Because the MC is an Englishman in New York. Meaning, a New Yorker in London...This part of the graphics was still in the demo version and has been waiting for eight months for me to redo it. So far, unsuccessfully. There’s no hidden meaning here.
- There are two types of NTR - the cheap fake and the real one.
In the first case, five minutes into the game we learn that the MC has a wife and then see her being fucked by two muscular black guys. That’s fake NTR, which should really be called something else, but not NTR.
In the second case, the story creates an emotional bond between the girl in the game and the player (the player, not the MC) who sits in front of the monitor, spending the evening with a glass of cheap bourbon. And then, once that bond is established, the story forces the player to feel jealousy. So when I talk about NTR, I mean the second type.
- Corruption of the girls is useless for the player - they’ll sleep with him even without corruption. But it defines how far they’re willing to go with other men. There are, however, some specific differences with Bianca - up to a certain point, she will ignore her corruption level and her relationship value (specifically the numerical friendship score) with the MC, preferring instead to pay attention to the flags of his actions.
- The Pusher works only once. It doesn’t give control. Red stone particles exist outside of time, and the Pusher uses this property by choosing the girl’s behavior from the end - the option most favorable to the MC.
1. Okay. So it's a mistake. At first, I thought it was the strange atmosphere in that place affecting the surroundings, as the GPS was giving incorrect information, and there was something mystical happening in this VN, so it could be that MC lost his "compass"...
2. Hmm, so the player (human) is sneaking behind the MC (npc). And a human player creates a connection between himself and some virtual girls, who are also NPCs. Oh my... LMAO. Sorry, but I couldn't help myself. I suspected that was what it was about, but I decided not to jump to conclusions.
3. What do you mean, they sleep with the player? Perhaps it would be more accurate to say they sleep with the MC controlled by the player. But in that case, you contradict what you wrote before. You leave the MC on the sidelines and say that the bond is created between the player and the girls. So not between the MC and the girls, because he is not present in any of their actions. Then how does he sleep with them if there is nothing between them? No bond?
4.
"the option most favorable to the MC" - He doesn't participate in any of their actions, so how can it be obvious that he has a role? What's the point of the Pusher containing all the MC's desires if he's excluded? Because so far, it's chaos. At point 2, you have separated the MC from the player, and? Where does that lead?
It's an AVN, with NPCs, in which a player takes control of one of them, either the MC, the FMC, or both. Like in an RPG. You cannot separate the main character from the player and claim that a bond is created between the player and the girls (in this case) because...
I prefer not to continue here as my message will be deleted, even if the argument is correct.
Honestly, it's a shame about the girls because they're cute, but it's an unrealistic situation. Okay, you've confirmed what I suspected. I wish you luck. I'll wait until the end to see what happens and, maybe you'll show me that I'm the one who got it wrong.
PS: (IMO) I tend to believe that a connection is established between
the player and the story, which involves all the characters. Relationships are established between characters, of course with the contribution of the player who controls the MC/FMC/both. There is a possibility that the player will identify with the MC and lead him along a certain path. But there is also the other option, where the player does not get involved, being merely curious about what happens and choosing several paths (if they exist), each with its own ending. In a novel (book), the author can create such strong emotions through his/her
story that the reader is affected in a positive or negative way. And other readers are not...