much coast from there and people will continue to pay them.

Also, to head it off before people say it: blah blah, I know its patreon/subscribstar, your just giving them money or whatever. My take is that its a shame that people don't take the business part of this as seriously as they take their art.

And now I've become a paragraph andy on a porn pirating website, sigh.

The thing is with organizing and offloading work, you're putting your trust in others to stand for your quality. You're also effectively becoming a manager, and all on a platform that could boot you at any given moment.

Patreon and such is too much of a rickety bridge to set up a substantial team. And as for where the money goes, I was being lenient with what it goes towards. Homes, a vehicle, insurance, food, utilities, etc. Assuming they're by themselves, its a lot, depending on where they live.

 

[Huffledrunk]

I remember that one that video was so legendary

dont forget the bleach futas4you. i stumbled upon it by accident in recent while back and didnt even know that anime existed (like at all, only watched pokemon, digimon and little of bit of GBZ, that was sync for television, but it was at 7:30 so I cpulsnt watch since I was going to school)

10 years later, i see yoruichi, her zanpakuto, and rangiku and thinking from where I recognize those chars.

but yeah, I didnt know at the time why the g4e was 30 min and it was like maybe 13 min of real footage. but I still watched the video more then 30 min for sure

 

[Huffledrunk]

Usurper queen. Zarya is the real futa queen.

never met her, whos that?

 

[TokioRiot]

The thing is with organizing and offloading work, you're putting your trust in others to stand for your quality. You're also effectively becoming a manager, and all on a platform that could boot you at any given moment.

Patreon and such is too much of a rickety bridge to set up a substantial team. And as for where the money goes, I was being lenient with what it goes towards. Homes, a vehicle, insurance, food, utilities, etc. Assuming they're by themselves, its a lot, depending on where they live.

Yes, I understood you didn't mean just housing. But using Nyl again as an example with my 50% take home...thats over 200k. Unless these creators are living far beyond their means, money isn't the problem. As far as Patreon cutting you off, and I'm looking at this from an American perspective, that isn't any different from anyone else. Most states don't require a cause to fire you, and even if they did its pretty easy to come up with one, so patreon creators are just like the rest of us.

I concede your point about offloading the work, not everyone wants to do that.

I think I'm just too pure for this world. I think if people are paying you for a good/service you have a responsibility to deliever it in a timely manner. Over a year on a single animation while taking breaks for other mini projects and animation challenges just ain't it.

 

[Mr. Weeaboo]

Yes, I understood you didn't mean just housing. But using Nyl again as an example with my 50% take home...thats over 200k. Unless these creators are living far beyond their means, money isn't the problem. As far as Patreon cutting you off, and I'm looking at this from an American perspective, that isn't any different from anyone else. Most states don't require a cause to fire you, and even if they did its pretty easy to come up with one, so patreon creators are just like the rest of us.

I concede your point about offloading the work, not everyone wants to do that.

I think I'm just too pure for this world. I think if people are paying you for a good/service you have a responsibility to deliever it in a timely manner. Over a year on a single animation while taking breaks for other mini projects and animation challenges just ain't it.

Except you're framing it as 'they're giving money, things should be in a timely manner'

Patreon, SS, kofi, whatever isn't transactional, its voluntary. Unless its a direct commission from you to an artist, there is no obligation to have something out every month. Its why often I'll just dip in a guy's Patreon during a release, then dip out, I don't need to be there to see every WIP and update. It isn't the same as say a shareholder in a Fortune 500 company. Constantly wanting infinite growth is a thing that's poisoned the games industry.

There's a big difference between Nyl and say Noname55. one is producing high detailed Blender works, and the other is making simple loops in SFM with the occasional longer video like once a year. Its much easier to expect monthly output from the latter than the former.

 

[birdpear]

I checked the collection and noticed some video are missing.

18.6 Brigitte and DVA Scrapped Angle
19.3 Jaina and Whitemane alt angle
21.1 Liara pin-up
21.1 Sonya & Kitana Creampie

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[differentcow]

Man I wish this forum would split threads between content and discussion like SimpCity...

