3.80 star(s) 106 Votes

nexer

Forum Fanatic
Feb 5, 2019
4,572
17,652
There's a story that, it starts much like this, a co-worker who conspires to ruin her career and family, someone seducing her husband and then and even her. I'll have to read it again to see the details.
 

Sadowdark

Conversation Conqueror
Mar 4, 2020
6,157
8,904
What kind of game is this? A little respect for women, please. Full of perverts and stalkers. Jeez :whistle:
A Perfect Marriage- The plot of this game depicts a seemingly happy married couple with a child. . It turns out there is a conspiracy against the marriage. There was a girl who works together in the same company. The main character's ex-girlfriend is mentally ill, changes her name and becomes friends with Anna. She decides to destroy this marriage. But is that all? Isn't someone higher up pulling the strings? When she finds out that her ex-boyfriend married Anna Parker. She gets angry and wants to turn his wife into a whore who fucks everything that moves. And he'll show his ex-boyfriend what a slut his wife is, and she has a plan to get him back. Ch1 and Ch2 are kinetic choices. Ch3 is the end of the kinetic choices, your choices from Ch1 and Ch2 will be important. in Ch3
 
Last edited:
  • Like
  • Thinking Face
Reactions: ItsNotUs and nexer

nexer

Forum Fanatic
Feb 5, 2019
4,572
17,652
A Perfect Marriage- The plot of this game depicts a seemingly happy married couple with a child. . It turns out there is a conspiracy against the marriage. There was a girl who works together in the same company. The main character's ex-girlfriend is mentally ill, changes her name and becomes friends with Anna. He decides to destroy this marriage. But is that all? Isn't someone higher up pulling the strings? When she finds out that her ex-boyfriend married Anna Parker. She gets angry and wants to turn his wife into a whore who fucks everything that moves. And he'll show his ex-boyfriend what a slut his wife is, and she has a plan to get him back. Ch1 and Ch2 are kinetic choices. Ch3 is the end of the kinetic choices, your choices from Ch1 and Ch2 will be important. in Ch3
OK, thanks.
So, Kendra is Anna's husband's ex-girlfriend?
 

ItsNotUs

Well-Known Member
May 14, 2023
1,694
10,918
A Perfect Marriage- The plot of this game depicts a seemingly happy married couple with a child. . It turns out there is a conspiracy against the marriage. There was a girl who works together in the same company. The main character's ex-girlfriend is mentally ill, changes her name and becomes friends with Anna. He decides to destroy this marriage. But is that all? Isn't someone higher up pulling the strings? When she finds out that her ex-boyfriend married Anna Parker. She gets angry and wants to turn his wife into a whore who fucks everything that moves. And he'll show his ex-boyfriend what a slut his wife is, and she has a plan to get him back. Ch1 and Ch2 are kinetic choices. Ch3 is the end of the kinetic choices, your choices from Ch1 and Ch2 will be important. in Ch3
She not he :LOL: .
 
  • Haha
Reactions: Sadowdark

Sadowdark

Conversation Conqueror
Mar 4, 2020
6,157
8,904
__________________________________________+++++++++++++___________________________________________

"Sadowdark, post: 13367752, member: 2081829"]
After all, what you write here has already been shown many times in the game, you probably didn't play carefully. Even the creator gave you a characterization of Anna from the past. Yes, Mr. Palmer did but left out the specifics as to Anna's past safe for a few flashbacks that left more questions than answers. Go back to the kiss between Grant and Anna and the ALMOST night when she was home from college. Right now, the audience is left with, "that's the way it is, just go with it."--well not in so rude a fashion... but a good back story makes current day events first make sense, but second, makes for a better experience.

Anna sees every older guy in the game as her domineering father. Can't buy the Daddy complex theme that often is in H-games. Unless we are given the view that Anna had sexual feelings for daddy, we just got to go with the idea that Dad was a tyrant and too domineering and too demanding. Now with the submissive choice from the meeting in Hank's office, Anna says it's great to get a father figure back. But that is not an "in" for Hank to get Anna--just a position of power over the powerless. **note** I am going to think that whatever happens between Anna and Hank is going to follow Mr. Palmer's explanation of Anna's character needing an excuse to cheat. I can easily write that scene without having to think about it. Hank and Anna routes are pretty much self-writing. Pretty sure most everyone could too, and I bet a lot of ideas will track the same way as others.

