My comment wasn't about Kane, beyond lamenting that his dom-track cuts you off from so much of Olivia's story.
I find the way Olivia's character is handled generally frustrating: She lies, behaves erratically, and acts outside the player's control at key moments.
You probably have a different Olivia than I do. My Olivia (of my Dom saves) doesn't lie to me, cares about her family and loves Kane...Yes, she may be hiding something, but there are reasons for that...But her intentions are not against KaneDom or Seth. I'm among those players who believe the “agent Olivia”
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theory is very real and valid, and our sweet little "sis" really does know a lot more than she's showing, which is confirmed in the game.But Olivia and her actions are a topic for a separate conversation, so I'll end it there for now.
But she's still a more interesting character than Kane, who, regardless of path, thus far mostly serves as a bland foil to other, more vibrant characters (granted that I've skipped the test build for now).
Re-read my post you were responding to...that Kane is gone, he's changed dramatically for the better. (there's no reason for me to lie to you)
Given that Olivia's story is (according to the dev in this thread, many moons ago) the reason the game exists, I find the way it's handled pretty odd: That one of the major branch splits (Kane's dom/sub) cuts you off from so much of her story is just poor design, imo, but I've been grumbling about that in this thread since it first came up.
This is the first time I've heard that Olivia's story is the reason the game exists. Tess has created a complex and multifaceted narrative where both Olivia and Kane have the freedom to choose who to be, yet Kane remains the main MC, and Olivia's role (if we're talking about the Dom route) is important but inferior to Kane's... Also, I can't agree that Olivia is supposedly not controlled by the player at key moments. Just the opposite, all the key moments from the very first episode onwards are exactly where we have full control over Olivia and her decisions.
(I sincerely hope that no one is taking real world messages from this story, least of all advice on masculinity, but that's an entirely different discussion.)
And I, on the contrary, hope that from this “message” of Tess, those people, to whom it was addressed, will still learn some lessons, because even I, having a purely masculine view of what is happening, can not help noting the significantly increased in the modern world manifestation of infantilism and unwillingness to take responsibility.