- May 17, 2020
- 11,376
- 22,131
anyway, it's a really solid chapter
with each run you discover something new: for example only in Elaine's run do you really discover the whole truth of their past
and I have to say that as a non-fan of Jenna (only Theresa inspires me more fear) a good job was done on her in the dual role of "classic" girlfriend, or sympathetic sharer. and the whole part with Katie remains the most intriguing for the future
this chapter also optimizes an aspect that in the previous chapters was not fully satisfactory, the possibility of giving meaningful dialogues even with characters with little presence in the chapter, through a phone call. in this the exchange with Wanda and Angel (but also Natasha) is really very good
forgot to comment on the sound issue: the music is honest, nothing jaw-dropping and not a strong point, but adequate, the stage noises good, very good in the theatrical performance, the "human verses" slightly disturbing in sex, terribly disturbing in laughter
with each run you discover something new: for example only in Elaine's run do you really discover the whole truth of their past
and I have to say that as a non-fan of Jenna (only Theresa inspires me more fear) a good job was done on her in the dual role of "classic" girlfriend, or sympathetic sharer. and the whole part with Katie remains the most intriguing for the future
this chapter also optimizes an aspect that in the previous chapters was not fully satisfactory, the possibility of giving meaningful dialogues even with characters with little presence in the chapter, through a phone call. in this the exchange with Wanda and Angel (but also Natasha) is really very good
forgot to comment on the sound issue: the music is honest, nothing jaw-dropping and not a strong point, but adequate, the stage noises good, very good in the theatrical performance, the "human verses" slightly disturbing in sex, terribly disturbing in laughter