He has a high tolerance for teasing because he does not like to get into conflicts with others. But she has her limits of patience. Anna reacts to touch with excitement because I have sensitive parts of my body and it quickly excites her, for example her ass when someone touches it. See that is a tough nut to resolve. Yes, if a mosquito bites you, you are going to feel it. But we are not talking standard reactions to physical touch. Anna somewhat invites unwanted attention... Now according to Mr. Palmer, Anna is more into misfits then the popular crowd. A little more audience viewing Anna's inner monologues, thoughts and feelings while these events happen both explains Anna's personality and her appetites.

In the game you can choose the fetish you like, e.g. old folks. When Kendra interrogates her during a break at work when she wants to find out from Anna what she likes in sex. Why go back to the past again? I know everything about her past, and if I don't, we can guess. The past dictates the present and future--and that is what I am getting, Anna's past. It's a new game with few releases that have given out information that helps the audience understand Anna. You have hit every high note of the game in terms of chronological events--we just don't have a full understanding of Anna.

Still the game is new. Not a lot of information is available, and I am cheering for Mr. Palmer's success. But coming up are key character interactions that need to be set up with difficult characters. Chris, Jake, and Hank routes are easy--predictable and are common plots in a lot of stories.

The hardest characters to get right with Anna are Grant and Marvin. How does Mr. Palmer square that circle? Not a clue. I got a pretty good idea how Grant and Anna can restart their relationship, but not how Grant would end up with Anna in the way he wants to. My "corruption" theory of Marvin and Anna got shot down in flames by Mr. Palmer.

Now I really don't care about Robinson and Anna route. Perhaps I am too lazy to think how that route may evolve. A pregnant Anna almost getting off from his visit and lack of continued contact for Anna to like Robinson better or even fantasy about him. Just not enough to work with that sparks any interest there for me.

In another post I mentioned "Taco Sause," mild, medium and hot. With Marcel that potential "hot" could be Napalm level hot. But to get the Anna-Marcel route to napalm level, there ought to be a good understanding of Anna--that is if that is Mr. Palmer's intent. If it's just Anna hooks up with Marcel, then we are talking mild to medium. Everyone here has their own level of expectations and desires in the game.
Yes, Mr. Palmer did but left out the specifics as to Anna's past safe for a few flashbacks that left more questions than answers. Go back to the kiss between Grant and Anna and the ALMOST night when she was home from college. Right now, the audience is left with, "that's the way it is, just go with it."--well not in so rude a fashion... but a good back story makes current day events first make sense, but second, makes for a better experience.

But there, in these events, nothing could have happened that would be more interesting for this creator, he didn't show it in the game.

Can't buy the Daddy complex theme that often is in H-games. Unless we are given the view that Anna had sexual feelings for daddy, we just got to go with the idea that Dad was a tyrant and too domineering and too demanding. Now with the submissive choice from the meeting in Hank's office, Anna says it's great to get a father figure back. But that is not an "in" for Hank to get Anna--just a position of power over the powerless. **note** I am going to think that whatever happens between Anna and Hank is going to follow Mr. Palmer's explanation of Anna's character needing an excuse to cheat. I can easily write that scene without having to think about it. Hank and Anna routes are pretty much self-writing. Pretty sure most everyone could too, and I bet a lot of ideas will track the same way as others.

The fact that Anna has sexual feelings for her father, which is a bit of an exaggeration, would create a new, alternative game. Hank said he wanted to get Anna legally. He won't blackmail her. he has two plans for Anna, each of them is simple, A.) He will become her mentor for two years and because that's how long he has left. He will demand complete obedience from her in everything he asks of her. B.) She will tell a colleague at another company she is from to stop suing her husband's company. Anna will be grateful to him for this. I will come to him of my own free will and I will thank him until the end of his days, that is, two years of his life. At every step, he can remind her what he did to save her husband's company. that now Pigwin needs help and she should help him with small things at first, and over time, as Anna's cover weakens, with more sexual things.

