Well yeah. I also do believe that Suguha is seen as someone more special to Fujino, after Asuna obviously, so I'm expecting some better story development with her character. I personally would like to see her as Inoda's counterpart, NTR-ing Asuna.
I hadn’t thought about it much until now, but we will probably not get a scene with conscious Kirito and Suguha, but we probably will have some Leafa and Kirito scenes in the future, even if they are only teasing/seduction as Kirito probably wouldn't cheat on Asuna.
Most of the details are hidden so the player needs to go out of their way to find it so it is easy to miss. I know everything that happens is the will of the true god of the game, Fujino. Most players are like you who are just here to enjoy the ride so the details about the why doesn't matter but I hope you understand how great it was Fujino trying to make a NTR story that didn't fall into standard NTR contrivances in Part 1. It is just disappointing in Part 2 Administrator is now available for handwaving more unbelievable BSs.
Well, I actually know that most information is something that you get while exploring the map and the such, I just still haven't seen the stuff you spoke about, like Inoda planning the assault on Asuna. But it doesn't matter, let's say I simply missed it on both my playthroughs, something that I could totally see happening.
Even then, and I'm being nice while saying this, Fujino is just not a very good writer. Or at the very least the writting aspect of the game is not something he focused on very much. Inconsistent characterization, convenient events, nonsensical plot developments. I could spend an entire day talking about the issues with the game, but for me it was never truly Fujino's priority to craft a good story.
Instead, the SAO game was Fujino's first attempt to make a slow corruption game, and I think he did a fantastic job on it, with it being his best work as of yet.
For a good story in a ntr game I would either play Hero Party Must Fall, or some Japanese triple A eroge with actual writers whose jobs are to make a good narrative.