- Sep 2, 2020
- 291
- 1,311
bro you just left me on seen. I criWell yea see, all this tells me is that the development time has gone on for too long lol. It's fun to analyze the game but at some point it just devolves into overanalyzing things. People were arguing about STEVE at some point. That annoying guy from the beginning of the game. Mild discontent eventually turns into valid criticisms which will eventually just turn into vitriol towards the dev. It's not always the same people who praise the dev, it's usually the people who have chip in their shoulders regarding the dev then others with mild discontent decide to chime in.
DPC isn't the best writer but he's definitely better than most devs here. Not saying he should go be an author though. I really don't think the writing is what's most important. I don't really give a shit about the drama. I just see them as plot devices that move the story forward. If I wanted something deep and meaningful, then I'd just read a book. I'm here for that old school, partying college experience with some sentimental moments thrown in sometimes as some dumbass 18 year-old learns what it means to grow up. It seems like I'm not alone on that. That's why I don't really understand people who said they cried during some parts. Like what? Sure, I can appreciate the mood being created but it's not going to evoke some kind of strong emotion. Not every single character has to be make sense or be this self-actualized, strong, independent, whatever, whatever. I mean look at Quinn, you're telling me she's in financial straits because she sucks at slanging weed to a bunch of college kids even when she basically has a monopoly on the market? Damn, she should quit fucking around and just hit the books.
It's like a Marvel movie. You're not really going to sit there and wonder just they can even afford that big flying ship in the sky. You're there to watch superhumans fight each other and the fun interactions between Captain America and Tony Stark. You can see the twists and turns from a mile away, but you're still going to enjoy it (Though tbh, I can't remember the last time I saw a Marvel movie. I could've used a different example but whatever. Point stands). You can still appreciate the "clever" or "deep" moments because they exist but it doesn't mean that's what the movie is supposed to be. Same logic for soap operas. You're not there for the writing. It's just fun escapism. People always going around and saying "Oh it needs a message" or "it needs to do the hur-dur-dur". Nah. Not every single thing has to be like that. It's more about the simple interactions between characters and the action (physical and non-physical) than it is about how the characters interact with the conflict. Who cares how we get there? What matters is that the premise stays the same throughout. It'd be off-putting as hell to suddenly have it transition to bascially being lectured for half an hour about something because enough people complained about it.
It may be overrated in terms of writing but it's popular for a reason. It hits all the right notes and it knows its target audience. Anyone here that comes because they're attracted to the "deep story" is just a plus for DPC. Those same people then try to pressure the creator to make it something it's not. That's one of the instances when I can appreciate DPC's stubbornness though ... ep 8 felt like he was starting to crack (not talking about Jill or whatever people are talking about in this regard). It may just turn into another game that I just get from here instead of going to Patreon. We'll see with ep 9.
Honestly. DPC could be fully intending to make BADIK that but I really don't think that's what makes it popular.