- May 27, 2020
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She "doked" up.Ooh...Icarus flew too close to the Moon? I wonder.
She "doked" up.Ooh...Icarus flew too close to the Moon? I wonder.
That's me getting off work late then missing my commute train on a Tuesday night, wondering if I should go back and murder everyone then myself.You don't have permission to view the spoiler content. Log in or register now.
Huh. Sana gets three moons, but Nodoka gets just one moon, but two suns? Or really bright... whatevers?You don't have permission to view the spoiler content. Log in or register now.
Heh. There's two totally different ways authors approach writing: there are "plotters" who plan everything out meticulously -- their outlines are sometimes longer than their books -- and "pantsers" who... you know. Fly by the seat of their pants.Making it up as you go is a terrible way to write, you should have the major plot points planned from the start. Mysteries should only be mysteries to the audience, the writer should already know the answer. I hate that JJ Abrams style of writing, creating "mystery boxes" without bothering to put anything in them.
It's not that it's an unresolvable hole, it's the problem with pantsing in general, what made/makes aSoIaF so good is it's believability, shit happens naturally, shit happens cause of previous shit that happened, no one has plot armor, the story goes where it goes, it's not lead, it evolves naturally. This is great but it suffers at the end of the story, the need to tie things up is inherently unnatural, it's forced, it feels forced 99% of the time cause it is, there's no true end point for a story that's built around shit happening organically, wherever you chose to call the ending, there's still more after that point, unless you force a bunch of shit to come to a head at once. It can be done, but god is it hard to make it feel natural. GRRM can't do it, his parts have too much distance between them, he gave the outline to the show runners and we all saw what they did with it, the last few seasons were a mess of plot holes, teleporting characters and contrived bullshit all to force the finale and it felt distinctly crap because it wasn't what the first 3 or 4 seasons felt like. Plotters have their own problems but given most stories lean towards plotters over pantsers, i don't really think there's a need to elaborate on that, we all know good and bad plotted stories.(Though one of the more famous current pantsers, GRRM, has apparently written himself into an unresolvable hole, which is why the last book -- two? -- in ASOIAF may never appear.)
Well, I think also that GRRM is really good at creating characters you care about and conflict -- and plot twists that bring the two together -- but he just KEPT DOING IT. Making a world that was bigger and bigger and more and more complex and... now he has to tie up the threads. And, as nearly as I can tell, he can't figure out how to do it. His where-I'm-heading in his mind was probably something like the end of the HBO series, but unfortunately that fell flat (kinda had to).It's not that it's an unresolvable hole, it's the problem with pantsing in general, what made/makes aSoIaF so good is it's believability, shit happens naturally, shit happens cause of previous shit that happened, no one has plot armor, the story goes where it goes, it's not lead, it evolves naturally. This is great but it suffers at the end of the story, the need to tie things up is inherently unnatural, it's forced, it feels forced 99% of the time cause it is, there's no true end point for a story that's built around shit happening organically, wherever you chose to call the ending, there's still more after that point, unless you force a bunch of shit to come to a head at once. It can be done, but god is it hard to make it feel natural. GRRM can't do it, his parts have too much distance between them, he gave the outline to the show runners and we all saw what they did with it, the last few seasons were a mess of plot holes, teleporting characters and contrived bullshit all to force the finale and it felt distinctly crap because it wasn't what the first 3 or 4 seasons felt like. Plotters have their own problems but given most stories lean towards plotters over pantsers, i don't really think there's a need to elaborate on that, we all know good and bad plotted stories.
Let's count it, if no other reason then we can.Mind, he stole all his plots, so maybe that doesn't count. Heh.
I don't think the ending as it appears in the HBO series was all that bad, plot-point wise. It was that the entire last season felt like 5 seasons run through Spark-Notes style, so there was no connective tissue justifying plot or character progression from one point to another. All if it, there was a completely understandable and workable way to get from there to here, they just didn't bothering SHOWING any of it. Presumably, in the last two novels we'd actually get that progression so it'd be more palatable.Well, I think also that GRRM is really good at creating characters you care about and conflict -- and plot twists that bring the two together -- but he just KEPT DOING IT. Making a world that was bigger and bigger and more and more complex and... now he has to tie up the threads. And, as nearly as I can tell, he can't figure out how to do it. His where-I'm-heading in his mind was probably something like the end of the HBO series, but unfortunately that fell flat (kinda had to).