In the game you can choose the fetish you like, e.g. old folks. When Kendra interrogates her during a break at work when she wants to find out from Anna what she likes in sex. Why go back to the past again? I know everything about her past, and if I don't, we can guess. The past dictates the present and future--and that is what I am getting, Anna's past. It's a new game with few releases that have given out information that helps the audience understand Anna. You have hit every high note of the game in terms of chronological events--we just don't have a full understanding of Anna

What do we not understand about the chronological events of Anna? I understand everything there

Still the game is new. Not a lot of information is available, and I am cheering for Mr. Palmer's success. But coming up are key character interactions that need to be set up with difficult characters. Chris, Jake, and Hank routes are easy--predictable and are common plots in a lot of stories.

Seriously, there is a ton of information in this game, read the dialogue carefully. What information are you looking for?



The hardest characters to get right with Anna are Grant and Marvin. How does Mr. Palmer square that circle? Not a clue. I got a pretty good idea how Grant and Anna can restart their relationship, but not how Grant would end up with Anna in the way he wants to. My "corruption" theory of Marvin and Anna got shot down in flames by Mr. Palmer.

.The old fox will use a trick during dinner with Anna, maybe he will pour something into her drink, some drug, or he will get Anna drunk and tell her that she will sign something and she will be too drunk to read what she wrote, e.g. he owes a large sum . money that must be repaid by a specific date. I'm 100% sure that the old fox poisoned Anna's father.The old fish will have it easy because Kendrya helps him. Who will try to push Anna into his arms with all her words and events. Finally, Kendra talked Anna into going to the pool and she helped the old fish. He will blackmail Anna because he takes photos of her everywhere. For now, his materials are terribly weak to blackmail Anna, but Kendra can provide him with new, better ones.

Now I really don't care about Robinson and Anna route. Perhaps I am too lazy to think how that route may evolve. A pregnant Anna almost getting off from his visit and lack of continued contact for Anna to like Robinson better or even fantasy about him. Just not enough to work with that sparks any interest there for me.

The fake doctor cobra will use hypnosis on Anna, he will pretend to be a real friend, and Anna can always count on him in difficult times. He will lull Anna's vigilance and get closer to her, and at the right moment he will take advantage of the moment when Anna will be defenseless and susceptible to his charms.

In another post I mentioned "Taco Sause," mild, medium and hot. With Marcel that potential "hot" could be Napalm level hot. But to get the Anna-Marcel route to napalm level, there ought to be a good understanding of Anna--that is if that is Mr. Palmer's intent. If it's just Anna hooks up with Marcel, then we are talking mild to medium. Everyone here has their own level of expectations and desires in the game.


Marcel's characters (BBC) are a classic in this type of games
 
Last edited:
Jun 17, 2021
48
98
Yes, Mr. Palmer did but left out the specifics as to Anna's past safe for a few flashbacks that left more questions than answers. Go back to the kiss between Grant and Anna and the ALMOST night when she was home from college. Right now, the audience is left with, "that's the way it is, just go with it."--well not in so rude a fashion... but a good back story makes current day events first make sense, but second, makes for a better experience.

But there, in these events, nothing could have happened that would be more interesting for this creator, he didn't show it in the game.

Can't buy the Daddy complex theme that often is in H-games. Unless we are given the view that Anna had sexual feelings for daddy, we just got to go with the idea that Dad was a tyrant and too domineering and too demanding. Now with the submissive choice from the meeting in Hank's office, Anna says it's great to get a father figure back. But that is not an "in" for Hank to get Anna--just a position of power over the powerless. **note** I am going to think that whatever happens between Anna and Hank is going to follow Mr. Palmer's explanation of Anna's character needing an excuse to cheat. I can easily write that scene without having to think about it. Hank and Anna routes are pretty much self-writing. Pretty sure most everyone could too, and I bet a lot of ideas will track the same way as others.

The fact that Anna has sexual feelings for her father, which is a bit of an exaggeration, would create a new, alternative game. Hank said he wanted to get Anna legally. He won't blackmail her. he has two plans for Anna, each of them is simple, A.) He will become her mentor for two years and because that's how long he has left. He will demand complete obedience from her in everything he asks of her. B.) She will tell a colleague at another company she is from to stop suing her husband's company. Anna will be grateful to him for this. I will come to him of my own free will and I will thank him until the end of his days, that is, two years of his life. At every step, he can remind her what he did to save her husband's company. that now Pigwin needs help and she should help him with small things at first, and over time, as Anna's cover weakens, with more sexual things.

