Well, this is going to take a while, but I better start somewhere... Let's start with the mountain area... Actually, I'll skip the area and story explanations and go straight to the enemies.
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HARPY (variants 1-3)
Harpies are creatures with heads and bodies of beautiful women, but have clawed wings for arms and large talons on their feet, large and strong enough to carry a person. They are flying enemies, and the bestiary describes them as ruthless predators, nesting atop of mountain peaks. Their biology requires humans for reproduction, which they can do with either men (in obvious ways) or women (by using a special proboscis, AKA a psudopenis). While men are used by harpies for their seeds, women can be used as living nests, forcing them to carry their eggs in any orifice. Despite their beautiful appearance, they are savage beasts and treat women as such, typically forcing them to incubate their eggs, while their arms and legs are occassionally eaten for sustinence until they die of exhaustion. The harpies live in one single flock that is lead by a queen living atop of the mountain.
Gameplay-wise they come in 3 variants with differing haircolor (red, blonde, and blue). They all share the same movesets, but have different defeat animations (from here on out refered to as just "animation"). They are flying enemies, which makes them difficult to hit with melee weapons as they can easily dodge aside while not attacking, although they can be reached with magic, and hitting them in the air forces them to descend to ground level (same thing happens when their attacks are parried). They have 3 attacks: a basic slap attack that does minor damage but can be repeated in succession; Feather Shot, which they charge in mid-air to deploy 2 layers of feathers in all direction creating a minor bullet-hell (albeit, they can't move while using this); and Talon Dive, which lets them descend diagonally at Aradia from above with their extended leg talons (this is a guard-piercing attack). They can also induce Pregnancy with their animations, and once the pregnancy cycle is over, Aradia will either lay or vomit a Harpy egg, out of which a fully-formed Harpy will emerge.
Animations:
Red-Haired Harpy:
The Harpy will lift Aradia up in the air by her thigh, letting her hang upside down, while using their free talon to rip off her clothes at her crotch, before grabbing the other thigh with that leg as well. As Aradia struggles, the Harpy will then grow her proboscis out of her cloaka, and at first rub it against Aradia's crotch area, before inserting it forcefully. The Harpy will continue to rape Aradia like this, only moving her legs up and down which keeps forcing the proboscis in and out. This causes a Pregnancy to occur as she is inserting an egg deep into Aradia's uterus.
Blonde Harpy:
This Harpy's animation differs as she lifts Aradia up by her front rather than her back, grabbing her shoulder with one talon, and her breast with the other, forcing Aradia to face her crotch as she is lifted into the air unable to struggle back. After spawning her proboscis, the harpy will use the same jerky motion of her legs to force it down Aradia's throat. This also begins the Pregnancy, albeit one where Aradia vomits the egg out instead of laying it in the end.
Blue-Haired Harpy: (FATALITY WARNING)
Unlike the previous harpies, the Blue-Haired Harpy performs a Fatality animation (while Aradia technically survives the end scene, her injuries are too severe to continue her journey). She starts by lifting Aradia up by her thigh, much like how the Red-Haired variant does. While the Harpy is stroking Aradia's stomach, another Harpy shows up and grabs Aradia's other leg. The two Harpies fight and struggle with one another, eventually pulling Aradia by both legs in a brutal tug-o-war, ultimately resulting in one of the Harpies tearing Aradia's leg off, leaving the other Harpy with the rest of Aradia's now screaming and tormented body. As the screen fades to black and then shows the aftermath, we see how the winning Harpy layed Aradia's body inside her nest and proceeded to rape her as she is still bleeding from her leg-stump, while groping her breast with her clawed hand while the other Harpie keeps feeding on Aradia's dismembered leg and watching them. The Game Over screen mentions how Aradia became a living incubator for the Harpies, being devoured bit by bit every day.
LAMIA:
Lamias are women whose bodies are those of snakes from their hips down. The bestiary describes them as intelligent monsters that were once women that adopted the bodies of snakes as per their pact with the Devils. Their high intellect allows them to cast spells, so they have a fondness for riddles and intellectual gossip. They also possess extremely long tongues for capturing prey, which they take advantage of during mating seasons, using their elongated tongues and tails for self-pleasuring activities. Most of them detest men for their vile manners of speech, so more often than not it is women that fall prey to a lamia's lust.
In gameplay, lamias don't move much, if at all, however their long tails gives them long reach in all directions, which is wha they use to bring Aradia closer after they knock her out instead of moving in on her themselves. They are capable of casting spells, particularly of Fire variety, while using their tails to keep Aradia at a distance.
Animation: The Lamia will constrict Aradia with her tail, hanging her upside down while spreading her legs and tying up her arms. The lamia will first display her tongue to Aradia to showcase its length, by having it reach from her belly all the way to her face. Afterwards, she will pick Aradia up and perform a deep kiss, suggestive of how long the tongue was shown to look like (even as the Lamia moves away from Aradia to give her some air, the tongue will still be lodged throat-deep inside). After a prolongued period of deep French-kissing, the Lamia will lower Aradia's body again, now using the same two-foot tongue to lick deep inside her p*ssy. As Aradia climaxes, the Lamia will extend the tip of her tail into Aradia's mouth, giving her a deep sensation from both ends.
GARGOYLE:
Gargoyles are hideous, winged humanoid monsters that pretend to be statues, residing within Castle Bloodmore (long story). The bestiary describes them to be statues brought to life by magic meant to ward off intruders. However, some Gargoyles were given special orders not to kill the intruders, but instead capture them and erect them in humiliating poses, to later be used as public cum-dumpsters. They do so by putting their victims in tight grips and then petrifying themselves, surrounding the victim in a stone-cold embrace.