Pretty sure the attic is where Ami found Sekai's poetry and clothes. I could be wrong.Long time lurker, first time poster. Started a new playthrough recently to see what lore snippets might stick out to me and an innocuous detail caught my eye.
Have we ever seen said attic during any events, maybe during a reset at some point? Wondering if there could be something strange lurking up there, or if it even exists at all.You don't have permission to view the spoiler content. Log in or register now.
What Riolol said, but there also seems to be different attics. The light from the attic, and the creaking of the seventh step leading to it (or in it, as where the log is hidden) is recurring. Most importantly, Nodoka states that Kyoko (her mother) had the key to the attic (presumably the attic from the upside down house - which ironically would be down, not up).Long time lurker, first time poster. Started a new playthrough recently to see what lore snippets might stick out to me and an innocuous detail caught my eye.
Have we ever seen said attic during any events, maybe during a reset at some point? Wondering if there could be something strange lurking up there, or if it even exists at all.You don't have permission to view the spoiler content. Log in or register now.
That’s the third time today I’ve noticed Ami’s computer looking all glitchy… All are in different scenes too, so this is an intentional recurring detail. Have to wonder what it means, if anything.You don't have permission to view the spoiler content. Log in or register now.
Maybe it's somehow connected with one now banned site.That’s the third time today I’ve noticed Ami’s computer looking all glitchy… All are in different scenes too, so this is an intentional recurring detail. Have to wonder what it means, if anything.
Either way, pretty cool. It’s something I haven’t really noticed until recently.
Huh, excuse me for borrowing the dunce cap for a few mins Bingoogus but have we talked about the possibility that Sekai just straight up told Ami to start wearing her dress? Sekai probably is telling Ami exactly what to write in her poetry as well.Ami uses her dress, and gets her poems from there at some point
Unlikely, because Sekai couldn't talk to Ami when she first started wearing her dress, same for the poetry. That's all Ami. Unless you count Sekai not literally telling her to do it this time, but more of a repetition from previous cycles in which she might had told her already.Huh, excuse me for borrowing the dunce cap for a few mins Bingoogus but have we talked about the possibility that Sekai just straight up told Ami to start wearing her dress? Sekai probably is telling Ami exactly what to write in her poetry as well.
I wish I could remember if this has been discussed before but there's almost 44,000 posts and I feel like more than half of those have come in the last year or so
I agree; I don't think Ami trying to be "more Sekai" was from Sekai's ghostly persuation specifically because of the example you brough up. Besides, I think it's still too soon to use the fact "Ami talking to someone invisible when alone" to determine whether she can converse with Sekai.It begs the question, can Ami directly talk to Sekai even now?
She's obviously having an actual conversation with someone when she's alone, and the most likely culprit is Sekai. We just haven't seen it. If she's talking to Sekai though, rather than her whispering thoughts inside her head, then it makes it more clear that she couldn't by the time she chose to wear her dress and write poetry though.You don't have permission to view the spoiler content. Log in or register now.
I'm always right. Even when I'm wrong. Which is never but you get the point. If those bugs dare talk back to me I have to remind them who makes the money for a poorly disguised self-insert harem fantasy with religious undertones about a guy that gets to fuck everything with a hole yet still feel bad about it.It wasn't a valid suggestion. For a rare moment, Sel was right.
Also, you are taking out of context screenshots too seriously
I wouldn't call it unfathomable, she was hysterical in that moment. Sekai could have been trying to calm her down for all we know. I don't know who else it would be.I agree; I don't think Ami trying to be "more Sekai" was from Sekai's ghostly persuation specifically because of the example you brough up. Besides, I think it's still too soon to use the fact "Ami talking to someone invisible when alone" to determine whether she can converse with Sekai.
One scene that cements this idea is from You & Me Against the World. As the crazy daughter that views her mom like a legendary figure, it's unfathomable to imagine this "Shut up!" was directed to Sekai, even if she is no longer amongst the living. If this instead was just delusional talk, then "Ami talking to someone only she can see" becomes a lot less likely to lead somewhere.
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