I just finished the game. I think it's pretty good for being the developer's first long game (well completed, something few devs can say; I wish other devs had your commitment), with very good scenes and an original way of integrating the walkthrough into the game. The big objetion in my opinion is the art aspect (it definitely need to be more polished) but the game (especially the story and Miyako, but without forgetting the huge amount of reviewable scenes in the game) did hook me much more than I though, surpassing my initial objections to the visual aspect (if in the medium term future you would decide to remake the game with polished art, as the creator of
Shut up and Dance is currently doing, you would surely win hundreds of subscribers on Patreon).
PS: I have some comments about some elements of the story of the game:
- When the player chooses the option to help Tamaki, an extra scene appears where the assailant goes to see a male boss (who is receiving a blowjob from an apparent debtor with payment problems), asking for permission to take revenge against the MC in the future, but that male boss never reappears in the game and the one who really commands the Umbrella company is Rachel. I think he could have been a good second-in-command for Rachel, taking a more active role in the game, making things more difficult for MC (and Miyako).
- When MC hits the assailant, he only punches him and he simply surrenders and confesses the role of his boss Rachel, without even falling from MC's punch, despite the fact that shortly before he had killed Paul without any problem. Honestly, I think a more normal fight between them would have been better where the assailant is finally beaten by MC, being seriously injured (probably, through a small minigame), or in case you only want to knock him out with a single punch (or hit with a baseball bat), that MC does it by surprise taking advantage of the fact that the assailant is distracted with Miyako, becoming more heroic at Mikayo's eyes.
- If the player decides to accept Rachel's deal, I think it would have been great if there was the following possibility: after leaving her house, MC calls the police, delivers his evidences (by the way, in the game MC only knows what he knows thanks to what the assailant confesses him; MC doesn't discover any of the documents stolen by his father, so it would have been better if MC discovered some evidence on his own before visiting Rachel, perhaps hidden in the old office where he found the photo of Paul with the assailant), including perhaps a recording of his conversation with Rachel (opportunely deleting the part in which MC accepts the sexual deal), and in the way he fucks her and put her in prison.
- When the game is coming to its end, Cassie always wonders where MC is. Is there any route where she is romantically paired with MC in the end?
- In my opinion, in case the path chosen by the player leads to an ending where MC is not paired with Miyako, I think a last hot scene should be shown with MC's alternative couple (be it Georgia, Tamaki or Cassie).
- In my opinion, the game's middle path (I mean the one called like MC having perverted thoughts about Miyako), should have had a triple ending:
- Your planned ending for this route.
- One where Miyako dumps MC but finds that she is pregnant with MC's baby and with the accounts that she could claim that the baby is Paul's posthumous child to avoid public scandal, having to go back to the family home, and MC's reaction could be 2 different, while in the eyes of others he becomes the father figure of his new (legal) sibling:
- MC accepts the family reunion without pressing to try a sexual relationship again to avoid a new abandonment of Miyako, unless Miyako is who initiates it. It would help if Miyako confessed MC that Paul, before he died, discovered their affair.
- MC would become a controlling man, making Miyako leave home as little as possible, while their relationship flirts with the bondage.
- The other, where Miyako decides not to abandon MC, who manages to corrupt her enough so that she lives with remorse for her forbidden relationship with her stepson but without the necessary will to run away from their taboo relationship.