- Oct 17, 2017
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I like this statement. There's a lot of value to it. But, it's also about setting up situations where people can display charachter via action. This is part of why "they talk about it, everyone agrees, sex happens, arc complete" format is weak. That kind of format gives characters less means of showing themselves and developing outside of direct explanation. Dialogue can often be used as a way to show, rather then tell, but in such cases it's normally through reluctance, disagreement, excitement, and difference of perspective.You have played the game right? The sex scenes aren't just the vapid pointless "sexy time" payoff you get at the end. The sex scenes are as important if not more so when it comes to character development. I try to hide what is going on but through the sex scenes alone you learn about the characters sexuality. However, I've worked very hard to adhere to hide these revelations. Sure, I could have had Molly simply say that she likes being cuckolded and that she wants her husband to cheat on her, or I can show that by having her masturbating to the fantasy of that happening. Not only is it more enjoyable to watch, but it is also far more effective than if I had just had Molly say it but never really act on it to demonstrate that it turns her on. In other words: "show don't tell."
At first I wasn't really trying to do something in paricular, I simply wrote a plausible development, but looking back, never telling the reader outright what I am trying to convey to them but instead showing them being turned on and/or fantasizing about something was probably a smarter way to do it. Which is why that method never changed in season 2, what looks like simple sex scenes is actually moments where the plot is most focused on character building through subtle hints and variations in actions.
I want people to learn about my characters based on their actions rather than me telling them.
Notes on new content:
-Low opinion on Anal Girl. She shows up, has situation explained, indulges in her kink, easy peasy.
- Medium opinion on the blind girl. She's more interesting personally and in kink then the anal girl. Also the element with her sister adds an extra dimension to it. But, it suffers the same "she learns about the dynamic, indulges, arc complete" issue as others.
- Highest opinion of the white haired girl, and in particular her scene with Molly. Molly failed to communicate with her, and she wound up feeling hurt by it. I like that miscommunication, but miscommunication is still a weaker inter-personal conflict then genuine disagreement on perspective. My main request there is that the sollution not be *easy*. If she just decides to overcome her shame/sense of being judged then it ruins the good setup. The best way to resolve it is with action or escalation. Either the protagonist making a choice to engage with her, or some event happening that makes the situation come to head.
- Side note about the white haired girl. This might be a good spot for some internal conflict for the protaganist. Being a father is part of his identity, so adapting it sexually might be harder for him then other sexual aspects.
- I'm mixed on the scene with the girls all meeting up. I like the idea of a group dynamic being explored. But, the problem is that the group dynamic is stable, everyone is perfectly content with it, and no one has any disagreements with each other. It seems natural to me that some of the girls might have alternative visions of what the harem might look like (how many members, who leads it, how strict is it) etc. Still, it's a good avenue to explore.