To be from Belarus is probably a good thing given who is in charge there. Just Sayin'.
That is not true. He is not from Belarus. He grew up in Germany as a very young boy and comes from ... ask him if you are interested. But don't talk nonsense here. Just sayiiiin`
I never said that he came from Belarus and I am not sure where he was born but I know that he works in Germany.That is not true. He is not from Belarus. He grew up in Germany as a very young boy and comes from ... ask him if you are interested. But don't talk nonsense here. Just sayiiiin`
That is not true. He is not from Belarus. He grew up in Germany as a very young boy and comes from ... ask him if you are interested. But don't talk nonsense here. Just sayiiiin`
Lmao... major failure on my part. That is exactly what I wanted to know! Thanks, bud!Oh I think that if you read the message just before yours (I’m not even talking to you about the page before, just the message before yours), you will find clues and much more.
Some guy who has been in the same corner office for like 30 years. Hmmm, Has he remodeled. That could be a lucrative contract.
To be from Belarus is probably a good thing given who is in charge there. Just Sayin'.
That is not true. He is not from Belarus. He grew up in Germany as a very young boy and comes from ... ask him if you are interested. But don't talk nonsense here. Just sayiiiin`
Maybe he's from China? "he went there, didn't he?"...
I sent him an email, asking if he would make cuts; he said he doesn't cut anything
I talked with him about these lines explicitly and his reply was that "these lines are open to interpretation". Since they were pertaining to two different scenarios it would make sense that they are open to interpretation. And now that the twist is removed, making the interpretation that it only refers to twist doesn't make sense. The twist is not part of the story, so we should try to form interpretations that don't relate to the twist
Being a developer myself, I usually don't comment on other people's games - especially on their decision making.
I am well aware of not giving spoilers to anyone, I just want to make an assumption about the direction of the route and not ask him what exactly will be the events. I don't like getting spoiled as well.
. Since many are averse to talking about this storyline or even having it mentioned there isn't really a scope for discussion here about this route. Also I don't want to spoil the moods of the other members on the thread. I can understand not liking something and then it being mentioned again and again. Since he encourages questions, I thought maybe asking him one about my general assumption of the direction should be okay, also I wouldn't ask him what the direction is but only a yes or no if my assumption is right or not. That's it.Coming from a dev who also breaks his promises, misses his deadlines and delivers nothing in five months when he has just launched his game, I wonder if his word is reliable. Even L&P was more believable in its early days.Being a developer myself, I usually don't comment on other people's games - especially on their decision making.
But on this issue, I really want to
I play this game, and like it very much - the design, the story telling (yeah, even when I want to break the screen because of the slow pace - it usually has a good reason for progressing slowly).
And I also totally agree with a dev who has a story to tell, and will not change it just because people who pay him say so.
First, because there are others - paying customers, too - who might like the story as the Dev envisions it.
Second, because if someone doesn't like where the game is going, they can always stop paying. Nobody's forcing them.
In my own game I will grant some choices to Patrons through a voting system, but even those paths are pre-chosen by me, at very specific junctures and with very specific consequences, to fit well in my story.
Otherwise, what's the point?
I had such a backlash on my thread here because I dared to put NTR as an optional and (mostly) avoidable tag, and so many people - nice, polite people - urged me to cancel it, but I didn't.
First, because it would completely ruin my story.
And second, because it's my fucking story!
Then how lucky you are that you're not supporting said Dev
I don't know if it was ever fixed but since you can now change the Dylan points through the cheat I doubt it
I'm aware of the cheat but that never actually worked for me, so it really should be fixed.
I don't think L&P adressed this issue yet. We'll see if it's fixed in the upcoming update. Not like it matters much anymore since we have the ingame cheat tool now, which makes it possible to add relationship points manually, basically making the whole point system irrelevant. Not a big fan of this tool, to be honest. I don't even understand how this bug made it into the live update anyways. There's like no way to miss it If there's any kind of playtesting before release. And the bug itself probably only takes a minute to get fixed as it's just a simple value.
First of all, When the teacher stops it, as Dylan describes it, The text clearly shows it was seven vs. two, which tells the reader that the teacher stopped a seven vs. two fight or altercation. It doesn't say anything that the teacher witnesses it escalating into a seven vs. two fight. Here are some screenshots of the text from the novel.
C'mon, Writing 101... In this case, Here is a couple of more screenshots.
If L&P wants to be a one-man show for the production of his novel, I'm fine with that. But the things he said he would do and the goals he meet numerous times are where the problems are at. He continues to tell people what they want to hear vs what they need to hear. If he truly wants to work alone, then he should rephrase or remove the goals for 3 and 4 on his Patreon Page. In the novel's current state, IMO, it really is too large for him to handle alone and I truly believe he needs help, which help could be in the form of a PR person, coding, rendering, creating scenes, proofreader, trimming the fat of character (Which this one might be too late to do, and he may have to let this play out now)... But we have a good idea about his stance on creating scenes, rending, and removing certain story plots.
I'll agree with you that Jennifer may have known about the tasks by Aiden. But if she is going to great lengths to keep these blackmail tasks a secret between her and Aiden, position and text is everything as described in the novel.
And they are usually alone, or with people walking by, or talking in place with a large group of people with ambient noises in the background, which I just pointed out in my example above, unless someone is eavesdropping on the conversation.
