I don't think the saves are ever tagged with anything, otherwise people have dropped the ball in making the anti drm patch and not informing people of the issue which we would then have a URM tutorial on how to remove.
That depends. Is intentionally making Tsukasa watch you fuck Imani lewd?
Your enthusiasm for relating LiL to Groundhog Day has inspired me to cope and seethe once more about the time travel.
If you could erase your memories of this game but also leave yourself a note, what would you tell yourself? I might tell myself to stay away but I doubt I would listen to me.
Yes. I have a v0.46 for normal use, a v0.28 for care package, and a v0.23p2 for pre-rework content. My saves made across all three copies still live and my laptop has not burst into flames yet.
From the narrator in events Rewrite, There is Nothing, and Word of the Day, it is established that gods from first to third are Nozomu, Wires, and Pareidolia (this name was disclosed much later by the god itself). The narrator that tells the
I would say Tsuneyo or Yasu. I just feel like their gimmicks leave them kind of stunted as characters. A particular issue being they just slip out of the gimmick at will whenever they need to have a serious moment, or quadrupole down on it whenever comic relief is called for. Although I am open to the argument that the fact they they have a decent amount of character development despite that might actually make it good writing. I'm not sure though.
At its core, the main cast are just tropes brought to life. I do think the development means it's good writing, because goddamn, even though Miku's face when she broke down on that one event did look like the Willem Dafoe meme, it didn't stop making me feel for her.
"Play this game when you have free time."
Miku is kind of an example of the opposite of what I mean when I say Tsuneyo or Yasu might be the worst written. Just off the top of my head You also have Rin as another example of the opposite. Rin and Miku have very silly comic relief moments and also very serious ones. But with them it never feels like a switch is being thrown and toggling them between silly and serious mode. Their silly and serious moments just feel like parts of wholistic characters. Where as to me anyway, Tsuneyo or Yasu feel more like they are just being toggled between modes to fit the scene Selebus is writing. And sure, you can say the same about Rin or Miku at the end of the day, because realistically the same thing is done with them. But the difference is with them I never feel that toggle happening.
I kinda agree and disagree with you, mostly because of Yasu. Both of them have been given characterization, it's just that Tsuneyo's was done early on in the Halloween parties, and Yasu's was done in pieces starting on her solo karaoke event and all over the rest of the third chapter. Tsuneyo's on the other hand has been used as a contrast since both can be said to be priestesses who are sometimes vessels.
I'm happy to see that Maya has finally climbed to the top of the list.
She's likely the first person Sensei called to prove Niki is his ex. She hella jelly.
The cycle of LiL strikes again!
I'm only really saying that out of the main girls they are the weakest characters at this point, in my opinion. Not that they are bad or have no characterization. I still like them in their own way. Yasu particularly has grown a lot as a character this chapter. More than I would have expected really.
