- Mar 15, 2023
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TSS with Yasu would be peak indeed
See thats where you miss me. It IS about the story. And its an amazing story discounting the odd amount of selebus stroking it to his own name in game.I'm not judging. It's just shocking to see a perspective so far removed from that of our particular bubble on this thread. For most of us that are active here, LiL is about the story, sometimes there are sex scenes sure, but often they aren't the sort of thing one would like to watch in the first place.
As for having free time, it might be in your interest to stop playing LiL then. It's not the kind of game where you'll tolerate mediocre teenage girl talk until you get to see them having sex. It's rather the sort of story where you'll rewatch the layered dialogue for the 3rd time either trying to decipher things you couldn't before, or to notice the cruel irony that was hidden in the background.
No, you see, that's a common mistake. The symbol ">" means that the left part is greater than the right part. You're looking for this one "<". Glad to have helped.
The story is part of the lewd. At least to me it is. Skipping it would be pointless. You might as well watch porn. The story is the connection and investment in the girls. Seeing girls you have zero attachment to be throw at tentacle monsters gets boring.This information might rock your world, but Selebus, the developer, confirmed there will be lewd scenes with every 35 characters. So sooner or later there will be a reward for everyone.
Also, if you are mostly just in it for the sex scenes, you kind of chose the wrong game. Not that they are bad or extremely rare, I just find that this game is one of the very, very few on this site, which story is actually more entertaining than the lewd action. Which, again, are well done too.
So, paradoxically, anyone skipping the lore and focusing on the fucky-fucky is considered the weird one, at least on thisGODgod-forsaken adult games message board. And we don't even want to talk about the Discord.
If that's your perspective then it makes even less sense for you to play a game that's barely at its midway point. You can't know if it will be worth your time because it isn't finished, nor can you properly evaluate its worth (if you're interested in the story) if you keep skipping the story.See thats where you miss me. It IS about the story. And its an amazing story discounting the odd amount of selebus stroking it to his own name in game.
The joy is getting to actually know the girls in depth first and the story is part of that. But the reward to me at least is just as important as the journey.
Im the kind of person who can love a book and enjoy it but then maybe its going in a way i dont like or i learn somehow that the ending is horrible like the main character shitting themselves while getting cucked by old pervert.
Sure there is value in the journey but if you know that journey ends with you falling off a cliff into a chasm of shit and used dildos would you be as willing to make the journey?
I know im not. And somehow making friends with teen girls for no reason other than fake friendship and no ulterior motive appeals to me about as much as the chasm of dildos.
In essence it would be a waste of my time to do something for no reward i care about. The story is a reward sure. A decent one. But getting closer to girls i know i can unlock things for with excellent character building and development and seeing them react and respond to my choices is a FAR greater joy to me.
Of course thats no different than the people who drop hundreds on gacha waifus just to poke them and make them squeal on phones but i dont claim to be above that either.
I wouldnt do all these damn head patting minigames if i was. Even the birds.
The story is part of the lewd. At least to me it is. Skipping it would be pointless. You might as well watch porn. The story is the connection and investment in the girls. Seeing girls you have zero attachment to be throw at tentacle monsters gets boring.
What doesnt is building unique and interesting connections with girls you come to care about with trackable rewards of a sexual variety.
And as someone coming up to the tail end of chapter 2. The lore is....sparse. Nor does it feel like the point to me. If anything it feels intentionally sparse. But hey what do i know? I might care more about having fun and being happy with the girls but if esoteric code breaking of likely nonsensical and possibly egotistic lore is what gets you off best of fun to you!
bingoogussyI'd choose Bingoogus over any girl in this game.
I'm not down for any opposing argument.
on that topic, I'd be interested in hearing some of the events you guys have re-read and got a different perspective on and/or conclusion on since I'm currently replaying everything from the startIt's rather the sort of story where you'll rewatch the layered dialogue for the 3rd time either trying to decipher things you couldn't before, or to notice the cruel irony that was hidden in the background.
