The problem with the corruption path in GGGB. I played and did not believe what was happening. Shy and well-mannered Ashley suddenly becomes a whore? Have you seen a lot of girls IRL go from cute girl with one sex partner to gangbang with black rappers in a few months? And being in a street gang. I did not see the motivation that would change Ashley so much. Didn't see realism. "I want something different in life" is not motivation. It's pretty fake and was only meant to jerk off for the gamer on the other side of the monitor. The game was good, but I wouldn't call it a story masterpiece.
. In the ORS, Lena faces financial challenges, low income, and a father with cancer. She is already a relaxed, open girl, with extensive experience in sex. Lena is not shy and has done wild things in her life. Lena likes modeling and is not shy about showing her body. We have a formed personality with character and motivation. And here corruption successfully enters the plot - the opportunity to earn big, easy money just by showing your body.
As well as an asshole sex partner she can have some fun with to get over her toxic relationship with Axel.
Instead of the long road of a good girl, in which Lena takes a detour to success, becoming a musician and dating Ian. But there is no black and white in ORS, you can easily go in a mixed way. The game has a lot of gray morality, unlike GGGB.
The street gang path = terrible. Even if some lily-white suburban girl were to get into drugs/thugs for the visceral and sexual thrill of it, she'd be at best a cracked-out sex-doll they pimp out and pass around. Street gangs don't exactly offer a take-your-daughter-to-work day and some pretty white bitch from the burbs who hadn't so much as drank a beer or stolen a pack of gum from the convenience store four months earlier would not be commanding their respect.
Innocent/cute suburban girl to hood black rapper gangbangs in < 6 months... well, I lived through the late 90's/early 2ks and you'd be surprised what pop-culture zeitgeist can do for dumb, impressionable, directionless teens with no real identity to call their own, in any era. Not saying it's common, but plausible, especially under a bad influence they might seek approval from (Jess). Even more plausible though if Ashley were written as a few years younger.
Most intriguing stories don't focus on the mundane and probable as a general rule, but rather the plausible but highly improbable, since the extremes are what grab our attention. Doubly so in porn. Dog bites man vs Man bites dog. Stories look for the exceptions, not the averages. [EDIT: Noted exception for stories, situations, scenarios that are kinetic, exploring themes that capture the public attention NOW, or the imagination of a small but marketable enclave of the public. In those situations, an element of the story doesn't have to be unusual or improbable. Just dynamic of the current zeitgeist. Though it may not be as interesting 50 years into the future or past if that story is revisited, except for maybe as a history lesson or anthropological/sociological examination. Same goes for all forms of art].
Summary: Street gang leader = bullshit. Thug rapper gangbangs = I'll allow it.
Though, I highly agree, ORS is much
closer to reality-based writing in general (key word: "closer". The Seymour shit is sketch). Neither come close to a written masterpiece in any respect either. Near or at the top of the bar for porn game writing, but they're not going to break any pole-vaulting records (unless the "pole-vaulting" is innuendo for something else entirely).
