SG has made it clear for years that "Evelyne wins" is the central premise of his work.
That is only true because the "to X a thief" and "Family Values" storylines have been dragging on for years.
Before that, while Violet and Evelyn *usually* won, it was far from always the case, and there were clearly things that were presented as so above their weight class they wouldn't dare pissing them off, like dear auntie LeFey.
Now not only Evelyn wins everything (with her aunt being reduced to a paper tiger with a spooooky backstory), Violet has been reduced to her sidekick.
I'm just saying that this (bad guys always win) in and of itself doesn't make the work predictable or boring. [...]
It's the bits in between that are interesting.
Correct.
However, turning a "win some, lose some" bad guy into an "always win" bad guy is a change in tone/story structure.
And as far as I'm concerned, Sleepy Gimp has utterly failed at making the "bits in between" interesting ever since that change occured.
Sherlock Holmes always solves the crime
Not always the case, and sometime he solves the crime too late.
Wile Coyote never catches Road Runner.
True, but that illustrates something: IMO, an Invincible Hero/Villain only works as a comedy, or arguably as a tragedy/horror.
Characters like Saitama in One Punch Man or Mapple in Bofuri or the Road Runner in his eponymous cartoon work because a) their invincibility is a joke, in the literal meaning of the term b) the other characters around them reacting to said invincibility is what's funny.
If it's not played for laugh, then it can be played for tragedy, or for horror. In that case, it works because the other characters are reacting to said invincibility and are put through despair or horrifying ordeals because of it. It's not something I personally seek, but I can understand people enjoying that.
Now, if you take an invincible character and attempt to play them straight, you run into the problem of having a story that needs stakes but cannot have stakes. Because there is no stakes in a conflict that has only one possible outcome.
That is where a ton of authors who write about how OP and special and above the rest of the world their protagonist is fail.
And that's where Sleepy Gimp has been failing for years now.
In any case, I've said my piece, and I'm not going to talk about this here. I'm done with Sleepy Gimp's work, but that's just me personally expressing my opinion, and I absolutely know that nothing I think or say about it will have any impact on it.