- May 2, 2020
- 97
- 481
I think Kathleen, whose personality I utterly despise, is severely underrated in the "public discourse". Her perspective adds something very unique to the game, and to Edwin's train of thought - if he ever lets her in, at the very least.Take this as you will, but Kathleen is the heroine of my heart.
This evening I had an interesting thought. I was talking to my mother yesterday, and we were arguing about familial and romantic love. She said: "Fact is, I love you and your brother in a way you can't possibly comprehend". I replied: "On the contrary, I think I can - I know familial bonds, and I agree they are indeed very strong". She paused for a second, and she said: "No. I don't think you'll ever know the depth of my love for you and your brother". We dropped the topic, since I thought we were arguing semantics... But then, this evening, I was ruminating about Pale Carnations, and this piece of dialogue popped up in my mind:
Edwin: "I just don't want to be someone my mother would hate. That's the one thing that keeps playing in my--"
Kathleen: "Edwin, Edwin, Edwin... Deep down. Do you think your mom could ever possibly hate you?"
Edwin: "...I don't know."
Kathleen: "I don't think she would. Mothers love their sons no matter what."
That's why I think Kathleen can be central in specific playthroughs. Because it can definitely reframe Edwin's and Victoria's relationship, and in particular Edwin's views of her past. Of course, hers is a very cynical / clinical point of view - and the results may not be pleasant; but Pale Carnations is a game of contrasts and shades of gray. To reiterate, her perspective in the game is important - even if you totally reject it.