In the game you can choose the fetish you like, e.g. old folks. When Kendra interrogates her during a break at work when she wants to find out from Anna what she likes in sex. Why go back to the past again? I know everything about her past, and if I don't, we can guess. The past dictates the present and future--and that is what I am getting, Anna's past. It's a new game with few releases that have given out information that helps the audience understand Anna. You have hit every high note of the game in terms of chronological events--we just don't have a full understanding of Anna

What do we not understand about the chronological events of Anna? I understand everything there

Still the game is new. Not a lot of information is available, and I am cheering for Mr. Palmer's success. But coming up are key character interactions that need to be set up with difficult characters. Chris, Jake, and Hank routes are easy--predictable and are common plots in a lot of stories.

Seriously, there is a ton of information in this game, read the dialogue carefully. What information are you looking for?



The hardest characters to get right with Anna are Grant and Marvin. How does Mr. Palmer square that circle? Not a clue. I got a pretty good idea how Grant and Anna can restart their relationship, but not how Grant would end up with Anna in the way he wants to. My "corruption" theory of Marvin and Anna got shot down in flames by Mr. Palmer.

.The old fox will use a trick during dinner with Anna, maybe he will pour something into her drink, some drug, or he will get Anna drunk and tell her that she will sign something and she will be too drunk to read what she wrote, e.g. he owes a large sum . money that must be repaid by a specific date. I'm 100% sure that the old fox poisoned Anna's father.The old fish will have it easy because Kendrya helps him. Who will try to push Anna into his arms with all her words and events. Finally, Kendra talked Anna into going to the pool and she helped the old fish. He will blackmail Anna because he takes photos of her everywhere. For now, his materials are terribly weak to blackmail Anna, but Kendra can provide him with new, better ones.

Now I really don't care about Robinson and Anna route. Perhaps I am too lazy to think how that route may evolve. A pregnant Anna almost getting off from his visit and lack of continued contact for Anna to like Robinson better or even fantasy about him. Just not enough to work with that sparks any interest there for me.

The fake doctor cobra will use hypnosis on Anna, he will pretend to be a real friend, and Anna can always count on him in difficult times. He will lull Anna's vigilance and get closer to her, and at the right moment he will take advantage of the moment when Anna will be defenseless and susceptible to his charms.

In another post I mentioned "Taco Sause," mild, medium and hot. With Marcel that potential "hot" could be Napalm level hot. But to get the Anna-Marcel route to napalm level, there ought to be a good understanding of Anna--that is if that is Mr. Palmer's intent. If it's just Anna hooks up with Marcel, then we are talking mild to medium. Everyone here has their own level of expectations and desires in the game.


Marcel's characters (BBC) are a classic in this type of games

I think more background to explain how they get to that point would be good for the story and I don't´have the feeling that Grant will use drugs (well, more than a felling is a personal wish) I'm more attracted to a reconciliation between them. In case of Marvin, I want to belive that Anna has some repressed attraction to grandpas (blackmailed or not). In the end I'm just sharing what I would like to happen.

Also, what you said about Hank make me remember what Mr. Palmer said about the possible paths, being the ones you mention the "actively engaging" and "submissively" ones:

1712168815455.png
 

DarthSpitz717

Member
Mar 28, 2023
335
662
If I had to choose between Anna having daddy issues or some flashback depicting a younger Anna watching grandpa porn and getting aroused by it, I would choose the last one. But, as Mr. Palmer said, I think the most important thing right now is to make proggress in the actual story. As for Anna background, simple scripts as extra content could be one way to resolve this "problem" of lack of time and resources to produce both the story and the flasbacks/memories/etc imo.
____________________________________++++++++++++++++____________________________________________

You don't have to have Anna have daddy issues save for maybe some trauma of an overbearing and controlling father that's been well depicted already. Now where some other issues with Anna and her father could be a couple of times where the father embarrassed Anna Infront of her peers. That would be affective trauma that actually works well with Grant being the one who comforted Anna afterward.

As far as women having grandpa fetishes, it's pretty rare. And there are times when you want to keep the plots simple so as not to have to develop for the audience to understand.

Age gap porn, that kind of works--but likely Anna would have other fetishes and interest. Now what works for both Grant and Marvin would be roleplay interests in being 'forced' or 'molested' or 'taken advantage of'--it's in the same realm of BDSM or having the simple need to be punished. Yet had Anna had a crush on a teacher somewhere in the past, maybe.

