- Sep 5, 2020
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Yup. I haven't seen the series, but in Neil Gaiman's novel "American Gods," multiple versions of a god can manifest based on regional changes in how a god is perceived. The Loki that exists in and walks around North America is so different from the Loki that exists in and walks around Scandinavia that they actively hate each other, and every culture that comes to the US brings a unique version of the gods with them.Now that i thought about it a bit more.
This is even nothing new.
There are a couple of stories out there where gods come to be, or gain their power, from people believing in them.
And the most recent story that came to mind, and i had that thought already but forgot, is the series "American Gods".
There are some parallels with LiL and i wonder if Sel took some inspiration there.
They even also have their own "Techno Gods" in American Gods, like i think it was the "Information Age God" and the "Internet God" and whatnot.
It's like how we have the "Wire God".
And maybe the wire god came to be through Maya, or by Akira how he'd imagine a god that would be associated with Maya's IT comparisons.
Tabletop RPG Werewolf the Apocalypse has something similar with Umbral Spirits. Spirits emerge for nearly every concept, and those that are accepted by most of the people in an area become powerful enough to grant supernatural powers to people, with some notable examples being "The American Dream" and "The Allmighty Dollar"
I've mentioned previously that a lot of what Sel references about perception informing reality lines up with how the Hindu concept of the Maya (illusion) as written in Ravnos-related works in the tabletop RPG Vampire the Masquerade, which is by the same company that makes Werewolf The Apocalypse.
And Sel strikes me as exactly the kind of goth boi to have played a lot of White Wolf RPGs and read Neil Gaiman's novels in the past.