Thanks for the files. I don't think I can do anything on my end, as it's a scripting issue, probably comes from the way Fujino saved it, as they might have used the ChatGPT version to do it, and the files in the GPT version are modified from the base Chinese. I don't know how you can access it through the main game (it might not be possible), as I finished the game and couldn't go to it. But I had to delete those saves because of weird plugin issues too, so I don't have those anymore.
No problem. Thanks for trying. When I have time I will play through the game with your translation and see the differences.
Last news was from one month ago when the dev said he needs to go on hiatus for two months. So late September or October would be earliest we might see Part 2.
I pasted the data and js folder into the www folder. But it doesn't show the Handjob animation scene anyway
The correlation is slow gradual NTR which is why this game is loved my everyone in the first place . And people don't care who is doing what for how many years , people only care for the end result. At the end of the day a good game will get the crowd and a bad game won't.
Did you select the scene from the Recollection Room or from playing through the game? If in the Recollection Room, does it look like the picture I posted here:
I agree I like slow NTR because fast makes end result feel cheap and unearned. It can be fun but it is just easier to get jolies with videos than playing a game if everything happens quickly. But with slow NTR, it is a balancing act. Good pace makes the payoff worth it but too slow and my interest will wane.
I selected save game 4 and chose the scene from the Room of Memories, at Inoda's house
If you seriously dont think the amount of years of hard work and dev time that Venus has done counts for anything you are genuinely fucking stupid. You're comparing a veteran doujin group that's been active longer than most people on this website have been alive to a single guy who has been doing this for like three years. Not to mention discounting the different art styles and intentions with their works.
