About the discussion of focusing on multiple characters: I think it's interesting, but you have to be careful. I think a good story is more interesting than hot scenes, there are several girls there that I would simply remove to give more focus to the central ones, even if that means there are fewer hot scenes.
I even like the idea of an increase in frequency. The story starts with zero and the frequency of hot scenes increases.
People I would remove:
- Natalie
Mother of the boy who suffered the accident with you, she seems kind of useless to the story and creates unnecessary depth. Unless she became a maid or something like that, it doesn't make much sense to me. And even if she did, I think it would generate bigger scenes without much reason.
- Chelsea
Brooke's best friend. She appears there just to be another person you betray Brooke. There may be interesting scenes in the future, but at the rate they're producing them I think it would be more interesting to simply not have her.
- Rachel
Glenn's wife, your FBI neighbor. The story is very boring and is basically so you can have sex earlier in the story, it's kind of silly how it develops too. I found it short, kind of crazy and doesn't fit very well. I would take it out and put more material about the daughters. It takes up 2 to 3 scenes, which could be with one of the central characters.
- Vanessa
The waitress at the first restaurant you take Brooke to, she's clearly someone for you to sleep with because it doesn't make sense to sleep with Brooke yet. I like the scene where she appears, I could keep her, but I wouldn't evolve into scenes of her and forget she exists.
- A Jade
The cashier at any store. Since you don't have sex when you go out with the girls at the lake, the script has her having sex without spoiling the story of one of your daughters and making Brooke jealous, but she's a side girl which doesn't make much sense to me.
I think there is already tension between Brooke and Mira, adding another one (Chelsea) only delays the development of the central node and the development of these girls themselves.
There is a scriptwriter's vice that everything that happens has to have some implication on the future of the story, there can't be any loose ends, but life is full of loose ends, how many people have appeared in your life and simply left?
There's the scene where he and his daughter are in the changing room, which I found a bit ridiculous, him closing his eyes...[/spoiler]