 

[Mr. Weeaboo]

Man I wish this forum would split threads between content and discussion like SimpCity...

Or you could just follow the artist's twitter and keep up that way

 

[xxxDreamZzz]

Yes, I understood you didn't mean just housing. But using Nyl again as an example with my 50% take home...thats over 200k. Unless these creators are living far beyond their means, money isn't the problem. As far as Patreon cutting you off, and I'm looking at this from an American perspective, that isn't any different from anyone else. Most states don't require a cause to fire you, and even if they did its pretty easy to come up with one, so patreon creators are just like the rest of us.

I concede your point about offloading the work, not everyone wants to do that.

I think I'm just too pure for this world. I think if people are paying you for a good/service you have a responsibility to deliever it in a timely manner. Over a year on a single animation while taking breaks for other mini projects and animation challenges just ain't it.

You can stop patting yourself on the back for being "pure", because you don't understand the first thing about being a creative. Creators are most definitely not like the rest of us. Being one myself my entire life since my first memories, going to school to be a "professional", having a multi-decade career as one, and volunteering as a creative director for a large un-named organisation with 500+ creative members, I do believe I can say with certainty – not one of them is like you, or a "normal" worker/business owner type. Not one.

And then there is this porn genre, where you work in your free time anonymously, with a thousand ideas going through your head, trying to pick the one a) that you want to do; and b) that will get the most praise that you can only privately smile at a number on a screen how favorable it was to your fans. Don't forget the excuses you have to make to friends and family to free up time to do it, and NEVER let the secret out for fear of losing everything else.

Tl;dr - you don't have a clue what a creative is, does, or goes through to produce your goon material.

 

[TokioRiot]

Counter point: you can stop your persecution complex about being a misunderstood artist who nobody understands because you're special.

 

[Kirrion69]

Holy fuck would you cringelords shut the fuck up god damn

 

[RTG$02]

Overwatch Public Model Port 2.0


Download:

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Overview:
It's been a little while since my last model release, and I've been getting quite a few people asking about some of my newer ones. So now seemed like a good time to fix them up and put them out there. This release is a bit different since a lot of these models haven't seen much action yet, but I plan to use them more in the future.
First off, what's in the port?
5 Models:
1. Ashe (futa)
2. Brigitte (futa)
3. Illari (female)
4. Junker Queen (futa)
5. Juno (female)
Keep in mind these models are made for Blender 4.2 or higher. Like last time, each model is in an individual packed .blend file, which means that the textures are stored in the file itself. Also like last time, the models are made using my BG3 models as a base, so a lot of the underlying technology is going to be from those. To that end, you can check out

You must be registered to see the links

as well as

You must be registered to see the links

for more information on how the bodies and materials work.
Some of these models are new, some of the models are a little older. Ashe, Brigitte, and Juno are the most up-to-date and share the most features. Junker Queen is pretty old, despite being updated for this release. And then Illari is in between. Some of them also have a few different hairstyles and accessories.
Each .blend file comes with most of the bones keyframed for organizational purposes. For most of them, they'll have my proportional tweaks at frame 0, while keeping the bone original proportions at -10. You probably don't have to worry about that stuff though. Just keep in mind if you're going to be working with the models, make sure your keyframing is enabled. And if you want to pose without keyframes, then delete what's already there.
Like my BG3 models, you can find the IK toggles in the custom properties of the armature object. Just select the rig and navigate to properties in the 'n' menu, or in the object section of the properties panel.
And that's about it. General improvements over the last batch of models include rigging updates like x-axis mirroring, more/better drivers, material updates, etc. I'll probably be tweaking what major bugs or glitches I find soon after release, as well as adding to this post anything I've forgotten.
Credits:
Juno Hair & Additional Hair Technology -

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Juno Ears -

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Junker Queen Head -

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Porting -

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Characters - Blizzard

 

[ArsenHumby]