I posted this a while ago, but you get a fat hint for the number of gods in the first beach event.on that topic, I'd be interested in hearing some of the events you guys have re-read and got a different perspective on and/or conclusion on since I'm currently replaying everything from the start
for me: a lot of the early Tsuneyo events had hints and info for Wires that I somehow just forgot about or my brain just didn't pick up on the first time, probably thinking HOPE was the only god?
Ah maybe ive misframed how I treat it.If that's your perspective then it makes even less sense for you to play a game that's barely at its midway point. You can't know if it will be worth your time because it isn't finished, nor can you properly evaluate its worth (if you're interested in the story) if you keep skipping the story.
You said you skipped dialogue for characters that hadn't sexual scenes accounted for in the menu (from what I understood), because these questlines wouldn't net you any "reward worth your time". But the game isn't finished, nor is every sexual interaction dependent on lust points or shows up as a lust scene.
Furthermore, characters that don't have lust scenes now will have them in the future, will you then replay everything because then the character will be worth your time? lol or worse, upon skipping through sexual encounters with characters that weren't flagged as lust scenes will you replay it inside the current build?
Lastly, if you are interested in say, Ayane's story (that has loads of lust scenes), but then just skip through all of Sana's dialogue because she has none or close to none, Ayane's story will make less sense cause, well, all of these stories are interwoven. Especially in main events, but honestly through all events.
Skipping everything cause one just wants to see porn is something I can definitely understand. Not the game for it, but I understand. What you just described doesn't make much sense to me, but it's not like you have to justify yourself either, I'm just responding since you went to the trouble of explaining.
bingoogussy
I agree she isn't #1 but she's still great and is #3 for me after Niki/Maya Prime. I still can't decide who is #1 between those two. Lately I'm not even sure if its Wakana, Sara, or Makoto after that. But we all got our favs.I could say so much stuff. But I'm just glad I'm here rather than there. What a peculiar place
Edit: I find it hard to fathom a list where Ayane is best girl even if it was manipulated by Himawari.
New Maya is frustrating.Personally, I really did like Prime Maya, at least once you started to understand her.
While I think Akira's hatred, and almost fear, of new Maya might be a bit exaggerated, I also feel like she has become a little empty and it bugs me that she seems so blissfully unaware of everything, compared to the others.
That doesn't make you sound human - it makes you sound like a narcissistic sociopath.Im still human after all and i find it a waste to listen to anyone who isnt available.
Kind of a joke, but Yasu finding the name Shota pretty:on that topic, I'd be interested in hearing some of the events you guys have re-read and got a different perspective on and/or conclusion on since I'm currently replaying everything from the start
for me: a lot of the early Tsuneyo events had hints and info for Wires that I somehow just forgot about or my brain just didn't pick up on the first time, probably thinking HOPE was the only god?
completely off-topic, but just one thing that must be said: I don't think we've talked since I became active, but I remember reading many of your posts in-between my first playthrough and being active. Glad to have the full deck of people I read around, just wanted to say hey.After finally catching up with the releases and not yet catching up with the thread, I've missed you guys, I kinda stumbled upon an interesting thought. Every chapter can be summarized with an emotion which culminates at the end of it.
For me it was like this:
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And like... Following the same train of thought I really don't know what to expect from the end of this chapter.
Would appreciate your thoughts.
Everything Maya. The affection she's hiding at every turn, the places she takes him to (their first meeting place by the coffee machine), her subtle tries at making him remember, the irony of the things he says to her - the list is massive. One example follows:on that topic, I'd be interested in hearing some of the events you guys have re-read and got a different perspective on and/or conclusion on since I'm currently replaying everything from the start
for me: a lot of the early Tsuneyo events had hints and info for Wires that I somehow just forgot about or my brain just didn't pick up on the first time, probably thinking HOPE was the only god?
