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Yes, it is.
Hey, XaGnard, we all understand that you think the scene has nothing to do with the story.It wasn't that long ago that I woke up in the middle of the night with stomach pains. After a few days, I don't know why it took so long, I ended up in the hospital having my appendix removed. Why am I telling you this? It has no meaning for this conservation, does it? ... No, and that's the same with the two old men for AWAM. You can take that side story out and it has no effect on the main story. You don't have to, and I wouldn't have come up with this idea if AWAM was being made faster, but with the slow development there is a pain point that should be taken care of before everything goes down the drain. Of course, you can now say that at the very beginning of the concept, there was no main story planned at all, just a bunch of unrelated side stories. Which, by the way, I would consider an extremely bad design approach. But that doesn't mean that there isn't a clear main story today, as the name "A Wife and Mother" implies. What makes the old men in the old people's home so nonsensical is that they are only connected to the game through Sophia. This doesn't apply to the mailman, who delivers mail to the whole family and therefore has more story possibilities on his own. The old people in the old people's home, on the other hand, have no real function and can easily be removed. Just like my appendix.
The game is not called "Sophia". It is Sophia as a "wife and mother". That's the main story, that's what this game is about.
The point i try to make is about good storytelling. For example, if you want Sophia to find out late in the game that there's something going on between Dylan and Ellie, it's better to let the player know about it beforehand, even if Sophia can't know about it yet. This is the only way to build up the suspense of whether and how Sophia will find out. You can't do all that in flashbacks, you just have to change the point of view from time to time. But it is still part of the main story. Something that cannot simply be cut out if you want to build on it later.
What I find so interesting is that you chose exactly the plot that I think is best integrated into the game besides Sam-Sophia-Dylan. It starts with the first scene with Dylan and Ellie in the car after the flight, continues with the Viagra incident on the beach, and later have Sophia overhears a conversation between Dylan and Ellie and is happy that they are at least getting along a little better. Which is funny, considering how well the two might soon get on.
But none of this makes sense with the old guys, as they have no connection to the main story. They simply stand in the void and that is ultimately a wasted opportunity. I hope I could make the difference clear. The old guys are unnecessary and can be deleted without changing the main story in the slightest.
Of course, there are different ideas of what AWAM should be. Otherwise a discussion about the game would be boring. At the same time, however, I think that apart from the specific story, there is something like a common understanding of a well-realized idea.
Anyway, I don't think we should measure quality by the number of kinks a game contains but in how they are implemented. Simply throwing as many kinks together as possible is a recipe for boredom. Especially when the story elements for the various kinks are ultimately just repeated, as is probably the case now with all the HJ Sophia may need to give over the next few updates.
L&P is too slow, and that is something that stands in the way of telling the full story in our unfortunately finite lifetimes. That's the reason why I want to see the old guys and other side stories deleted in the first place. After so many years, it makes sense to face the facts and not just hope for improvement.
I don't know, Sophia promised to wear the nurses outfit that the old guys bought for her the next time she visited, it could be that by this time that Aiden is making Sophia go to school without panties, he's already forbade her to wear a bra. Sophia gets called in to the hospital for some reason or other, she doesn't go home to change, forgetting about her previous promise, when she gets there and they remind her, then she realises that she isn't wearing any underwear but doesn't want to let the guys down, especially as she promised them. She'll get the guys to turn around or get changed behind a screen, as she won't want to walk in the hospital corridor wearing the outfit, noticing that she'll basically be showing the outline of her tits and nipples to the guys if she wears it and that she'll have to be careful about bending over and flashing her pussy, but she gets that naughty feeling and decides she's going to wear it. The outfit is an all-in-one done up with metal poppers at the front and somewhere along the lines it comes undone, probably due to the old guys fighting or something like they were in the bath that time and Sophie tries to stop them and they inadvertently, on purpose, rip the outfit off her and ends up completely naked when she steps between them to stop them from fighting.It wasn't that long ago that I woke up in the middle of the night with stomach pains. After a few days, I don't know why it took so long, I ended up in the hospital having my appendix removed. Why am I telling you this? It has no meaning for this conservation, does it? ... No, and that's the same with the two old men for AWAM. You can take that side story out and it has no effect on the main story. You don't have to, and I wouldn't have come up with this idea if AWAM was being made faster, but with the slow development there is a pain point that should be taken care of before everything goes down the drain. Of course, you can now say that at the very beginning of the concept, there was no main story planned at all, just a bunch of unrelated side stories. Which, by the way, I would consider an extremely bad design approach. But that doesn't mean that there isn't a clear main story today, as the name "A Wife and Mother" implies. What makes the old men in the old people's home so nonsensical is that they are only connected to the game through Sophia. This doesn't apply to the mailman, who delivers mail to the whole family and therefore has more story possibilities on his own. The old people in the old people's home, on the other hand, have no real function and can easily be removed. Just like my appendix.
Look at the date that I joined, I am new here on the forum and I just finished catching up to the newest update and yes that is my biggest issue as of this moment. I don't know anything about taking 7 years for her to give someone an handjob, to me it all happened very fast and only in a matter of weeks. The point I'm trying to make is that it feels to me that Sophia is a different person depending on who she is with, like a totally different person who thinks differently. It doesn't make any sense.
because she like to tease... and tease and more teaseI wonder why she's trying to get their attention
okay, welcome to the wait club bro, i will suggest this run before investing your time haha, the dev is not looking to change any time soon, and this update might get released by the end of september and August is not even finished yet hahahah
Personally, I would like if he didn’t show what Sophia brought and left it up to us finding out on release day. So the problem is: how would he show what’s going on without showing too much?
Bcoz that's what she can only do ,I wonder why she's trying to get their attention
yes, with an anatomical description of all the parts of the pussy
it's LPs style You must take in to consideration that's what's happened in your play through hasn't happened in others. For instance, Aiden's story could have been cut off early in which case it wouldn't be a repeat.
If you're talking about the title, that's not what Sophia says to the kids. It's not about character.I wonder why she's trying to get their attention
