- Sep 29, 2018
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I could make one I guess but my upload speed isn't great, about 500kb/s is what I can spare.
Edit: I've added the torrent
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Unreal Engine Fallen Doll: Operation Lovecraft [v0.4.9 Cracked] [Project Helius]
- Thread starter monroe
- Start date
Edit: I've added the torrent
- Sep 29, 2018
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If you can keep seeding for a while, I've paused everything else so I can dedicate more bandwidth to this.
Reading this made me want to check out the songs. The SPES Combat Theme really does for me. And some of those background sounds remind me of the 8-bit tracks used in NieR:Automata. What a lovely track.
I don't think that friend is Keiichi Okabe (one can dream), but he/she is pretty good
- May 1, 2017
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As someone who listens to the OST of the original NieR and Automata almost every day (and night to fall asleep to). (Drakengard as well for that matter.) To me they are worlds apart. Personally I don't really hear the similarities either in harmonic progression, rythm or orchestration. I might just be a bit too familier with the tracks to be honest, but still. Keiichi Okabe's strength is in his amazing versatility and experimentation (when he has the freedom to do so), combined with Yoko's vision and sometimes very specific/but mostly loose direction. Thanks to this, their duo puts out amazing OSTs that cover a wide range of styles without feeling way too similar, not just what's in Automata.Reading this made me want to check out the songs. The SPES Combat Theme really does for me. And some of those background sounds remind me of the 8-bit tracks used in NieR:Automata. What a lovely track.
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I don't think that friend is Keiichi Okabe (one can dream), but he/she is pretty good
Even though I don't agree, I can see where you're coming from. A lot of games with the high tech/future aesthetic uses similar intruments in their scores. It does sound familier, like it's a mixture of a lot of tracks I heard before. Personally it reminds me more of the Mirror's Edge OST.
It does sound good, especially for a fetish XCOM game.
- May 22, 2019
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I don't think the devs would be following a thread where people crack their DRM and play their games free. Just an idea. I know some devs lurk in the dark and follow stuff like these to get perspective, and some even upload barebones versions of their games lacking content in order to deter HQ piracy, but I doubt Project H will see/consider your message. If you go on his Patreon you can leave feedback in the comments of his posts.
& PS in-case PH actually sees this, I'm going to buy the game once it reaches a comfortable point in development.
I have to admit, I haven't listened to the NieR:Automata OST as much recently as in the past. I don't mean it sounds like a track you'd hear in the game, it just give some vibes. Something like: "watching 2B do stuff in a trailer montage with this track would work". Or A2 running through the desert after her fuel filter got clogged.As someone who listens to the OST of the original NieR and Automata almost every day (and night to fall asleep to). (Drakengard as well for that matter.) To me they are worlds apart. Personally I don't really hear the similarities either in harmonic progression, rythm or orchestration. I might just be a bit too familier with the tracks to be honest, but still. Keiichi Okabe's strength is in his amazing versatility and experimentation (when he has the freedom to do so), combined with Yoko's vision and sometimes very specific/but mostly loose direction. Thanks to this, their duo puts out amazing OSTs that cover a wide range of styles without feeling way too similar, not just what's in Automata.
Even though I don't agree, I can see where you're coming from. A lot of games with the high tech/future aesthetic uses similar intruments in their scores. It does sound familier, like it's a mixture of a lot of tracks I heard before. Personally it reminds me more of the Mirror's Edge OST.
It does sound good, especially for a fetish XCOM game.
The retro sounding parts remind me of when the tracks blend from the normal version to the hacking version, that transition. The drums remind me of what's used in Wretched Weaponry, and the part where the song goes quieter reminds me a tiny bit of The Sound of the End (It sounds totally different but I mean there is that quiet moment in that track before it goes dynamic again). And yep, the vocals are just humming and not Angelic. Also not even remotely close to Emi Evans.
I haven't played Drakengard or NieR (I did watch a full playthrough of it to get some more lore because I loved Automata that much). I'm only vaguely familiar with the NieR OST, apart from the songs that made it to Automata in one form or another.
That being said, NieR:Automata is one of my favorite games of all time (#1 for the characters/story), and it's soundtrack is by far my favorite.
Actually... the more I listen to the track, the more I hear how different it is haha
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- May 22, 2019
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Respects man, the NieR OST & D3 OST are godlike. I was listening to Ashes of Dreams and Kaine Salvation like 10 min ago. Some of the Drakengard 3 DLC music is so fucking good as well. I haven't heard the nice music you guys are mentioning in-game but it kinda sucks when I find good music in porn/hentai games. I had to tell this one artist on YouTube that the only reason why I ran into his awesome song was because it was used in a porngame. He still appreciated it though.As someone who listens to the OST of the original NieR and Automata almost every day (and night to fall asleep to). (Drakengard as well for that matter.) To me they are worlds apart. Personally I don't really hear the similarities either in harmonic progression, rythm or orchestration. I might just be a bit too familier with the tracks to be honest, but still. Keiichi Okabe's strength is in his amazing versatility and experimentation (when he has the freedom to do so), combined with Yoko's vision and sometimes very specific/but mostly loose direction. Thanks to this, their duo puts out amazing OSTs that cover a wide range of styles without feeling way too similar, not just what's in Automata.
Even though I don't agree, I can see where you're coming from. A lot of games with the high tech/future aesthetic uses similar intruments in their scores. It does sound familier, like it's a mixture of a lot of tracks I heard before. Personally it reminds me more of the Mirror's Edge OST.
It does sound good, especially for a fetish XCOM game.
- May 22, 2019
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Oh man, Kainé Salvation... such a beautiful song. The feels...
The music isn't ingame yet, it's a theme (I think WIP) that's shown off in a patreon post (also on the yiff page now).
Haha, I can imagine that must've been a little weird for that dude.
Thankfully a patreon sub has updated the
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. Some of the latest posts have the music.
- Aug 17, 2018
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It looks pretty accurate to the
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- Dec 16, 2017
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The helmet looks a bit like a bucket, but the rest of the suit is yummy :3
- May 1, 2017
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- May 22, 2019
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wow she’s pretty as fuck, can’t wait for her, we needed a blonde for a while. Reminds me of how many posts you see on Project H’s twitter and pattern saying “Galatea when?!!”. To be honest I prefer some characters with their outfits on, it’s a kinky thing I guess. Alet with the shoes and stockings is nice af. The Latex suit for the other girl is nice as well.
- Feb 19, 2018
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them, I meant the game developers, and yes I meant that for the time it takes to get an update out, the content is small, in short: I read the change log and I didn't download it
- Nov 3, 2018
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- Jun 30, 2017
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