In gameplay, Gargoyles resemble background statues found in their respective level (these statues can normally not be interracted with, although some can be broken). Once Aradia comes close to a Gargoyle that's posing as a statue, they will punce at her with an attack that knocks her down. Gargoyles that don't lie in wait like this can be fought off like Goblins, as they have very similar movesets. Despite having wings, Gargoyles are terrible flyers, but are good at jumping to perform their hits, meaning those that lie in wait like statues are the most difficult to take care of.
Animation: Gargoyle will pin Aradia into a tight hold by wrapping its tail around her waist, and its arms around her shoulders while holding the back of her head (similar to a Minotaur). After spawning its p*nis and penetrating Aradia from behind, the GArgoyle will petrify itself into a rigid form, forcing Aradia to stay in that position while a rocky c*ck is still jammed inside her. Further animations simply show Aradia struggling to get free, only for her own movement to cause her to involuntarily rub her privates against the inserted p*nis.
BERSERKER INQUISITOR:
A former Inquisitor that was banished by the Church for their savage actions, having renouncing the teachings of gods in favor of their own savage desires for rape and violence. They appear to be a more violent version of the Advanced Inquisitor, wearing dark clothes instead of white, which are almost entirely ripped and broken, including parts of their mask which reveals bestial eyes beneath. They also fight using twin swords, albeit shreaded variants of what used to be much larger blades, an evident mark of the many battles they fought.
In gameplay, they share almost the same moveset as the Advanced Inquisitor, being insanely fast and capable of dealing rapid slashes at the time. What makes them different, and far more dangerous, is that they do not experience recoil from Aradia's attacks, meaning they will ignore all damage they take as they move and attack normally, regardless of how much damage they are infliced with, which reflects on their masochistic nature. The only way to see their damage animation is by parrying their attacks and using Revenge Strikes on them.
Animation: (FATALITY WARNING) They start their animation like the Advanced Inquisitors, by forcing Aradia to kneel while holding her hair and preparing their blades to strike. Normally, an Advanced Inquisitor would reconsider their action at this point and instead proceed to drug and then rape Aradia. But the Berserker Inquisitor will not reconsider, and will make true of its gesture, bringing its blade down to decapitate Aradia, still holding onto her head as her lifeless body drops at his feet. The Berserker will then stomp onto her body while unbuttoning his pants and revealing his p*nis, then using her decapitated head as a sex-sleeve, forcing it first down her throat, and after he comes once, he will do the same with her throat on the other end of the head.
POPE'S PRIESTESS:
A fully dressed female member of the Inquisition, serving as the Pope's personal maid and servant. (they are essentially those fully cloaked figures that are killed by True Aradia in that cutscene before the White Cathedral is reached, repurposed as enemies) They cover their bodies entirely in sacred garbs in order not to arouse their fellow Inquisitors with their beauty, as an act of celibacy. Despite their oath of virginity, they find pleasure in humiliating their prisoners by exposing their bodies and submitting them to rapes prior to their judgment.
Pope's Priestess are spellcasters, capable of casting various forms of magic for offensive purposes. Their primary gimmick is the erect spherical forcefield that they surround themselves with in order to avoid being damages as they chant their spells, which even involves healing other enemies. Aradia must first break these shields before she can begin to deplete a Priestess' health, and until she does so the Priestess will freely chant her magic to attack Aradia or support other Inquisitors. If Aradia moves away for too long after this shield is broken, the Priestess will erect a new one soon after.
Animation: The Priestess will bind Aradia with enchanted chains by both arms, and both legs, then force her into an uncomfortable position where she will act as a table, her arms and legs supporting her body on the floor while her breasts are pointing upwards. The Priestess will sit down on Aradia's belly, pretending it to be her throne, then rapidly fondle her breasts on one side while penetrating her p*ssy with a tentacled vibrator on the other side (similar to the Game Over scene with True Aradia, but witl Aradia facing upwards instead of down).
AMAZONS:
These warrior ladies live in the secret Pleasure Gardens, a place where women openly explore their sexuality and sexual desires with mutual consent. At least, that is the story they will tell Aradia once she arrives there. In truth, the Amazons are in league with the Inquisition, tricking women into their sanctuary before drugging them with herbs and handing them over to the rest of society as sex slaves, which in turn makes sure the Church does not attack them for their heresy. Amazons are fierce warrior ladies resembling oriental belly-dancers, and are lead by a tall woman named Gladys. They initially attempt to seduce Aradia into joining their ranks, but once the Revenge Witch discovers they are working with the Church, they turn from gentle hosts to fierce aggressors.
Amazons come in 2 varieties, one armed with twin swords and the other armed with a long pole. Gameplay wise, the sword-wielding ones are quick attackers and tricky to fight for their ability to deflect projectiles and avoid attacks, being able to swing their swords rapidly. The polearm-users have extended range and can attack from higher platforms. When either variant is low on health, they will cast a spell on them that greatly increases their strength and ferocity, making it difficult to land a killing blow on them in that state as they keep attacking repeatedly.
Animations:
Twin-Swords Amazon:
Using their grounded swords as a stool, the Amazon will sit down while holding Aradia by her extended arms, whilst keeping her head directed at their crotch area. The Amazon will spread her legs and force Aradia into sucking her p*ssy. At some point, she will embrace Aradia's head with her leg, forcing her to lick deeper.
Polearm Amazon:
The Amazon will strike their pole into the ground in front of Aradia, and force her to rub her body against it by pulling he head up and down, dividing her breasts and tribbing her clit at the same time. She will also occasionally kiss her and her breasts, and ultimately pull one of her legs and place it on her own shoulder to force her to dig the pole even deeped into her skin while tribbing.
I suppose that's enough for now, I'll enlist the other enemies and bosses in another post.