The main problem with all the above is a logistical one. Time and energy going into text and rendering it would take... and the fact some fans have the patience and attention span of a sparrow. And to be successful in these games is 'reasonable' turnaround times for new content.

Sadoowdark brought up BBC. And it's a solid point that the game currently hints on. If BBC fetishes are also in Anna's wheelhouse among others, the developer might want to build more on that story arc. That can go any number of ways tha t possible aspect.
 

DIRTY FILTHY Animal

Conversation Conqueror
Jun 11, 2020
7,914
25,910
__________________________________________+++++++++++++___________________________________________

"Sadowdark, post: 13367752, member: 2081829"]
After all, what you write here has already been shown many times in the game, you probably didn't play carefully. Even the creator gave you a characterization of Anna from the past. Yes, Mr. Palmer did but left out the specifics as to Anna's past safe for a few flashbacks that left more questions than answers. Go back to the kiss between Grant and Anna and the ALMOST night when she was home from college. Right now, the audience is left with, "that's the way it is, just go with it."--well not in so rude a fashion... but a good back story makes current day events first make sense, but second, makes for a better experience.

Anna sees every older guy in the game as her domineering father. Can't buy the Daddy complex theme that often is in H-games. Unless we are given the view that Anna had sexual feelings for daddy, we just got to go with the idea that Dad was a tyrant and too domineering and too demanding. Now with the submissive choice from the meeting in Hank's office, Anna says it's great to get a father figure back. But that is not an "in" for Hank to get Anna--just a position of power over the powerless. **note** I am going to think that whatever happens between Anna and Hank is going to follow Mr. Palmer's explanation of Anna's character needing an excuse to cheat. I can easily write that scene without having to think about it. Hank and Anna routes are pretty much self-writing. Pretty sure most everyone could too, and I bet a lot of ideas will track the same way as others.

He has a high tolerance for teasing because he does not like to get into conflicts with others. But she has her limits of patience. Anna reacts to touch with excitement because I have sensitive parts of my body and it quickly excites her, for example her ass when someone touches it. See that is a tough nut to resolve. Yes, if a mosquito bites you, you are going to feel it. But we are not talking standard reactions to physical touch. Anna somewhat invites unwanted attention... Now according to Mr. Palmer, Anna is more into misfits then the popular crowd. A little more audience viewing Anna's inner monologues, thoughts and feelings while these events happen both explains Anna's personality and her appetites.

In the game you can choose the fetish you like, e.g. old folks. When Kendra interrogates her during a break at work when she wants to find out from Anna what she likes in sex. Why go back to the past again? I know everything about her past, and if I don't, we can guess. The past dictates the present and future--and that is what I am getting, Anna's past. It's a new game with few releases that have given out information that helps the audience understand Anna. You have hit every high note of the game in terms of chronological events--we just don't have a full understanding of Anna.

Still the game is new. Not a lot of information is available, and I am cheering for Mr. Palmer's success. But coming up are key character interactions that need to be set up with difficult characters. Chris, Jake, and Hank routes are easy--predictable and are common plots in a lot of stories.

The hardest characters to get right with Anna are Grant and Marvin. How does Mr. Palmer square that circle? Not a clue. I got a pretty good idea how Grant and Anna can restart their relationship, but not how Grant would end up with Anna in the way he wants to. My "corruption" theory of Marvin and Anna got shot down in flames by Mr. Palmer.

Now I really don't care about Robinson and Anna route. Perhaps I am too lazy to think how that route may evolve. A pregnant Anna almost getting off from his visit and lack of continued contact for Anna to like Robinson better or even fantasy about him. Just not enough to work with that sparks any interest there for me.

In another post I mentioned "Taco Sause," mild, medium and hot. With Marcel that potential "hot" could be Napalm level hot. But to get the Anna-Marcel route to napalm level, there ought to be a good understanding of Anna--that is if that is Mr. Palmer's intent. If it's just Anna hooks up with Marcel, then we are talking mild to medium. Everyone here has their own level of expectations and desires in the game.
Heres Anna's lookalike in another game called "corrupted hearts" with a bbc and no old fuckers :ROFLMAO:
screenshot0001.png screenshot0002.png
 
3.80 star(s) 106 Votes