Family members: None of the characters are blood relatives. Nova was not married to Mike, so for the main character the girls are not considered sisters. We’ve already revised some parts of the plot and dialogue to make this more obvious and prevent players from getting the wrong impression.
I'm afraid this is a nuance that's lost on Steam and payment processors. They live together in a quasi-family unit, which is considered (veiled) incest.
From context we learn that they've known each other for years, and we will assume they've all been living together.
Lack of emotions in renders: Yes, this is common feedback. I’m working on improving emotional expression, but the main challenge is finding a balance so the emotions look natural rather than exaggerated. I’m confident that over time I’ll reach that “golden middle ground.”
Awesome, I'm so happy to hear that! I think wide shots and showing both people in a conversation at the same time will let you do this. This way you don't just have the face to work with, but the entire body (crossed arms showing resistance, a small forward lean to show engagement, etc). You're right about being careful to not exaggerate, but you have some leeway.
Main character: The MC wasn’t always as passive as he is at the beginning. As the story develops, he will gradually return to his former self — more confident and strong. His current “softness” is an intentional part of his character arc, and his growth will become more noticeable with each new episode.
That's fair, but we aren't shown this. I think it's commendable that the MC wants to keep the peace, but he's taking a LOT of abuse. Mira tells him a few weeks after he lost his father that he's spoiled and too dumb to be his biological son. That's brutal, and he just takes it. We're told this is starting to get to him, but its impact is missing.
It might help to show more of the MC's thought process. His thoughts could help us nuance what we're seeing. We don't know these characters like he does, and our first impressions of them aren't great, and we're led to believe that they always act like this, making us question why the MC is trying to put in so much effort and patience.
You could tie his behavior to his martial arts training: Miyamoto Musashi's teachings of “The ultimate aim is to have no enemies.” He speaks about mastery through restraint, not dominance, and that's the MC to a T. He doesn't bully the sisters into compliance, but in the prologue he doesn't do anything to command respect either. Musashi's quote doesn't mean to turn the other cheek and just take it. After all, when abuse is deliberate dominance, restraint becomes complicity. Both Mira and Kira want to feel better at the MC's expense, and often he's complicit by agreeing to the insults or not standing up for himself and his dignity.
After Kira's remarks cut him to the core, I wouldn't mind him getting in her face and saying something like, "You think you're so smart? I can break both your arms in three seconds. How smart is it to keep pushing me?" He could remain calm while seething inside, not even touching her. His restraint is what would command respect, because he's telling her he's capable of hurting her and merely chooses not to. It's not a threat of violence, but a reminder that she's playing with fire, that he, and her bones, have a breaking point.
This small scenario might be completely out of character for the MC's arc, but before the MC can regain his normal attitude, he needs to reach a breaking point first. The audience needs to see that the sisters finally pushed him too far and him realizing that things can't go on like this. Everything is cause and effect.
Also, a soft-spoken character can still be confident and strong. He doesn't need to become arrogant and commanding; he just can't be someone's punching bag (unless that's what you are going for; it is a valid choice, just one I don't enjoy personally). I think it was a great choice to give him a background in martial arts, and I think you can use that philosophy of restraint and quiet power. He'd know that sometimes you have to walk away to avoid escalation. I'm repeating myself, but the difference is how this is communicated to the audience. Is it a quiet acceptance of the abuse he's suffering (submission), or is he choosing not to fight because the consequences for everyone involved would be dire (inner strength)? What the audience is seeing is the same in both scenarios, but his thoughts could tell us what motivates him.
The situation with Luca: Initially, the terms of the agreement between Mike and Luca were as follows: for the duration of the debt, all acquired property — the house, the company, and other assets — would be registered under Luca until the debt was fully paid off. In the current dialogues this is explained rather superficially, but later the story will go into detail about the legal structure and the motivations of both sides, so the logic will become completely clear.
(I know that even in this form it’s illegal, but this arc will be fully explored later, with all the clarifications
You're right, that's still fairly iffy. And it's not mutually exclusive to THC owning all assets and Mike having underwritten the loan with the shares of the company. One alternative is the concept of usufruct, which exists in several common law countries. The closest US equivalent would be a life estate.
It's about the distinction between owning a property or company and having the right to use and enjoy it.
If THC owns the house (and cars, except Nova's), then Mike could have granted Luca the usufruct (the right to enjoy the profits and act as its CEO) to pay off the debt without owning the shares. The MC would still inherit those, and he would regain the usufruct after the loan was paid off.
In essence, the MC would own THC and all of its assets but wouldn't see any profits or have any say until Luca's loan has been paid off. Meanwhile, Luca is acting CEO and can collect all dividends, but he can't sell the company without the MC's consent. Tanking the company would be illegal, since he has the fiduciary duty to act in the best interest of the company and its shareholders. The MC has a legal recourse if Luca acts in bad faith as CEO.
While Luca couldn't evict the MC, he could demand they pay rent or vacate the premises. The MC owns the building, but Luca has authority over who lives there. Combined with his intimidating presence, the family could decide the trouble isn't worth it and go to check out the MC's house.
As for the moving van with the belongings — they will return to the old house to pick up the rest of the items; or to be more precise, they will hire a van for that.
I like that, and it would fit with the above. Luca could give them a day to decide if they want to move or pay rent (which they can't afford without using the university money). With only 24 hours to decide, they would go and check out the MC's house first to see if it's a viable alternative. The sisters are worried Luca will come back, so they decide to all go. Nova would call Luca in the evening and say they're moving out, and Luca gives them a few days to get their stuff.
In terms of your story, some things need to be telegraphed.
The MC is believing that he inherited all properties after Mike died, but he's never curious or anxious about suddenly owning THC and all of Mike's assets. A potential fix for this is the MC being anxious about meeting the board of THC, which is planned for the same day Luca arrives. The player can be informed of this when Nova asks about his plans to study business in university and later during their talk at night. (He has to be anxious about the responsibility.)
Luca arrives and informs them of his status as CEO, and that the MC's meeting has been cancelled as a result. This is also the point where you need to highlight Nova's law education. In Chapter 1 we're told she's interested in a job as a lawyer or legal aide, so she should provide some exposition about the legality of what's happening. The player has an implicit trust toward Nova because she's in the in-group, so it's easier to believe her even if the legalese isn't entirely real. Nova saying (and motivating) the legality is more convincing than "I called the family lawyer, and he said..."
This is my first game. When I entered this industry, I started entirely from scratch — with no experience, no understanding of the processes, and no clear creative direction. I’m still learning, and of course not everything turns out perfect yet. But detailed and thoughtful feedback like this helps me move in the right direction, see the weaknesses, and grow as a developer. Thank you for taking the time to provide such extensive and meaningful feedback — I truly appreciate it.)
My pleasure! I realize all of this can come across as negativity, but I really think the game shows promise. All the aspects of an interesting story are there. The drama between the siblings, becoming homeless and poor after a silver spoon upbringing... The racing vs. university and the manipulations behind the scenes... The biggest issues are with the visual parts of the storytelling and how players need to infer motivations. If you leave things up to interpretations, players who make the wrong assumptions will disconnect with what's happening in the story.
I'll send you the rest of my notes in DM soon, and I'm happy to serve as a sounding board if you need one. I think some minor adjustments to dialogue can improve the flow of events considerably, without a need for more renders or an entire rework.