Man, i've gotten past the dorm war and still chugging along the content but i feel compelled to come here and bitch about a second element of this game that i feel is yet another example of it getting in the way of itself. The fucking monologues, jesus christ man, every single fucking scene needing an 18 page pretentious philosophical essay from the MC before things actually move on to conversing with the scene's other characters. I'm sick of reading them, they're all vapid and empty, boo hoo, the MC is an unfeeling sex-addict, cool story bro, now can we move on to something actually interesting? No? Another 36 page essay on how the stars make him think about how feelings are dumb, just do the sex and no cares all times? Wow, haven't read that exact same thing 50 million other times in this game...
I hate this game and i cannot stand how i am forced to get through it cause my brain is an asshole that refuses to let go of things unfinished.
Man, I get what you mean, in my case though, I enjoy most of the monologues. Selebus would benefit from trimming them down, though.
And, while I do thing that it's fun to hate-read (hate-watch) things you don't like and that annoy you, I feel like games are different in that regard. Make an effort to quit this game for good, it's not good to torture yourself like that.
I will explain. From the top, he's rinsing and repeating an event - the beach trip - in a time and place that makes no sense. Now while the cast acknowledge the strangeness of this, where much smaller and less unusual things triggered a kind of sensory awareness of the loops (Makoto's headache, Ayane's thoughts of the rooftop, etc) one this huge is flying by completely undetected. While given the generally strange nature of Sel's game world, there should always be some measure of internal consistency involved: if there are no rules whatsoever, then breaking them means nothing.
My guess is that Selebus was too caught up with drawing parallels to with first beach event and how it went for Rin. In face of everything else that is happening there this doesn't feel like a big deal, but I get it. They just went there because they had to. Not very satisfying explanation, if you think about it.
From the last update - the one I have fully played and not been almost aggressively spoiled on, down to screencaps for proof - a few things fired off so suddenly that they could only be called abrupt. Sara's condoms (where have those been? I don't recall ever seeing one in action, so why does she have a Trojan treasure trove just lying around?) sparking up forced conflict with Sana, who by now seems to be a character that cannot drive her own story. There has to be an outside force; her timidity is so overwhelming that it interferes with her own story. That scene in Sara's room felt as though it only existed to force a conflict. It had no impact on Sara herself, only could have happened via contrivance (Sensei has never, once needed to enter that room without her being involved/the reason. But the first time he does, it just so happens that Sana is there, too, and in eyeshot of incriminating evidence that materialized from out of thin air?)
Agree. Also, don't really see a big problem with this.
But that's one thought that worried me for the future. The other - the main thrust, and what I was force-fed - is Rin. She spent literal years pining for Chika, building up the confession, grappling with what was surely rooted in hormones but may have grown to be something more emotionally genuine. The build-up, the tear down, it all meant a lot for her and her relationship with Sensei. For better or worse.
So when along comes Otoha, and immediately Rin is so down bad that it puts to shame the torch she carried for Chika for literal years, it spits on the idea of her burgeoning maturity. She's not growing from that gem of an event on the beach, or the callout in her dorm room; she's repeating the exact same actions with none of the groundwork.
I, again, agree, but in this case I think that might have been the point. We can actually see both Otoha and Chika noticing this (and Otoha verbally acknowledging) and being somewhat uncomfortable with how easy Rin switches. And yes, Rin is not growing (although she's better at confessing now) and I think it's a set up for possible crash and burn.
We see Rin meet Otoha in real time: we are literally there at the instant they learn one another's names. And yet, in spite of this, Rin's ludicrous infatuation is treated as being more real than what she felt for Chika.
Is it? Remember how her brief hook up with Sensei was presented? That seem to be the thing with her. Interestingly, she ignored Otoha's request to promise her that she would be the only possible partner. She's so into her romance that she's not listening to anyone, including subject of her own affection.
Meanwhile we have Otoha "yeah I'm mad uncomfortable here so I'm just gonna walk away" being put up on a pedestal to the extent that Sel rushed Molly's unrequited love - nearly turning her into a bloody rapist in the process - and had Rin, who more than anyone else in the entire game should know to treat the emotionally desperate with care, straight up threaten to rescind her and Molly's friendship over the act of just trying to get her feelings off her chest.
I think it was Sel's attempt at showing that when someone's in Rin's mind, that all she thinks and cares about. It was the same with Sensei at that once scene. She didn't care about Otoha at that moment.
But her callousness was off putting and very on the nose, to the point that I think it's might have been purposefully set up for something we'll explore later. At least I hope.
And I agree about Molly - her plot was rushed. It was properly set up, just rushed. I could see her blowing up at roleplay session, but not assaulting Rin.
That's Rin; that's the girl with the razor, who threw down so hard to help Futaba, who caught perhaps the most genuine case of feelings during that one moment with Sensei (which, as of now, cannot be referenced or followed up on lest it damage the newly-minted actual relationship she is in. Which makes that arc, until matters change, absolutely meaningless.),
That's the point. I recon that's a next big thing for Rin, maneuvering between Sensei's advances and her own frivolousness.
now seen effectively stamping her feet because Molly - someone else she has at least known for some time - cannot measure up to some random apathetic musician who spent most of her events affirming that romance isn't her thing and that she can't deal with Rin's advances. Except she actually can, because silly her - she was interested all along and there's no doubt now. Gosh, can you believe it? How amazing.
Yea, I don't feel as strongly about this as you, but I agree that Otoha's interest in Rin could have been set up better. You forgot to mention that Wakana's overdose came out of nowhere and wasn't foreshadowed at all, but yeah.
I enjoyed this update a lot, even though it somewhat felt like a mid-season finale in drama show, but I guess it is drama show.