Lady Lydia
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- Sep 18, 2019
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While I do agree a great source of aggravation comes from the lack of consequences for Lacey's action, and I did mention previously I dislike how every characters are made by the Dev to give justification to Lacey for her every fuck ups or cover for her, I agree completely. I do entirely agree the MC being more assertive and having more control over his life would be fantastic, but the problem if it was the case it would mean the story should have ended Act 1, after Lacey fucked her coworker like she did, he would have dropped her, its the problem right now like I said repeatedly Lacey as she is right now should be an instant drop, if you alter the narrative to make it so he was more assertive to begin with, he'd drop her in a snap of a finger and end the story Act 1, its impossible to make him better without making her better at the same time, you need to tone her done to be able to tone him up and keep the narrative ongoing.Being held accountable and having a redemption arc is actually better than simply writing her to be likeable from the start.
You are discounting everything that happened in the story to: "I don't like Lacey".
Complex characters are as the word implies, complex, and require effort in understanding them, you might still not like the character and that is fine.
Lacey could change, but implementing your changes would make this story way less interesting, not because "Lacey bad!" but because it will not have to explore several emotional aspects.
I underlined which changes I think would keep the story in the same wavelength but would actually remove some of the "silliness" added for fetish appeasement.
I do not see the irony in actually chenging the MC into a character instead of a cardboard witness which has no agency whatsoever in any of the aspects of his life and story, he simply goes along, else the next shock value event might not happen or would have consequences that would shape the story, this is not a novel concept, Mc seems to have brain damage himself and cannot remember what happened the a week or even a day before.
Lacey was a whore, simple as that (with the added complexity of her choices and external influences), and she does play the victim, in fact she is called out on it in within the story, see? you do get the character!
And yes she is abusive towards MC, this is one of the points of the story, and she was somewhat narcissistic and abusive towards him even before she left, all somewhat detailed in act 2.
In act 2 (actually from the act 1 I KNEW convo in the bathroom) we see some growth from her, some willingness to break the cycle and improve herself, you might not still like her, but the Prof started her redemption arc.
Damaged characters might not be likeable, but you can emphatize with the journey of trying to be better.
I would take a well written redemption arc that doesn't end in forgiveness than a mary sued version that points there without a challenge.
Lacey cannot be forgiven unless MC is written even more as a doormat without self respect, but as I often say, acceptance and understanding are still on the table.
Mia on the other hand has zero redeeming qualities sadly, and there I do the a huge fail in the character design/creation process, she needed to be the "corrupting friend" so she was written like a POS that cheers for SA.
You have not read act 2 it seems if you say that about Lacey, maybe act 3 will be as you say, since the prof mentioned she will fuck up again.
But I am happy you realized the main issue of the story, which is lack of consequences and a witness MC.
Look, even if we exert a strong grip on our supension of disbelief and accept that MC is weak to Lacey because he fear she will leave him again, how he accepts whatever bad thing that happens from the rest of the cast is laughable.
Anna and Mia hide that Lacey was trying to seduce Jared? all good.
Veronica hides even with Lacey threatening to commit suicide? all good, there is actually a choice to say that MC is very happy with her behaviour in the KW.
Anna doesn't say shit to MC about the tennis dates? all good.
Mia brings drugs to your drug addicted wife? all good.
Isaac tries to take her away and leaves a lingering promise to Lacey? all good, we need him for plot reasons. Oh also, he's Bi now.
Christine despises Mia and Lacey? nah, we need the crew now, so Mia is a cool gal.
So as you can see, the main issue is MC agency, things can be fucked up, but without a response from MC or these things shaping the story, you have a series of events which seem almost disconneted from each other, simply because everyone acts like they didn't happen and that is detrimental to the characters interaction and growth.
I am "the person", and I still do not see it as idiotic, you and some others might not like her, others are interested in seeing how much she will fuck up and another group might be interested in her growth and atonement.
Not every novel is for everyone, you talk about this novel not having success because the main LI is not likeable (again, to you, since there are people that even like Mia, which is a shitbag), yet this is a pretty successful novel, if I understood correctly the biggest hit the professor had so...
If I had to take a guess based on people posts, MC and Mia are less liked than Lacey overall.
And I agree that Lacey did too much, forgiveness is off the table and all that, but her being extremely flawed is actually an endearing point of the story.