Overwatch Public Model Port 2.0


Download:
Link
Backup Link
Overview:
It's been a little while since my last model release, and I've been getting quite a few people asking about some of my newer ones. So now seemed like a good time to fix them up and put them out there. This release is a bit different since a lot of these models haven't seen much action yet, but I plan to use them more in the future.
First off, what's in the port?
5 Models:
1. Ashe (futa)
2. Brigitte (futa)
3. Illari (female)
4. Junker Queen (futa)
5. Juno (female)
Keep in mind these models are made for Blender 4.2 or higher. Like last time, each model is in an individual packed .blend file, which means that the textures are stored in the file itself. Also like last time, the models are made using my BG3 models as a base, so a lot of the underlying technology is going to be from those. To that end, you can check out

You must be registered to see the links

as well as

You must be registered to see the links

for more information on how the bodies and materials work.
Some of these models are new, some of the models are a little older. Ashe, Brigitte, and Juno are the most up-to-date and share the most features. Junker Queen is pretty old, despite being updated for this release. And then Illari is in between. Some of them also have a few different hairstyles and accessories.
Each .blend file comes with most of the bones keyframed for organizational purposes. For most of them, they'll have my proportional tweaks at frame 0, while keeping the bone original proportions at -10. You probably don't have to worry about that stuff though. Just keep in mind if you're going to be working with the models, make sure your keyframing is enabled. And if you want to pose without keyframes, then delete what's already there.
Like my BG3 models, you can find the IK toggles in the custom properties of the armature object. Just select the rig and navigate to properties in the 'n' menu, or in the object section of the properties panel.
And that's about it. General improvements over the last batch of models include rigging updates like x-axis mirroring, more/better drivers, material updates, etc. I'll probably be tweaking what major bugs or glitches I find soon after release, as well as adding to this post anything I've forgotten.
Credits:
Juno Hair & Additional Hair Technology -

You must be registered to see the links

Juno Ears -

You must be registered to see the links

Junker Queen Head -

You must be registered to see the links

Porting -

You must be registered to see the links

Characters - Blizzard

Did Nyl make a Sojourn model already?

 

[futaisgay?]

Overwatch Public Model Port 2.0


Download:
Link
Backup Link
Overview:
It's been a little while since my last model release, and I've been getting quite a few people asking about some of my newer ones. So now seemed like a good time to fix them up and put them out there. This release is a bit different since a lot of these models haven't seen much action yet, but I plan to use them more in the future.
First off, what's in the port?
5 Models:
1. Ashe (futa)
2. Brigitte (futa)
3. Illari (female)
4. Junker Queen (futa)
5. Juno (female)
Keep in mind these models are made for Blender 4.2 or higher. Like last time, each model is in an individual packed .blend file, which means that the textures are stored in the file itself. Also like last time, the models are made using my BG3 models as a base, so a lot of the underlying technology is going to be from those. To that end, you can check out

You must be registered to see the links

as well as

You must be registered to see the links

for more information on how the bodies and materials work.
Some of these models are new, some of the models are a little older. Ashe, Brigitte, and Juno are the most up-to-date and share the most features. Junker Queen is pretty old, despite being updated for this release. And then Illari is in between. Some of them also have a few different hairstyles and accessories.
Each .blend file comes with most of the bones keyframed for organizational purposes. For most of them, they'll have my proportional tweaks at frame 0, while keeping the bone original proportions at -10. You probably don't have to worry about that stuff though. Just keep in mind if you're going to be working with the models, make sure your keyframing is enabled. And if you want to pose without keyframes, then delete what's already there.
Like my BG3 models, you can find the IK toggles in the custom properties of the armature object. Just select the rig and navigate to properties in the 'n' menu, or in the object section of the properties panel.
And that's about it. General improvements over the last batch of models include rigging updates like x-axis mirroring, more/better drivers, material updates, etc. I'll probably be tweaking what major bugs or glitches I find soon after release, as well as adding to this post anything I've forgotten.
Credits:
Juno Hair & Additional Hair Technology -

You must be registered to see the links

Juno Ears -

You must be registered to see the links

Junker Queen Head -

You must be registered to see the links

Porting -

You must be registered to see the links

Characters - Blizzard

I hope brig's model Be well used