- Jun 18, 2021
- 53
- 595
- May 7, 2017
- 296
- 6,659
- Oct 11, 2019
- 388
- 1,880
Update for plan 3 on my fanbox...form now on you will get 2 stories every month
plus ALL THE COMICS THAT I HAVE CREATED SO FAR
story Abduction is published today , check a couple of teasers
plus ALL THE COMICS THAT I HAVE CREATED SO FAR
story Abduction is published today , check a couple of teasers
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- Apr 17, 2020
- 80
- 936
- Feb 21, 2018
- 2,062
- 21,777
- Jan 2, 2022
- 536
- 3,015
- Jan 2, 2022
- 536
- 3,015
- May 15, 2020
- 1,431
- 5,723
- Jun 16, 2019
- 285
- 10,164
- Apr 7, 2020
- 329
- 2,701
- Jul 25, 2021
- 586
- 1,199
Ebony has been a naughty Femboi, it's taken over a week, to find clothing she liked, & then she decided she didn't like the studio set up, so we went to the local 'watering hole'.
- Nov 3, 2018
- 386
- 5,611
From Naughty 40
My prior work experience was in the field of cinematography. That's why I used my experience on this project. Because I am well aware of my language limitations, I pushed myself to the fullest extent possible in all other areas.
This game's models are all crafted by myself and based on real-world inspirations.
And practically every scene is not just a random, ready-to-render scene; rather, I tweak it to meet the demands of the project. The main mansion, for example, is based on the Penthouse Korean television series. The wallpapers behind are generally all carefully selected, and each one has its own meaning, as you'll see if you look closely.
Every essential scene has been thoughtfully altered to seem like a nice composition when letterboxing mode is activated.
Color and tone are also important considerations for me. I bet you've read about the cheeky stories in the nighttime scenes. That's why I went with teal and orange as complementing yet opposing color temperatures. Every other scene has been carefully designed that way.
My prior work experience was in the field of cinematography. That's why I used my experience on this project. Because I am well aware of my language limitations, I pushed myself to the fullest extent possible in all other areas.
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And practically every scene is not just a random, ready-to-render scene; rather, I tweak it to meet the demands of the project. The main mansion, for example, is based on the Penthouse Korean television series. The wallpapers behind are generally all carefully selected, and each one has its own meaning, as you'll see if you look closely.
Every essential scene has been thoughtfully altered to seem like a nice composition when letterboxing mode is activated.
Color and tone are also important considerations for me. I bet you've read about the cheeky stories in the nighttime scenes. That's why I went with teal and orange as complementing yet opposing color temperatures. Every other scene has been carefully designed that way.
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