That's exactly my point, you're supposed to think that it's not attractive or endearing- it's a woman in her forties who's also not getting her intimate needs met, the moment was there to make her feel weak/sorry/pathetic over her strong exterior but I also want to show that in the end she knows she isn't promiscuous through her actions, her inner self just wouldn't let her give in.Like I said what does the gigolo add? All that scene manages to accomplish is make Carmine seem like an unscrupulous woman who is willing to get fucked by anyone, yet chickens out at the last minute. In other words, she sees no problem with spreading her legs for men she doesn't care about or even know, she just isn't ready yet. That's not attractive, endearing, or even interesting, it's just gross. It detracts from her character, similarly to Elise. What benefit is there to making her that way? None.
As for Flynn, he doesn't have to knock the guy out, but he could at the very least tell him to shut up and fuck off or something, instead of just taking it like a bitch. Especially when the guy puts his card into his shirt, for someone who's so averse to being touched this is the sole instance where Flynn doesn't react even though it's the most normal/appropriate instance to react to.
As for Elise, same thing- what is this knockout hottie doing screwing escorts? Because she's a flawed human being, she'd rather have someone dress up like her crush of the day than actually ask them out because she knows it's risky for her to involve anyone into her business- she was rich for sure but also trapped because of her own actions.
And as for Flynn not saying anything to the guy, he's a public servant, so not only does he takes to the heart he's also recently just elevated to the level of a national hero so he can't afford to fall to that level.
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