I also agree that some scenes, such as Bastion, were put merely for shock value and ruined even more of her chances.
Ah so some sort of backwards Orpheus and Eurydice, interesting take, and I say this genuinely.
I would not want to see supernatural elements in L&J, but it would be interesting.
I understand the frustration, I do, and I am 100% sure that it comes from the lack of consequences in the game, because that leads to a simple string of shock moments and that is it.
But I will hold firm in the hope that we will get consequences, redemptions and growth from our main characters.
Oh and a full and clear picture of the past, else there cannot be neither acceptance nor understanding, because how can someone accept and understand something he is not aware about?
Anyway, good discussion.
As for Lacey having gotten better in Act 2, does she really? As I said she mention the therapy, she mention being aware of her issues, but does she really act like it? No. On the slut path she end up kissing baldy and the MC when he confront her about it she says 'you could have told me to stop', she can be getting more self-aware but if she doesn't act on it, it doesn't solve the problems, it just mean she knows of them and keep acting the same.
I am lazy, I am fully aware of that, but I can't motivate myself to be change, so does that make me a better person for being aware or worst because being aware I chose to remain as I am? Its the same issue with Lacey, she has many issues, she is aware of them, she is becoming more aware of them, but she doesn't really act on it, at least not in any way we are made aware of, the most she does is damage control, she react to the MC's reactions at her fuck ups, but while problematic events happen she doesn't act in a way to correct her actions, she does whatever she wants, after which she watch what the MC's reaction is afterward and react to it claiming she is trying to do better.
Right now I feel the Dev care more about Lacey than the MC, she is perpetually enabled and justified in everything she does, and force every other characters to go along with it, and to change this you need to change everyone in this fucked up group. Not just the MC, not just the other girls, but also Lacey herself, because the problem is how everyone is reacting to Lacey, so to make everyone else again better you need to make Lacey better, so if you want to correct the narrative to make the all the other characters better you intrinsically need to change Lacey too.
Again if you make everyone but Lacey better, it just mean the entire story would have ended Act 1, as Anna would have made a concerted effort to break the MC & Lacey up and claim him for herself, it would have been simple, point to the fact Lacey wanted to make her effectively 'double date' some guys and it would give her the arguments to point him toward Lacey effectively in a sense cheating on him, Hell a better version of Mia as I had envisioned could have given the MC an idea of what sort of College life Lacey's went thru for the same purpose, the reality is if you made all the girls better they'd all have turned on Lacey Act 1, and with several girls all working against her, the story would have been over in a snap, so either you make the MC, Lacey and the rest of the girls all better, or you keep them all being as problematic as they are, its the only way to keep the story going, and if the intent is for the story to end positively the only way to go about it is making everyone in their group better.
Sure you can say things will get better later, but things are so bad right now that its unbelievable everything hasn't come crashing down like a house of cards on top of the group. Sure the story present a perpetual cycle of emotional struggles that are getting 'overcome' but they are getting overcome more via Deus Ex Machina than some believable development.
If you mean I got the names wrong, I play a ton of VNs, at one point names get confused, you can't play a hundred VNs with a thousand characters and expect to keep track of everyone, its been like 2 months maybe since my last playthrough of this so I might have forgotten some of the assholes name since that point I likely played again dozens of different VNs in the meanwhile. Hell I had forgotten Lacey's name too until I checked back this game a couple days ago.W...t....f...are you even on about???
Goodness do I agree with you, I'd be fine with NTR stories if the followed the natural cycle such a narrative is meant to undertake, the problem is the entire thing is driven by a toxic group that are effectively either sadists or masochists, they want the narrative to be painful at the end to get their own pleasure fix and every single one of them keep driving this extreme to dominate all the NTR stories.I am not interested in a kink serving story though. My interest in NTR (or more specifically Neotrare) is the love to loss to resolution story, similar to the traditional fallen hero and recovery stories.
Few authors give this honest attention due to serving the focus you describe which is entirely missing the point of the story.
The cycle like you said should effectively always be about love, that fall into loss, than the original version of such narratives tended to have the love won back at the end or revenge or both AKA The Count of Monte Cristo. This is how those narratives are meant to be made, but nowadays like I said a toxic group took over control of that genre and has driven it into the ground, making it very distasteful for most of us.
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