But other than that, speaking in general terms, pretty much anything supernatural, the entirety of chapter 1 (there are so many foreshadowings it's insane, like the Molly being drunk at their first halloween, but there are constant minor ones), the ENTIRE Noriko introduction, the Ayane baby hints and Himawari's name arc, everything Yasu, a lot of Yumi in terms of what's between them in previous cycles resurfacing and taking over, being able to understand what Nodoka is doing (including probably getting her note to herself buried in the old school), piecing together when Ami becomes infected (?), EVERY narrator that isn't Akira and who they are, and who they serve, piecing together Kaori's infection, the Sakakibara family in general now that you understand what both are hiding, how Pareidolia/Himawari are manipulating events since at least the scarf incident, understanding when a slip or auto-pilot has happened, and applying the correct theory to each blackout in accordance.These are some random things Akira says to Uta, whilst on a date with Maya, that take an entire different meaning when you understand Maya's perspectiveTHERE IS ONLY HURT HERE:
Someone give the poor girl a hug
Following up on this, there actually might be a clue that Ami knows about the journal that Sensei hid. When Sensei is catatonic in "Not the Nightingale", she mentions the attic and Sensei's "secret hiding place".For another attic reference, in "Blood & Sunset" Sensei implies that he hid a journal of his old poems in the attic because they remind him of Sekai (assuming I'm interpreting this right). I don't think there's any indication that Ami found it, but it would be interesting if she did.
doesn't he have a hiding place in his bedroom? or was that in his childhood bedroom? I vaguely recall that being one or the other. It was my understanding that the one that hid something in the attic, under the whatever board was Sekai. Or maybe the lavender hair girl at most (in a different attic). My last option would be Akira.Following up on this, there actually might be a clue that Ami knows about the journal that Sensei hid. When Sensei is catatonic in "Not the Nightingale", she mentions the attic and Sensei's "secret hiding place".
This doesn't necessarily mean the hiding place is in the attic, but it's suggestive especially since I can't remember any reference to Sensei hiding anything else in the house (hit me with alternate theories, though).You don't have permission to view the spoiler content. Log in or register now.
This raises a couple of questions. The first is why this detail would be important, and in particular why Sel would have Ami only hint at it instead of revealing that she read Sensei's poems as well as Sekai's. Maybe Sensei hid stuff other than the journal in the same spot, like mementos from the accident. Or maybe there's incriminating information in the journal, either about Sekai being a monster or about Maya.
The second question is why would Ami bring up a secret compartment under a floorboard in the context of protecting the house from intruders. It doesn't make much sense, but I'm not sure why any sort of hiding place would be relevant.
Unless it was retconned, this actually seems to be something that Nodoka is wrong about. Yasu is aware of the existence of many other worlds/planes.Seriously though, it'd be interesting if this was a reference to what Nodoka said about it being ridiculous that Yasu considers two universes when they're infinite.
I don't remember a bedroom hiding place, but it could be something I forgot.doesn't he have a hiding place in his bedroom? or was that in his childhood bedroom? I vaguely recall that being one or the other. It was my understanding that the one that hid something in the attic, under the whatever board was Sekai. Or maybe the lavender hair girl at most (in a different attic). My last option would be Akira.
There may be a secret passageway in Sensei's room, but it's not entirely clear:Following up on this, there actually might be a clue that Ami knows about the journal that Sensei hid. When Sensei is catatonic in "Not the Nightingale", she mentions the attic and Sensei's "secret hiding place".
This doesn't necessarily mean the hiding place is in the attic, but it's suggestive especially since I can't remember any reference to Sensei hiding anything else in the house (hit me with alternate theories, though).You don't have permission to view the spoiler content. Log in or register now.
This raises a couple of questions. The first is why this detail would be important, and in particular why Sel would have Ami only hint at it instead of revealing that she read Sensei's poems as well as Sekai's. Maybe Sensei hid stuff other than the journal in the same spot, like mementos from the accident. Or maybe there's incriminating information in the journal, either about Sekai being a monster or about Maya.
The second question is why would Ami bring up a secret compartment under a floorboard in the context of protecting the house from intruders. It doesn't make much sense, but I'm not sure why any sort of hiding place would be relevant.