I could make one I guess but my upload speed isn't great, about 500kb/s is what I can spare.Do you have a link for torreny? the mega blocks you 6h for every 1h of download and the others are so slow that the error in the download 400,600mb
If you can keep seeding for a while, I've paused everything else so I can dedicate more bandwidth to this.thanks
Reading this made me want to check out the songs. The SPES Combat Theme really does for me. And some of those background sounds remind me of the 8-bit tracks used in NieR:Automata. What a lovely track.-
The battle music they posted about gives me Nier vibes, I like it. Props to the composer.
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As someone who listens to the OST of the original NieR and Automata almost every day (and night to fall asleep to). (Drakengard as well for that matter.) To me they are worlds apart. Personally I don't really hear the similarities either in harmonic progression, rythm or orchestration. I might just be a bit too familier with the tracks to be honest, but still. Keiichi Okabe's strength is in his amazing versatility and experimentation (when he has the freedom to do so), combined with Yoko's vision and sometimes very specific/but mostly loose direction. Thanks to this, their duo puts out amazing OSTs that cover a wide range of styles without feeling way too similar, not just what's in Automata.Reading this made me want to check out the songs. The SPES Combat Theme really does for me. And some of those background sounds remind me of the 8-bit tracks used in NieR:Automata. What a lovely track.
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I don't think that friend is Keiichi Okabe (one can dream), but he/she is pretty good![]()
Ah good to know didn't see it.funog1 said:You must be registered to see the links
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Fallen doll 1.31b was the original idea and has since been halted to focus on Fallen Doll: Operation Lovecraft, how it will actually pan out is anybody's guess though.
I don't think the devs would be following a thread where people crack their DRM and play their games free. Just an idea. I know some devs lurk in the dark and follow stuff like these to get perspective, and some even upload barebones versions of their games lacking content in order to deter HQ piracy, but I doubt Project H will see/consider your message. If you go on his Patreon you can leave feedback in the comments of his posts.Gonna post this here cus i duno if the devs is following this thread, the new update with the shoes being able to take off from the maid costume (forgot what the girls name is) is distorting her toes making them contort and bend in ways that should not, this is affects majority of the scenes. though im sure he/she is aware of it.
Because of the update all scenes with the maid costume when the "cum outuside" scene happens, the texture for the clothing disappears, mainly the stockings and shoes.
For the same girl in the scene with Bastian? i think is the name...the scene with the blowjob, if you have the "head" on facing the camera, some scenes move her head completely out of position causing the *dick? to clip through her cheeks or jaws
I have to admit, I haven't listened to the NieR:Automata OST as much recently as in the past. I don't mean it sounds like a track you'd hear in the game, it just give some vibes. Something like: "watching 2B do stuff in a trailer montage with this track would work". Or A2 running through the desert after her fuel filter got clogged.As someone who listens to the OST of the original NieR and Automata almost every day (and night to fall asleep to). (Drakengard as well for that matter.) To me they are worlds apart. Personally I don't really hear the similarities either in harmonic progression, rythm or orchestration. I might just be a bit too familier with the tracks to be honest, but still. Keiichi Okabe's strength is in his amazing versatility and experimentation (when he has the freedom to do so), combined with Yoko's vision and sometimes very specific/but mostly loose direction. Thanks to this, their duo puts out amazing OSTs that cover a wide range of styles without feeling way too similar, not just what's in Automata.
Even though I don't agree, I can see where you're coming from. A lot of games with the high tech/future aesthetic uses similar intruments in their scores. It does sound familier, like it's a mixture of a lot of tracks I heard before. Personally it reminds me more of the Mirror's Edge OST.
It does sound good, especially for a fetish XCOM game.![]()
Respects man, the NieR OST & D3 OST are godlike. I was listening to Ashes of Dreams and Kaine Salvation like 10 min ago. Some of the Drakengard 3 DLC music is so fucking good as well. I haven't heard the nice music you guys are mentioning in-game but it kinda sucks when I find good music in porn/hentai games. I had to tell this one artist on YouTube that the only reason why I ran into his awesome song was because it was used in a porngame. He still appreciated it though.As someone who listens to the OST of the original NieR and Automata almost every day (and night to fall asleep to). (Drakengard as well for that matter.) To me they are worlds apart. Personally I don't really hear the similarities either in harmonic progression, rythm or orchestration. I might just be a bit too familier with the tracks to be honest, but still. Keiichi Okabe's strength is in his amazing versatility and experimentation (when he has the freedom to do so), combined with Yoko's vision and sometimes very specific/but mostly loose direction. Thanks to this, their duo puts out amazing OSTs that cover a wide range of styles without feeling way too similar, not just what's in Automata.
Even though I don't agree, I can see where you're coming from. A lot of games with the high tech/future aesthetic uses similar intruments in their scores. It does sound familier, like it's a mixture of a lot of tracks I heard before. Personally it reminds me more of the Mirror's Edge OST.
It does sound good, especially for a fetish XCOM game.![]()
Oh man, Kainé Salvation... such a beautiful song. The feels...Respects man, the NieR OST & D3 OST are godlike. I was listening to Ashes of Dreams and Kaine Salvation like 10 min ago. Some of the Drakengard 3 DLC music is so fucking good as well. I haven't heard the nice music you guys are mentioning in-game but it kinda sucks when I find good music in porn/hentai games. I had to tell this one artist on YouTube that the only reason why I ran into his awesome song was because it was used in a porngame. He still appreciated it though.
Thankfully a patreon sub has updated theAlso, can a Patreon sub fill us in on the influx of Patron-only posts? Much appreciated
Also, can a Patreon sub fill us in on the influx of Patron-only posts? Much appreciated
The helmet looks a bit like a bucket, but the rest of the suit is yummy :3You must be registered to see the links
It looks pretty accurate to theYou must be registered to see the linksfrom the codex entry.
them, I meant the game developers, and yes I meant that for the time it takes to get an update out, the content is small, in short: I read the change log and I didn't download itWhat does this even mean, who is they? why are you talking about the last version? what?
Moving on, I haven't looked at the yiff page in a while. Lots of pretty things. Thanks again to who ever is keeping that updated.
The battle music they posted about gives me Nier vibes, I like it. Props to the composer.
The ghost pig(Saaitii?) is some spooky stuff.
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Yeah, I could care less for Galatea. I would rather have this girl any day.wow she’s pretty as fuck, can’t wait for her, we needed a blonde for a while. Reminds me of how many posts you see on Project H’s twitter and pattern saying “Galatea when?!!”. To be honest I prefer some characters with their outfits on, it’s a kinky thing I guess. Alet with the shoes and stockings is nice af. The Latex suit for the other girl is nice as well.