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Looks good. Keep spitting out the renders and experimenting with different ideas, you'll improve in no time.
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*** WARNING *** objects in this render may appear larger than they actually are! (mainly, Tybalt's penis, but I had to exaggerate it up to 50% length or it never would have reached her!!! LOL)
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The sorority dining room on nude dinner night. All the models except the main character are from P3D (the twins use P3D Riza skin on Juniper from Mousso). The table is from the Dinner with the Duke vignette, and the food is from CG Jellyfish's Dirty Dishes set (probably one of the best assets to purchase if you're going to have meal conversations as the food has multiple stages from presentation to finished to show time progressing).
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Well.... posted on another thread it could start wars...
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Jill Valentine (Resident Evil)
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I noticed that someone else already shared it there only minutes after I posted it. heheheWell.... posted on another thread it could start wars...
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Wow, very realistic! I recall her asset being mentioned in the past, but I forgot already. Mind sharing which one you used? I have had some ideas for her, but I forgot which one it was.
Nicely done anyhow.
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I fucked up again with the hair...
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LOL, I love this! I ran out of reactions, but that little female Dwarf made me laugh. Nicely done!
You've really improved at this over time. Loving your work.
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I like how the movement turned out in this one Anyone who got advice on improving the look of "movement"?
Anyone who got advice on improving the look of "movement"?
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Thanks a lot. I tried to make a gnome, there's a lot of differents morphs on this one. As the blood elf, I wanted to make it without using Alori, Just the ears 30% (there's still some hair covering them, I only saw it after renderingLOL, I love this! I ran out of reactions, but that little female Dwarf made me laugh. Nicely done!
You've really improved at this over time. Loving your work.
).And I used the AI Denoiser this time https://f95zone.to/threads/nvidia-ai-denoiser-2-4.35677/
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Not too sure about this, but maybe look to anime/animation and comic books for reference? For still images, I think you should create the picture around the specific motion that you want to convey. Use the posing, composing, camera angles, scale, and lighting to put emphasis on one key movement and may try to blur the other parts out. Exaggeration could be the most important, but I could be wrong about that. I think you could add little details, like leaves and debris that get moved by the characters or get caught up in their wake. Think little dust clouds from characters jumping or running. Or little puffs of dirt and wood chips/grass.I like how the movement turned out in this one
or the debris clouds from asteroid impacts?
You can "feel" that the object is moving even though it is a still image (maybe not). In the asteroid's case it is extremely bright and has a lot of little motion lines and the debris spreading out from it.
In terms of your pictures, your movements could be the dodge, the strike, and the lunge.
Little things that could convey or enhance these motions.
-Maybe the woman didn't quite dodge the spear? It caught a strand of her hair or maybe it leaves a scratch that wasn't there before. Maybe there's a trail of blood that's left behind that the camera can focus on or that the light can catch.
-Maybe focus on how the woman angles/curves her body to avoid getting hit and position the camera to capture that. Maybe bring the camera closer so that the viewer feels like the woman???
-You could also focus the camera on the spear tip?
-If the goblin lunging is the main focus, one thing you could do is to keep him on the left (or whichever side you want him to be on)? I think I've heard of something like this before in movies. Switching which side the figure is on in the frame can interrupt the feeling of a continuous motion.
Not too sure about this and correct me if I'm wrong. Nice renders btw
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Not too sure about this, but maybe look to anime/animation and comic books for reference? For still images, I think you should create the picture around the specific motion that you want to convey. Use the posing, composing, camera angles, scale, and lighting to put emphasis on one key movement and may try to blur the other parts out. Exaggeration could be the most important, but I could be wrong about that. I think you could add little details, like leaves and debris that get moved by the characters or get caught up in their wake. Think little dust clouds from characters jumping or running. Or little puffs of dirt and wood chips/grass.
View attachment 2445039
or the debris clouds from asteroid impacts?
View attachment 2445042
You can "feel" that the object is moving even though it is a still image (maybe not). In the asteroid's case it is extremely bright and has a lot of little motion lines and the debris spreading out from it.
In terms of your pictures, your movements could be the dodge, the strike, and the lunge.
Little things that could convey or enhance these motions.
-Maybe the woman didn't quite dodge the spear? It caught a strand of her hair or maybe it leaves a scratch that wasn't there before. Maybe there's a trail of blood that's left behind that the camera can focus on or that the light can catch.
-Maybe focus on how the woman angles/curves her body to avoid getting hit and position the camera to capture that. Maybe bring the camera closer so that the viewer feels like the woman???
-You could also focus the camera on the spear tip?
-If the goblin lunging is the main focus, one thing you could do is to keep him on the left (or whichever side you want him to be on)? I think I've heard of something like this before in movies. Switching which side the figure is on in the frame can interrupt the feeling of a continuous motion.
Not too sure about this and correct me if I'm wrong. Nice renders btw
Mmmm... Sort of partly right, but your including Film/Animation into a Single Image Framework, how can you show something that wasn't there 30 seconds ago, when you haven't seen it. Not everyone wants to do 20 different renders, just to show X amount of movement, sometimes it can be enough of a struggle to get that one image rendered. And yes it's a nice render...
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I wasn't thinking about rendering a full animation, just taking cues from them and other sources. I'm pretty sure there are some comics and anime that are very efficient with their panels and images and they do really well with showing the viewer that something is moving. I think if you want to convey motion effectively, pick which motion you want to highlight (could be at any point in the process) and try to craft the final result to show off that movement.
Yeah, I've never done 20 renders for a piece either.
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